SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow of the late Dr Arne"/1) | (@(roleclean,performerclean) "Widow of the late Dr Arne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2524 matches on Event Comments, 1134 matches on Performance Comments, 913 matches on Performance Title, 819 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: Cooke

Related Works
Related Work: The Capricious Lady Author(s): Michael Arne
Event Comment: Written by the late Mr Addison. By Particular Desire

Performances

Mainpiece Title: Cato

Afterpiece Title: The Debauchees

Cast
Role: Father Martin Actor: Taswell

Dance: III: Mechel

Song: V: The Subscription-Lowe

Event Comment: Never acted there before. Written by the late Mr Addison, author of Cato

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Lying Valet

Song: Barlow

Dance: As17451018

Event Comment: Profits subscribed to the Veteran Scheme at Guildhall. Mrs Cibber to Garrick, 11 Dec.: Though Mr Rich had no performance at his house...Drury Lane Playhouse was not above half full till the latter account. Then it was a good house but not near so great as we had all last winter to the Orphan. He had built up the stage, but as nobody came there he shut in a flat scene to hide it, and the next day he played the Tender Husband to fifteen pounds.-Boaden, Private Correspondence of Garrick, I, 46

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: Lowe, Mrs Clive

Dance: Muilment, Mechel, Miss Mechel

Event Comment: Never perform'd there before. Written by the late Mr Addison

Performances

Mainpiece Title: Cato

Afterpiece Title: The Debauchees

Cast
Role: Father Martin Actor: Paget

Dance: As17451028

Song: Brett

Event Comment: MMrs Cibber to Garrick, late Jan.: It is surprising that dl goes on acting; one night with another, to be sure, they have not received above 40 pounds; the actors are paid only three nights a week; though they play every night. But the top stroke of all was Macklin's play! It was entirely new-dressed, and no expense saved in the clothes. I shall say nothing of the piece, because you may read it; but be as vain as you will about your playing Bayes, you never made an audience laugh more than Henry VII has done. There for the first time I saw your rival, Mr Goodfellow; I should have said the rival Mr Lacy wants to make you; do not be quite dispirited about it, for Perkin Warbeck is much below anything I ever yet saw. Here I must ask Mr Stevens's pardon, to whom I have done injustice, for I think he may dispute the pass downstairs with Perkin, and as his head seems to be the heaviest of the two, I think he has the best right to it.--Boaden, Private Correspondence of Garrick, I, 49

Performances

Mainpiece Title: Henry Vii

Event Comment: Benefit Mrs Pritchard. Mainpiece: Written by Shakespear. Servants admitted to keep places on the stage, which will be fram'd into Front and side boxes, and entirely enclosed after the manner of an Oratorio. Ladies are desired to send servants to keep places to prevent mistakes. Tickets and places to be had at Mrs Pritchard's in Duke's late Earl's Court, Bow St.; At Mr Vaughan's, the Royal Exchange, Cornhill, and at the stage door

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Duke and no Duke

Dance: PPeasant-Cooke; Comic Ballet-Cooke, Signora Campioni

Song: SSong of Diana from Dryden's Secular Masque,-Beard (set by Mr Boyce); Genius of England-Beard

Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Performances

Mainpiece Title: The Committee

Performance Comment: As17460117, but Mrs Day-Mrs Cross; A New Occasional Prologue on the Duke of Cumberland's Defeat of the Rebels-Cibber.

Afterpiece Title: May Day; or, The Merry Milkmaids of Islington

Performance Comment: To conclude with a Rural Dance in Honour of Flora-after the manner of the Ancients.
Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne

Song: Miss Young

Dance: Mechel, Mlle Mechel

Event Comment: [Whereas, from various accidents and disappointments the Undertaking an opera for the next year was resolv'd upon too late in the season to permit of solliciting the Subscriptions in the Usual Manner; and as the Proposals for the ensuing year are of a different nature, and, as it is presumed, much more to the Advantage of the Subscribers than any hitherto offered, it has been thought proper to take this method of informing the Publick, that attendance will be given at the Opera-Office in the Haymarket, every Tuesday, Thursday, and Saturday, from ten o'clock in the Morning till three in the afternoon, in order to shew the Proposals, take in subscriptions, and deliver our proper receipts.

Performances

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Barry from Dublin, 1st appearance on English Stage; Iago-Macklin; Brabantio-Berry; Cassio-Mills; Roderigo-Yates; Duke-Winstone; Lodovico-Blakes; Montano-Mozeen; Gratiano-Goodfellow; Emilia-Mrs Macklin; Desdemona-Mrs Ridout.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: At the Late Wells, at the bottom of Lemon St., Goodman's Fields, a Concert, etc. The House is alter'd in a more Theatrical Manner, is made warm, and Front Boxes made at the upper end of the Pit. We shall perform every Night. Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s. 6 p.m

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: The Lying Valet

Dance: II: Peasant Dance-Master Morgan, Miss Baker; III: Scotch Dance-Mr Miles, Mrs Miles; IV: Tambourine-Master Morgan, Miss Baker; V: Drunken Peasant-Miles

Event Comment: No Person to be admitted behind the Scenes. [The theatre is termed the Late Wells until 13 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Dance: As17461027

Event Comment: 1 GGeneral Advertiser: Mademoiselle Violette humbly begs leave to acquaint the Publick, that she is very much concern'd to hear that she is charg'd with having been the occasion of the Noise at the Playhouse in Drury Lane on Wednesday night. That she was entirely ignorant that three Dances had been advertised, until it was too late to prepare herself; and as she cannot possibly be guilty of any Intention to disoblige, or give offence to an English Audience (from whom she has receiv'd so much Applause) she presumes to hope they will not impute to her a fault which she is not capable of committing, and especially where she has met with so much indulgence, for which she retains all possible gratitude

Performances

Mainpiece Title: 1 Henry Iv

Dance: 1 TThe German Camp, as17461217; The Vintage, as17461217

Event Comment: Benefit Richard Starkey, late of Goodman's Fields Wells, now a Prisoner in the Fleet, and having not the Opportunity to wait on his Friends

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lying Valet

Dance: As17461124; Hornpipe-Williams

Event Comment: Benefit Mrs Woffington. Mainpiece: By the late Mr Taverner, never acted there before. Tickets deliver'd out for the 19th of February, and 5 March will be taken this night

Performances

Mainpiece Title: The Artful Husband

Performance Comment: Sir Harry Freelove-Mills; Winwife-Giffard; Stockwell-Yates; Frank Flash-Neale; Mrs Winwife-Mrs Giffard; Ned-Blakes; Lady Upstart-Mrs Furnival; Mademoiselle-Mrs Macklin; Mrs Decoy-Mrs Bridges; Steward-Taswell; Butler-Winstone; John-Usher; Robin-Bransby; Mrs Prink-Miss Cole; Betty-Miss Pitt; Belinda-Mrs Woffington; with a New Epilogue in Man's clothes-Mrs Woffington , addressed to the Young Gentlemen, who call themselves the Town.

Afterpiece Title: The Stage Coach

Dance: Salomon, Signora Padouana

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. Benefit John Hippisley. [Receipts: #72 17s. 6d. plus #93 1s. from tickets without Stage (Account Books, Egerton 2268)]. Receipts: #165 18s. 6d. We hear Mr Hippisley is so far recover'd from his late illness, that, tho' considerably alter'd in his physiognomy, and lower'd in spirits, he persuades himself a crowded house on Thursday next, at the Stratagem for his benefit, will create a smile on his countenance, raise his spirits, and make him appear as much a Scrub as ever

Performances

Afterpiece Title: Miss in Her Teens

Event Comment: AA Letter to Mr Garrick on his having purchased a Patent for Drury Lane Play-House published. [Written by one who subscribed himself the Plain Dealer, it pointed out the troubles in store for the young manager from grievances from subordinates, arrogance from other actors (all individualists, no unity) failure from joint managership, grievances from public, and extraordinary expense from costume. He suggests the reasons for Garrick's jumping from actor to manager are vanity and avarice. He indicates Garrick's challenge and sums up the late troubled years of management under Fleetwood and Highmore.

Performances

Event Comment: [This dance had been introduced in Act IV of The Refusal on 29 Sept.] Receipts: #100 (Cross); #102 6s. (Powel)

Performances

Mainpiece Title: The Confederacy

Performance Comment: Brass-Macklin; Dick-Havard; Moneytrap-Yates; Gripe-Taswell; Clarissa-Mrs Woffington; Flippanta-Mrs Clive; Corinna-Mrs Green (late Miss Hippisley); Araminta-Mrs Mills; Amlet-Mrs Macklin; Mrs Cloggit-Mrs Cross.

Afterpiece Title: The Intriguing Chambermaid

Dance: II: New Dance-Cooke

Event Comment: [Song and Chorus] Written over our late Victory over the French Fleet (General Advertiser). (bad) upon beat F: fleet (Cross). [The battle was fought on 25 Oct. off Cape Finisterre. Accounts, both French and English, appeared in the General Advertiser by 16 Nov.] Receipts: 120 (Cross); #114 16s. (Powel)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Garrick; Brazen-Macklin; Sylvia-Mrs Woffington; Rose-Mrs Green; Ballance-Winstone; Kite-Berry; Worthy-Havard; Bullock-Taswell; Welsh Collier-Blakes; Scale-Simpson; Scruple-Usher; Recruits-Neale, Ray; Melinda-Mrs Mills; Lucy-Mrs Bennet; to conclude with the last New Country Dance-the characters of the play.

Song: New Sailor's Song-; Chorus call'd Tit for Tat-

Dance: New Ballet, call'd %The Gardner's Revels-Cooke, Mathews, Leviez, Pelling, Shawford, Royer, Mrs Addison, Miss Thompson, Mrs Shawford, Miss Cole

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances

Event Comment: Benefit for Mrs Pritchard. Part of Pit laid into Boxes, and stage form'd into Front and Side Boxes. Tickets and Places to be had at Mrs Pritchard's in Duke's late Earl's Court, (Bow Street), at Mr Vaughan's at the Golden Fan, next the Royal Exchange, Cornhill; and of Hobson at the stage door. Receipts: #220 (Cross); house charges, #60 (Powel); cash, #63 10s. 6d.; tickets, #118 17s. (Clay MS). By her agreement she has ten Guineas return'd her out of this charge, and therefore I shall subtract that out of the rest (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17471205, but with a new Epilogue In Dialogue-Garrick, Mrs Pritchard in the Character of Ranger and Clarinda; Ranger's Frolick-_.

Afterpiece Title: The Dragon of Wantly

Dance: Cooke, Anne Auretti

Related Works
Related Work: The Capricious Lady Author(s): Michael Arne
Event Comment: Benefit for Mrs Elmy. Tickets and Places of Mrs Elmy at the corner of Tavistock St. next Southampton St., Covent Garden; and of Hobson at the stage door. Being the last time of acting till the Holidays. Cash, #92 12s.; tickets, #56 8s.; total, #149 (Clay MS page reproduced in Oct. 1926 issue of Connoisseur, p. 93). A few days ago arriv'd in Town Mr Sheridan, Manager of the Theatre Royal in Dublin, and we hear as his stay is to be but short, he intends to perform only once, for the benefit of the poor sufferers by the late Fire (General Advertiser). [The fire happened the 25th in "Exchange alley (London) and in the space of 10 hours consumed a great number of houses occupied by persons in middling circumstances and with large families." Subscriptions were raised and distributed by a committee of ten bankers. See General Advertiser.] Receipts: #160 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Macbeth

Cast
Role: dances Actor: , and other decorations.

Afterpiece Title: The Intriguing Chambermaid

Dance: Cooke, Anne and Janeton Auretti

Related Works
Related Work: The Capricious Lady Author(s): Michael Arne
Event Comment: Benefit for Relief of Sufferers by the late Fire. [It happened in the Exchange on 25 March. See General Advertiser accounts.] Boxes and Pit laid together at 5s. each. First Gallery 2s. Upper Gallery 1s. [Statement about gift of the night's box receipts (31 March) repeated. See note, 11 April.

Performances

Mainpiece Title: Othello

Performance Comment: As17480111, but Othello-Quin.
Cast
Role: Othello Actor: Quin.

Song: Beard, Miss Faulkner, Mrs Storer

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Benefit for Lee and Matthews. Tickets and places to be had of Lee at Mr Oliphant's Exeter St., and of Matthews, at the Golden Ball in Duke's, late Earl's Court, Drury Lane. Receipts: #150 (Cross); house charges, #63 (Powel); cash, #77 2s.; tickets, #82 7s. (Clay MS)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The School Boy

Performance Comment: School boy-Yates; Young Rakish-Lee; Major Rakish-I. Sparks; Lady Manlove-Mrs Macklin; Father Benedict-Blakes; Lettice-Mrs Green.
Cast
Role: Father Benedict Actor: Blakes

Dance: I: Tambourine-Anne Auretti; II: New Dance-Matthews, Mrs Addison; III: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Hornpipe (By Desire)-Matthews

Event Comment: SSignior Nicholini gives Chocolate Precisely at Twelve. Afterpiece: A tragi-comi-Fracical Whimsical Kind of a Dance in Grotesque Characters. The original Hint taken from a late unfortunate Irish Expedition

Performances

Mainpiece Title: The Scorpion

Afterpiece Title: Punch's Defeat; or, Harlequin Triumphant

Dance: A Minuet-Signor Nicholini, Mlle Vermeil