SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This entry in A Calendar of the Inner Temple Records, ed. Inderwick, III, 65, follows one for a play on 2 Feb. 1668@9, suggesting that this play fell on All Hallows Day. The customary fee of #20 was paid the actors

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Event Comment: The Duke's Company. The Diary of Robert Hooke (p. 108): To Hoskins with Sir Ch. Wren. By water with him to the Playhouse. Saw Tempest. Paid 3sh

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Performances

Mainpiece Title: All For Love Or The World Well Lost

Event Comment: John Perin paid #1 10s. for a booth at the Fair in 1680. See Rosenfeld, Theatre of the London Fairs, p. 6

Performances

Mainpiece Title: Entertainments

Event Comment: Richard Shore paid #5 for space at Bartholomew Fair. See Rosenfeld, Theatre of the London Fairs, p. 6

Performances

Event Comment: This work is advertised in The Loyal Protestant 22, 27, and 29 Aug. 1682: at Mrs Saffry's, a Dutch Woman's booth, over against the Greyhound Inne in West Smithfield. [Her first announcement calls the company "By an Approved Company"; the other two notices refer to it as "the first New-market Company." See Rosenfeld, The Theatre of the London Fairs, p. 6.] John Coysh paid #6 for a booth at the Fair (Rosenfeld, The Theatre of the London Fairs, p. 6). See also Morley, Memoirs of Bartholomew Fair, p. 222, for notice of the Indian Water Worksv. In Wit and Drollery (1682), p. 304, are verses on the Fair: @Here's the Whore of Babylon the Devil and the Pope,@The Girl is just agoing on the Rope@Here's Dives and Lazarus and the World's Creation,@Here's the Tall Dutch Woman the like's not in the Nation,@Here is the Booth where the High-Dutch Made is@Hear are the Bears that dance like any Ladies,@Tat, tat, tat, tat, tat says the little penny Trumpet@Here's Jacob Hall, that does so jump it, jump it.@Sound Trumpet Sound, for Silver Spoon and Fork,@Come here's your dainty Pit and Pork.@ [See also August 1680.

Performances

Mainpiece Title: The Irish Evidence The Humours Of Tiege Or The Mercenary Whore

Event Comment: On this date a payment was made to the foreign performers who had come in the spring: To Francis Duperier, for the charge and expences of ye French players attending his Majestie at Windsor and Winchester, and returning to London (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII [1851], 93)

Performances

Event Comment: The warrant for the export of the goods of the French comedians who acted in the late summer is dated this day. See Calendar of Treasury Books, 1685-1689, p. 2082, and Boswell, Restoration Court Stage, p. 128. During October #200 was paid to John deSureis for himself and eleven companions, the French comedians who had been at Windsor (Boswell, Restoration Court Stage, p. 128)

Performances

Event Comment: Betterton's Company. The fee of #20 was paid to John Miles, an officer of Betterton's Company. See Calendar of the Inner Temple Records, III, 342

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Event Comment: [By Richard Steele. Date of premiere unknown. Published 20 Dec.] Colley Cibber: I remember [Rich] once paid us nine Days in one Week: This happen'd when the Funeral...was first acted, with more than expected Success.-Apology, I, 263

Performances

Mainpiece Title: The Funeral Or Grief A La Mode

Event Comment: By Command. Admission as 23 Oct. 1714. At 6 p.m. Daily Courant 11 May: Whatever Persons paid for Box-Tickets for the Opera of Hydaspes, which was perform'd on Saturday the 7th Instant, by reason of several Persons of Quality (who could not be denyed) coming in without Tickets; those who had taken them, and could not find Room, may send their Tickets to the Theatre-Office...and their Money will be repaid

Performances

Mainpiece Title: Hydaspes

Event Comment: Benefit the French Comedians. [#40 paid to Bullock presumably the house charges]. By His Majesty's Command. Tickets given out for Pasquin and Marforio taken at this play. [His Majesty Present.] Original Weekly Journal, 29 Nov.: And we hear, his Majesty gave a 100 Guineas

Performances

Mainpiece Title: Le Maitre Etourdi

Afterpiece Title: Le Tombeau de Maitre Andre

Entertainment: Several new Entertainments which were never perform'd in England before-

Event Comment: Benefit the French Comedians [Bullock paid #40]. Written by Mons le Noble

Performances

Mainpiece Title: Les Deux Arlequins

Entertainment:

Event Comment: Benefit M and Mlle Salle, the two Children who dance in the Company of the French Comedians. By His Royal Highness's Command. Tickets for L'homme a bonne fortune taken this day. [The Prince present. #40 paid to Bullock.

Performances

Mainpiece Title: Les Chinois Ou Arlequin Major Ridicule

Afterpiece Title: La Retour de la Foire

Entertainment:

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

Event Comment: DDaily Post, 29 May: We are assur'd that there will be no more Plays acted this Season at [dl], and we hear that there was Yesterday no Play acted...as had been advertiz'd for that Day; the Occasion we are inform'd was, that at Midnight on Saturday last several persons arm'd took Possession of the same, by Direction from some of the Patentees, and lock'd up and barricado'd all the Doors and Entrances thereunto, against the whole Company of his Majesty's Comedians, as also against Mr Cibber, Jun. notwithstanding he had paid to one of the Patentees several hundred Pounds for one third Part of the Patent, Cloaths, Scenes, &c. and all Rights and Privileges thereunto annexed, for a certain Term not yet expired. Mr Cibber, Jun. and the rest of the Company of Comedians, and this Morning to wait upon his Grace the Duke of Grafton, Lord Chamberlain of his Majesty's Houshold, with their humble Petition, and the Representation of their Cast, and to beg his Grace's Favour and Protection

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Harlots Progress

Performance Comment: Advertised but dismissed.
Event Comment: TThe King paid #1,000 to the Opera in the Haymarket. See Deutsch, Handel, p. 317

Performances

Event Comment: At Cibber-Griffin-Bullock-Hallam Booth by Hosier-Lane. Whereas it has been reported that [the Proprietors] intend to raise the Prices of their Seats...they intend to take only the Common Prices usually paid in the Fair, viz. Boxes Half a Crown. Pit Eighteen pence. First Gallery One Shilling. Upper Gallery Six pence

Performances

Mainpiece Title: Tamerlane The Great With The Fall Of Bajazet Emperor Of The Turks

Afterpiece Title: The Miser

Afterpiece Title: The Ridotto Al Fresco

Event Comment: A New Opera.[Text by Paul Rolli; music by Nicholas Porpora.] The Characters are all new dress'd. N.B. The Tickets of such Subscribers who have not yet paid the last Call will not be admitted. 6:30 P.M

Performances

Mainpiece Title: Aeneas

Performance Comment: Cast not listed, but edition of 1734 lists: Lavinia-Mrs Cuzzoni; Camilla-Mrs Celest. Hempson; Amata-Mrs Fran. Bertolli; Eneas-Fran. Bernardi, called Senesino; Pallas-Signora Maria Segatti; Turnus-Montagnana; Latinus-Rochetti .
Event Comment: The Prince of Wales paid #250 to Handel's Opera Company. See BM, Add MSS 24, 403

Performances

Mainpiece Title: The Nonjuror

Performance Comment: Maria-Mrs Roberts; Heartly-Mrs Charke; Wolf-Rosco; Woodvil-Este; Sir John-Turbutt; Charles-James; Lady Woodvill-Mrs Shireburn; Betty-Miss Norman .
Cast
Role: Sir John Actor: Turbutt

Dance: II: Two Pierrots by Davenport and Olbeldiston. III: Harlequin by Miss Brett. V: A new Country Dance by Davenport, proper to the Play

Song: I: A Generi Affetti by Miss Jones and Master Arne. IV: Was ever Nymph like Rosamond by Miss Jones

Event Comment: Benefit the Author of the Farce. [Author not known. Apparently not published.] N.B. Mr Marforio hopes those who have paid a Visit to his Brother Pasquin, will not refuse him the same Favour. His Clothes are as old, and the Jokes somewhat more New. Receipts: money #100 14s.; tickets #68 8s

Performances

Mainpiece Title: All For Love

Afterpiece Title: Marfor1o being a Comi Tragical Farce called The Critick of Taste or A Tale of a Tub with Characters of Singlewit Drawcansir Modern Dapper Buskin Prompter the Great Mogul Dunceada Prince Prettyman Common Sense the Embryo of Common Sense Lord Haranguewell Falarini Signior Tweedledum Signior Tweedledee Prologues Senators Patriots Courtiers Fidlers Eunucks Gentleman Usher Ghosts and Chorus of Ghosts

Dance: Tambourine by Miss Rogers. Peasants by Lalauze, Mlle D'Hervigni, &c. Harlequine by Mlle De L'Isle

Event Comment: Towards raising a Fund for Erecting a Monument to the Memory of Shakespear. Mainpiece: Written by Shakespear. The Pit and Boxes to be put together. London Daily Post and General Advertiser, 5 June: The Season [at dl] being finish'd, and the Accounts of it settled, it is thought proper to acquaint the Publick, that the Master of that Theatre has receiv'd One Hundred and Seventy-odd Pounds, (besides some Accounts of Tickets, the Produce of which has not as yet been paid in, which is suppos'd will make near the Sum of Two Hundred Pounds,) towards erecting a Monument to Shakespear

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17380208, but Caska-Winstone; Portia-Mrs Porter; Citizens-Johnson, Miller, Harper, Griffin, Macklin; With a new Prologue-Quin; a new Epilogue-Mrs Porter.
Cast
Role: Caska Actor: Winstone
Role: Calphurnia Actor: Mrs Butler.
Event Comment: LLondon Daily Post and General Advertiser, 24 May: May 23, 1738. All Persons that have subscrib'd or are willing to subscribe twenty Guineas for Italian Opera to be perform'd next Season at the King's Theatre...under my Direction, are desired to send ten Guineas to Mr Drummond the Banker....and Whereas I declared I would undertake the Operas provided I can agree with the Performers, and that 200 Subscriptions are procured, and as the greatest Part ob the Subscribers have already paid the 10 Guineas; it is desired that the remaining Subscribers will be pleased to send the Money to Mr Drummond, on or before the 5th of June next....J. J. Heidegger

Performances

Mainpiece Title: La Conquista Del Vello Doro

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. London Daily Post and General Advertiser, 18 Jan.: Whereas a Bottle was flung out of one of the Galleries into the Pit...on Saturday Night last, during the Time of Performance, which struck a Gentleman on the Head, and very much hurt him, I hereby promise to pay to any one that shall discover the Person who threw the same, so that he may be brought to Justice, the Sum of Twenty Guineas, to be paid on Conviction....John Rich

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: Orpheus and Eurydice

Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny