SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: Judas Macchabaeus

Music: As17630218

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17621025, but new occasional Prologue-.

Afterpiece Title: The Apprentice

Performance Comment: As17630214, but Members-_.

Dance: II: The Garland, or the +Milk-Maid's Holiday-Miss Poitier; [see17590421] [in which will be introduced a Hornpipe; End: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17630215, but Occasional Prologue-Woodward.

Afterpiece Title: The Citizen

Entertainment: After: The Humours of the Age Imitation of Shakespeare's Stages-Smith

Dance: TThe Jealous Woodcutter, as17621023

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Sketch of a Fine Ladys Return from a Rout

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Event Comment: Benefit for Miss Catley and Hull. Afterpiece: By Desire, but for last time this season. No Building on Stage (playbill). [The Briton" song is Larpent MS 203, high praise of George III, as a truly British king.] Such as please to send for tickets shall have the words of the Ode gratis

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17630319 but Carlos-Hull, 1st time; Louisa-Mrs Baker.

Afterpiece Title: Thomasand Sally

Performance Comment: As17630415 but Sally-Miss Catley, 1st time.

Song: I: A New Ode, call'd A Briton the Son of a Briton- set to music by Bates. Vocal parts: Mattocks, Miss Catley; in IV: Nymphs and Shepherds-Miss Catley

Dance: A New Comic Dance, as17630224

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Upholsterer

Dance: TThe Knife Grinders, as17631012

Event Comment: This night a new Occasional Interlude call'd Hymen was introduc'd between the Acts; but not put in the Bills (Hopkins). [For cast, see 21 Jan.] An occasional Interlude on the Marriage of Princess Augusta to Prince of Brunswick call'd Hymen (Cross Diary). This night a new occasional Interlude called Hymen, but not in the bills. Hymen was written by Mr Allen (Hopkins Diary-MacMillan). [The Larpent MS 217 lists four characters and a Chorus: Hymen, Cupid, Venus, Mars, Chorus. The words of the Songs by Cupid, Hymen and Venus were published in the Public Advertiser, 23 Jan.] Receipts: #122 5s. (MacMillan)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17640113, but Recruits-Vaughan, _Parsons.

Afterpiece Title: The Rites of Hecate

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Performances

Mainpiece Title: Othello

Performance Comment: As17640331 but Roderigo-Vernon,, first time; Desdemona-Mrs Davies; Montano-Fox.

Afterpiece Title: The Lying Valet

Dance: The Faggot Binders, as17640224

Performances

Mainpiece Title: King Lear

Performance Comment: As17650107, but Edgar-Hull.

Afterpiece Title: The Spanish Lady

Dance: IV: The Jealous Woodcutter, as17641101

Event Comment: [W+Winston MS 9 notes that Rich's Register names Jane Shore and The Royal Chace for this night. If so, see casts for 9 Oct. (Jane Shore) and 7 Dec. (The Royal Chace). Credence may be given this note by the fact that the next performance of Summer's Tale is listed in playbills as 20 Jan. 1766, the Fifth Day.

Performances

Mainpiece Title: The Summers Tale

Dance: As17651209

Event Comment: For the Authors. [See "David Garrick and the Clandestine Marriage," by Frederick L. Bergmann, PMLA (March, 1952), pp. 148-62, a study of Garrick's contribution on basis of the Folger Library MS.

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: Zara

Performance Comment: As17660123, but Lusignan-Powell.

Afterpiece Title: Daphne and Amintor

Dance: I: A Dance-Aldridge, Miss Baker; After the Entertainment: A New Dance call'd the Fortune Tellers-Aldridge, Miss Baker

Entertainment: End: King (for that night only) will present the Audience with a New Comic Descriptive Piece call'd Ralph's Ramble Or O'Rare London! (being a short sequel to a comic character in the Maid of the Mill.)-King

Performances

Mainpiece Title: Cymon

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Perplexities

Performance Comment: As17670131, but New Epilogue- (playbill); Epilogue-_.

Dance: End of Play: The Gallant Peasants, as17670113

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: Midas

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Cunning Man

Music: III: New Concerto, as17670212

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Event Comment: BB. Johnson's Head Bill 11s. (Treasurer's Book). Drank tea with my Landlady and went with her husband and two gentlemen to see the new Play...as I did not care to refuse. Could not get into the Pit, at which I was not displeased. I fancy this comedy will take, tho it had nothing else to support it but the character of Freeport, which is played by Yates...We had a Prologue written by the author of the play and spoken by King; and an Interlude by way of Epilogue written by Garrick and spoken by King and Mrs Abington. A concerto on the Harpsichord by Burney Jr and dance. The play is taken from L'Ecosseisse of Voltaire (Neville MS Diary). Receipts: #193 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Music: After Interlude: The New Concerto on Harpsichord, as17670212

Dance: HHearts of Oak, as17670212

Event Comment: Half past 5 went to the 5s. Gallery at the Opera House to see the comic opera La Buona Figliola, altered from Goldoni. The Music by Sg Nic Piccini, a Neopolitan composer. The Marq by Sg Lovatini, Castina by Sga Zamporini, the German by Sg Marigi. These I believe are reckoned the best of the company. I can't say I was greatly entertained, tho the music is very pleasing. There is something very absurd and truly characteristic of the present age in supporting a set of people at an immense expense to perform plays in a language which very few here understand. We had dances after every act by Sg Adriani, Sga Radicati, &c. It is said the dances at the opera are better than those at the theatres, but I am no great judge either of music or dancing. The scenes, particularly that of the Garden with waterworks &c. are very fine. They who go into the Pit &c. must be in a vile French dress (Neville MS Diary)

Performances

Mainpiece Title: La Buona Figliuola

Dance: [Unspecified.

Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley