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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7384 results for: Keyword - Weston</i>, has some Requisites, may in Time be a tolerable Actor in <span class=
We found 4442 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

651
15 July 1797 @ Haymarket Theatre

Event Comment: 2nd piece [1st time: C 5, by George Colman ynger. Prologue by the Hon Francis North (see text, which also gives the names of the speakers of both Prologue and Epilogue). Epilogue by the author (London Chronicle, 18 July)]. "The force and feeling which [Aickin] gave to the amiable character of Stedfast-a character, indeed, strongly resembling his own for many bearing, probity and truth-must, we are persuaded, [make] a strong, indelible impression on the minds of all as have had an opportunity of witnessing his performance of that part" (+Dramatic Censor, III, 3)

Performances

Mainpiece Title: Rosina

Performance Comment: Belville (1st time)-Trueman; Capt. Belville-Davies; Rustic-Waldron Jun.; Irishmen-Caulfield, Abbot; William-Mrs Harlowe; Phoebe-Mrs Bland; Dorcas-Mrs Booth; Rosina (1st time)-Miss Andrews.

Afterpiece Title: The Heir at Law

652
12 February 1798 @ Covent Garden

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc or The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

653
16 May 1798 @ Covent Garden

Event Comment: Benefit for Miss Betterton, 2nd piece [1st time; ENT 1]. Times, 26 Apr.: Tickets to be had of Miss Betterton, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #184 8s. 6d. (87.0.0; 8.17.6; tickets: 88.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Performance Comment: ; or, Citizen Soldiers. In which Songs-; Duets-; SCENE I. A View of a Camp. Officers-Incledon, Townsend, Betterton; SCENE II. The Advance of the Army, Slow Time. They form a half moon, and go through the Manual Excercise. SCENE III. A Sham Battle. They divide; when the mode of attack and defence in street-firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

654
03 May 1799 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; M. INT 1]. 3rd piece: Not acted these 2 years. Morning Chronicle, 17 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #482 10s. (214.5.6; 8.9.0; tickets: 259.15.6)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Vanguard or British Tars Regaling after Battle

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb (with The Little Farthing Rushlight)-Master Standen; Grizzle (1st time)-Emery; Ghost-Street; Noodle-Simmons; Doodle-Clarke; Merlin-Thompson; Arthur-Munden; Huncamunca (1st time)-Mrs Atkins; Glumdalca-Mrs Gilbert; Dollalolla-Mrs Martyr.

Song: In course Evening: Lovely Nan (By permission of Dibdin), Black Ey'd Susan-Incledon; A Bundle of Proverbs-Munden; In the Dead of the Night-Miss Poole; Together let us range-Incledon, Miss Poole

655
07 May 1799 @ Covent Garden

Event Comment: Benefit for Knight. 2nd piece [1st time; F 1, by Thomas John Dibdin. Larpent MS 1252; not published]. 3rd piec : Not acted these 9 years. [Miss A. DeCamp had appeared as a dancer with the dl Company at king's in the season of 1792-93.] Morning Chronicle, 22 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #392 3s. (185.12.6; 3.18.0; tickets: 202.12.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Tagg in Tribulation

Afterpiece Title: Poor Vulcan

Performance Comment: Poor Vulcan (1st time)-Munden; Serjeant Pike-Townsend; Joe-Hill; Bacchus-Simmons; Squire (1st time)-Incledon; Grace-Mrs Chapman; Maudlin-Mrs Atkins.

Song: End II: song-Incledon; End: Old Towler-Incledon; The Beggar's Song-Townsend

Entertainment: A Variety of Imitations-Rees

656
21 October 1661 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]

657
August 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. It is not certain that this play was revived at this time, but Tom Essence, which was probably acted toward the end of August or in early September (it was licensed 4 Nov. 1676) contains a scene in "Malfey's Chamber," suggesting that a revival of The Duchess of Malfi had occurred not long before the production of Tom Essence. On the other hand, it should be noted that the cast in the edition of 1678 contains names which point to a much earlier production; for example, Cademan probably acted little after his injury in the summer of 1673 and Downes (Roscius Anglicanus, p. 35) states that Cogan and Price died ca. 1673-74

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.

658
18 April 1723 @ Drury Lane Theatre

Event Comment: Benefit Shaw. Daily Journal, 16 April: On Thursday next Mr Wilks acts the Part of Sir Harry Wildair ...for the Benefit of his Son-in-Law, Mr Shaw, the Dancer at that House, and it will be the last Time that he will perform that Part

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17230117, with Wilks advertised to play Sir Harry for the last time.

Dance: As17221211

659
12 May 1742 @ Goodman's Fields

Event Comment: Being the last time of performing it this Season, at the particular desire of several Persons of Quality

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Performance Comment: Crispin-Phillips; from The Theatre Royal in Dublin, being the second time of his appearing on the Stage in this Kingdom; Beatrice-Mrs E. Giffard.

660
18 November 1747 @ Covent Garden

Event Comment: Mainpiece: With New Cloaths and Scenes. Afterpiece: Being the last Time but One

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Giffard; Clarinda-Mrs Giffard (their 1st time of appearing on that stage); Strickland-Bridgwater; Frankly-Ryan; Bellamy-Gibson; Jack Meggot-Cibber; Simon-James; Tester-Collins; Buckle-Anderson; Mrs Strickland-Mrs Hale; Jacyntha-Mrs Vincent; Lucetta-Mrs Bland.

Afterpiece Title: Tea

661
31 March 1752 @ Drury Lane Theatre

Event Comment: Benefit for Ross. Mr Ross did Romeo & spoke an Elogium upon Shakespear in ye form of ye Monument in the Abby (Cross). Last time of performing the mainpiece this season. Nothing under full prices. After the play an Elogium wrote by Dryden, concluding with Milton's Epitaph to the Memory of Shakespeare, spoken by Ross representing the Shade of Shakespeare as figured on his monument in Westminster Abbey. Receipts: #200 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17520127, but Romeo-Ross (1st time); Escalus-_; Paris-_; Benvolio-_; Lady Capulet-_.

Afterpiece Title: The Anatomist

662
26 April 1753 @ Drury Lane Theatre

Event Comment: Benefit for Davies & Wife (Cross). Tickets at Davies's lodgings at Mr Evans, in Tavistock Row, Covent Garden; and at Stage Door. [The Bill announces Garrick as Lothario for last time this season.] Receipts: #140 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17521011, but Sciolto-Davies; Lavinia-Miss Haughton; Calista-Mrs Davies (for the first time).

Afterpiece Title: Lethe

Dance: III: Dutch Dance, as17521125; V: Country Amusements, as17530412

Song: I: A Cantata-Beard

663
27 April 1753 @ Drury Lane Theatre

Event Comment: Benefit for my Self & Wife, Miss Thomas had Tickets (Cross). Last time for mainpiece this season. Tickets of Cross at his house in Crown Court, Little Russel St., Covent Garden. Receipts: #195(Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherds Lottery

Performance Comment: Collin-Beard; Thyrsis-Master Vernon; Dorylas-Wilder; Phillis(first time)-Miss Thomas; Daphne-Mrs Clive;To conclude with a Pastoral Dance-Piettro, Mad Janeton Auretti.

Dance: CCountry Amusements, as17530412

664
28 April 1756 @ Drury Lane Theatre

Event Comment: Last time of performing Mainpiece this season. Benefit for Pritchard, treasurer. Tickets at his house in York St., and at Pritchard's Warehouse, Tavistock St. Mrs Cibber went sick to Bath in Passion Week, & plays no more this season (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The Winters Tale

Performance Comment: As17560121, but Perdita-Miss Macklin (first time).

Afterpiece Title: Catherine and Petruchio

665
18 December 1758 @ Drury Lane Theatre

Event Comment: MMr Foote advertis'd the Author, with Alterations for his farce, but Mr Apreece obtain'd an order from ye Ld Chamberlain to stop it. Benefit for Mr Foote (Cross). Foote advertised that he would deliver [an apology] that night at Drury Lane at his benefit there against any imputation against him on account of the Author being prohibited (Winston MS 8). Advertised Diversions of the Morning for positively the last time (playbill). Receipts: #220 (Cross); Charges #63 (Winston MS 8)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Foote (1st time); Gratiano-Palmer; Portia-Mrs Clive; Antonio-Davies; Bassanio-Havard; Lorenzo (with songs in character)-Beard; Jessica-Miss Hippisley; Nerissa-Mrs Bennett; Launcelot-Vaughan; Duke-Bransby.

Afterpiece Title: The Diversions of the Morning

Dance: III: The German Hunters, as17580916; IV: Spanish Dance, as17581014

666
07 April 1764 @ Covent Garden

Event Comment: Benefit for Mattocks. Afterpiece: For the last time this season

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Thomasand Sally

Performance Comment: As17631207, but Dorcas-Miss Poitier (first time this season); The Dancing-Miss Twist, Miss Pitt.

Dance: II: The Knife Grinders, as17631012; End: The Calabrian Peasants, as17631222

667
22 March 1766 @ Covent Garden

Event Comment: Benefit for Miss Brent. Last time of company's performing till the Holidays

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Miss in Her Teens

Performance Comment: As17651121, but Tag-a Gentlewoman (first time on any stage); Miss Biddy (with song in character)-Miss Brent (for This Night Only); Jasper-Holtom.

Dance: II: The Sicilian Peasants, as17660311 End: Rural Love, as17651115

Song: A New Duet will be introduc'd between-Shuter, Miss Brent

668
06 May 1766 @ Drury Lane Theatre

Event Comment: Benefit for Ackman and Mrs Bradshaw. Tickets for This Night will be taken. Mainpiece for the last time this season

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Performance Comment: As17650921, but Kitty-Miss Pope (first time); Robert-Ackman; Cook-Mrs Bradshaw.

Entertainment: End: The Cries of London, Tombs of Westminster-Vernon

Dance: V: The Irish Lilt, as17651004

669
19 June 1767 @ Haymarket Theatre

Event Comment: The above Play and Farce, will not be performed again for a considerable time. Neville MS Diary: Shuter took off Alderman Beckford...The House very full

Performances

Mainpiece Title: The Commissary

Performance Comment: As17670604 but Young Gentlewoman (sixth time on any stage); Jenny-_.
Cast
Role: Coachman Actor: Weston
Role: Transfer Actor: Weston
Role: Snarl Actor: Weston

Afterpiece Title: The Mayor of Garratt

Cast
Role: Jerry Sneak Actor: Weston

670
24 April 1769 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Clive, being the last time of her appearing on the Stage. Pit and Boxes laid together. N.B. No tickets have been given out, but to those Ladies and Gentlemen who have their places secured, in the Pit or Boxes, and to prevent any mistakes or confusion, no Box tickets will be admitted into the Gallery; Mrs Clive begs favour of those who have places in the Pit to ba there by half an hour after Five, and to let their servants come to keep them a quarter before Four. [Epilogue is Larpent MS 295.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone (1st time)-King; Aesop-Bransby; Charon-Moody; Bowman-Ackman; Fine Gentleman-Dodd; Drunken Man-Love; Mercury-Vernon; Frenchman-Baddeley; Old Man-Parsons; Fine Lady-Mrs Clive; Epilogue (written by H. Walpole)-Mrs Clive.

671
06 December 1771 @ Drury Lane Theatre

Event Comment: [Theatrical Review, 6 Dec.: re afterpiece: "Thomas is well supported by Mr Vernon who...is the best acting singer on the stage...Mr Davies appeared for the first time in the character of the squire, and discovered no inconsiderable degree of merit.--Dorcas by Mrs Love--This character is better played here by Mrs Dorman. [Both surpassed by Mrs Thomson at cg.] Mrs Scott does justice to the songs, being an accomplished singer, but as an actress she is insufferably insipid and inanimate."] Paid Mr Russell for men's cloaths #30; Paid Mr Follett on note #10 10s.; 2 Clarinets 6 nights (2nd incl.) #9 9s. (Treasurer's Book). Receipts: #243 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Jacintha Actor: Miss Younge, 1st time

Afterpiece Title: Thomasand Sally

Performance Comment: Thomas-Vernon; Squire-Davies; 1st time; Dorcas-Mrs Love; Sally-Mrs Scott; To conclude with a dance-incidental to the Piece.

672
04 May 1772 @ Covent Garden

Event Comment: Benefit for Hull. Mainpiece: By Particular Desire, and for the only time this season, acted but once these 30 years. [See 24 April 1771.] Charges #65 15s. 6d. Deficit to Hull 9s. 6d., covered by #64 from tickets (Box 118; Pit 154; Gallery 114). Paid Mrs Carne half year's salary to Lady Day last #15 (Account Book). Receipts: #65 6s. (Account Book)

Performances

Mainpiece Title: The Winters Tale As Written By shakespeare

Performance Comment: Leontes-Smith; Polixenes-Bensley; Antigonus-Clarke; Florizel-Wroughten; Old Shepherd-Kniveton; Rogero-Gardner; Clown-Quick; Autolicus-DuBellamy; Camillo-Hull; Chorus in Act III in the character of Time-Hull; Paulina-Mrs Hull; Perdita-Mrs Bulkley; Hermione-Mrs Mattocks.
Cast
Role: Chorus in Act III in the character of Time Actor: Hull

Afterpiece Title: The Upholsterer

Dance: I: New Dance-Aldridge, Mrs Bulkley, as17720409

673
21 November 1772 @ Drury Lane Theatre

Event Comment: Mrs Smith Polly (first time) very well (Hopkins Diary). Paid Salary list #513 17s. 6d.; Miss Mansell and Mr Dimon 5 guineas each per order, #10 10s.; Mr Clinch ditt, #5 5s.; Rec'd stopages #20 13s. (Treasurer's Book). Receipts: #141 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17720922, but Polly-Mrs Smith; first time. In III: Hornpipe-Atkins.

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Weston

Dance: I: The Irish Fair, as17721023; II: Minuet, Allemande-Mas. Holland, Miss Armstrong, Scholars of Daigville

674
23 September 1776 @ Covent Garden

Event Comment: Prelude [1st time; PREL 1, by Arthur Murphy]. Mainpiece: Not acted these 3 years. Afterpiece: Not acted these 5 years [acted 21 Nov. 1772]. The Doors to be opened at 5:3O. To begin at 6:3O [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Sarjant (only) at the Stage-door. No persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Receipts: #214 17s. 6d. (214.15.O; O.2.6.

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Recruiting Officer

Performance Comment: Captain Plume-Lewis (1st appearance in that character); Justice Balance-Hull; Worthy-Whitefield; Scale-Thompson; Scruple-Cushing; Serj. Kite-Fearon; Bullock-Dunstall; Recruits-Quick, Jones; Capt. Brazen-Woodward; Melinda-Miss Ambrose; Rose (1st time)-Miss Dayes; Lucy-Mrs Pitt; Sylvia-Mrs Lessingham.

Afterpiece Title: The Mock Doctor

675
26 December 1776 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2 (?), author unknown]: An Alteration of Prometheus. The Overture and Music composed by Fisher. The Scenes painted by Dall and Richards. Books of the Songs, Masque, &c. to be had at the Theatre. Receipts: #208 3s. 6d. (205.14.6; 2.9.0)

Performances

Mainpiece Title: King Henry The Second Or The Fall Of Rosamond

Performance Comment: King Henry-Aickin; Clifford-Hull; Prince Henry-Wroughton; Salisbury-Booth; Leicester-Fearon; Abbot-Clarke; Verulam-Thompson; Ethelinda-Mrs Poussin; Queen Eleanor (1st time)-Mrs Ward; Rosamond-Mrs Hartley.

Afterpiece Title: Harlequins Frolicks

Dance: End Afterpiece: Rural Dance-Bishop, Sga Tinte