SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Whigs"/1) | (@(roleclean,performerclean) "Whigs")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 16 matches on Performance Title, 6 matches on Event Comments, 0 matches on Author, 0 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Whig And Tory

Performances

Mainpiece Title: Whig And Tory

Performances

Mainpiece Title: Whig And Tory

Performances

Mainpiece Title: Whig And Tory

Afterpiece Title: Hob's Wedding

Performances

Mainpiece Title: Whig And Tory

Performances

Mainpiece Title: Whig And Tory

Performances

Mainpiece Title: Whig And Tory

Performances

Mainpiece Title: Whig And Tory

Dance:

Performances

Mainpiece Title: Whig And Tory

Dance:

Performances

Mainpiece Title: Whig And Tory

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Performances

Mainpiece Title: Whig And Tory

Performances

Mainpiece Title: Whig And Tory; Or, The Double Deceit

Afterpiece Title: The Country Wedding

Dance:

Performances

Mainpiece Title: Whig And Tory

Afterpiece Title: Phebe

Music: Between Play and Opera: a Piece of Musick on the Violin-Clarke; accompany'd Harpsichord-Magnes; Also a Voluntary-Magnes alone, being the first Time of his Performance in Publick

Performances

Mainpiece Title: Whig And Tory

Afterpiece Title: The Country Wedding

Music: As17290729

Dance:

Performances

Mainpiece Title: Whig And Tory; Or, The Double Deceit

Music: II: A Solo on the Violin-Charke

Dance: III: The Dutchwoman-Miss Robinson; IV: Pierraite-Roger, Mlle Delorme; V: A Grand Spanish Dance-Lally, Essex, Thurmond, Haughton, Rainton

Song: The usual Song-Miss Raftor

Performances

Mainpiece Title: Whig And Tory; Or, The Double Deceit

Afterpiece Title: Cephalus and Procris

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: The Duke's Company. The date of the first performance is not known, but Luttrell purchased his copies of the separately printed Prologue and Epilogue on 15 May 1682 (Huntington Library); hence, the premiere occurred before that date. The Prologue also refers to the feast which the Whigs attempted to hold at Haberdashers' Hall on 21 April 1682 but were restrained, pointing toward late April as a probable date for the first performance. The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 77-79. A song, In Phyllis all vile jests are met, with music by Giovanni Draghi, is in Choice Ayres and Songs, The Fourth Book, 1683. Langbaine (English Dramatic Poets, 1691, p. 19): This Play had the luck to be well receiv'd in the Town

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Performances

Mainpiece Title: A Commonwealth Of Women

Event Comment: Ryder (p. 181): It is a very good play and well acted. I observed that most of the clappings were upon party accounts. There happened to be some reflections upon the priests which the Whigs clapped extremely and the Tories made a faint hiss

Performances

Mainpiece Title: The Spanish Fryar

Dance: As17151029

Performances

Mainpiece Title: Esther

Event Comment: Benefit for Capitani, now in the King's Bench, singer in the Opera for 20 years past. Boxes 10s. 6d. Pit 5s. Gallery 2s. 6d. To begin at 7 p.m. [A long note hn the Public Advertiser about the nature of Capitani's distresses--death of wife after an expensive illness loss of considerable sums in trade, now in debtor's prison. The Public Advertiser this day Published the following Sonnet V, seemingly a new sort of puff' for Foote]: @To Mr F-@While party rage, my F., distracts the state@And mutual lies contending parties raise,@As int'rest leads, or Pitt or Bute to praise,@Let vet'ran Tories with staunch Whigs debate.@With gen'rous Punch our spirits we'll dilate,@Laugh at those loud-tongued politicians' frays,@And to good Brookman's fame attune our lays,@Whose genial bowl all cares can dissipate.@Safely to Harrogate let Bute retire,@His gout at Hayes lett Pitt in quiet nurse,@And Wilkes at either Secretary rail:@These party feuds unsocial rage inspire,@Destroy all mirth, and all good humour curse,@But shall not o'er our joyous souls prevail.

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers