SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4018 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #97 2s. Paid Mrs Ward on acct of her salary, enter'd 3rd inst. inclusive, #16. Paid Richard Stone (frame maker), #7 13s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Dance: As17591113

Event Comment: Mainpiece: By Desire. Receipts: #114 19s. Paid Meares #2 4s. 1s.; Paid Pattinson [tallow chandler] four bills, #70 1s. 6d

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17591001, but Lady Wronghead-Mrs Pitt; Trusty-Mrs Ferguson.

Afterpiece Title: The Rape of Proserpine With the Birth and Adventures of Harlequin

Event Comment: Receipts: Benefit for Jackson, Charges #84. Cash #49 16s. 6d. plus #113 19s. from tickets (Boxes 83; Pit 432; Gallery 284). Total Income #163 15s. 6d. Paid Rich on account #500; Paid Ledley for 16 doz. Wax Candles #24 16s

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Performance Comment: As17591003, but Frenchman-Holtom.

Dance: FFingalian Dance-Miss Hilliard

Event Comment: Receipts: #129 3s. Paid Mr Gifford 17 day's salary from 24 Nov. inclusive, #2 16s. 8d.; Paid Mr Kemp 25 nights [tin man for lamps] to 30 Nov. last at #1 12s. per night, #40

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Fair

Event Comment: Receipts: #92. Paid Ledley for 20 doz. wax candles at 31s. per dozen, #31; Paid for Insurance of the Wardrobe, &c. in the Sun Fire Office for 12 Months to 12 Jan. 1761, on #10,000, #25 7s. 6d

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Fair

Event Comment: Mainpiece: By Particular Desire. Receipts: #150 13s. 6d. Paid Ledley for 20 dozen Wax Candles #31; Paid Mr Richards for painting the Slaughter House, Ox &c. [See The Fair, 10 Dec. 1759] #10 10s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catherine and Petruchio

Dance: As17600108

Event Comment: Receipts: #142 4s. Paid Kemp for 5 nights #8; Mr Dall at work upon scenes of Oratorios, for which his salary is stopp'd from 28 Jan. 60; Paid Meares 6s.; Heaford (plaisterer) #78 10s.; Pearce (bricklayer) #79 18s.; Martin (wardrobe keeper) on acct of his salary #5. [I] was in both the Galleries both before and after the plays, met Mr Ware going into Covent Garden Gallery who said his sisters were there but I did see them (Hailey, "Brietzcke Diary," Vol. 197, p.71)

Performances

Mainpiece Title: Comus

Event Comment: Receipts: #146 1s. Paid John Rich on account #10 10s.; Lent Mr Buck #5 5s. and paid him for tambourines #1 4s

Performances

Mainpiece Title: Comus

Performance Comment: As17600205, but Bacchants-Mrs _Lampe.
Event Comment: TThe Jovial Crew deferred because of Indisposition of Miss Brent. Receipts: #135 16s. Paid Kemp for Lamps #6 8s. Dall returned to salary list at #1 10s. Paid John Rich #500

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fair

Event Comment: Benefit for Sparks. By Desire. Tickets for Romeo and Juliet will be taken. Receipts: #69 in cash, plus #203 15s. from tickets (Boxes 380; Pit 563; Gallery 243). Total #272 15s. Charges #64 5s. Paid Kemp #6 8s.; Paid Meares 8s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Englishman Returned from Paris

Song: Miss Brent

Dance: II: A Comic Dance-Granier, Miss Hilliard; End: The Lamp Lighters, as17600318

Event Comment: Receipts: #224 18s. 6d. Advanc'd to Mrs Ward #20. Paid Sarjant on acct of salary #5; Paid Ridout one third of the surplus of this night's receipt being #144 18s. 6d. than the #80 allow'd for the charge: #48 2s. 6d. This morning I was at Mr Shadwell's for his Orders [for free theatre tickets] & took all my sisters to Covent Garden Gallery to see the Jovial Crew & Rape of Proserpine, which was full of noisy holiday people (Hailey, Brietzcke Diary, Vol. 197, p. 544)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17600116, but Followers of Ceres-Mrs White, Mrs _Dawson.
Event Comment: Benefit for Lowe. Ladies send servants by 3 o'clock. Receipts: #103 1s., in cash, plus #162 19s. from tickets (Boxes 259; Pit 546; Gallery 163). Total income #266.Charges #64 5s. Paid Martin (wardrobe keeper) on a acct of his salary #5; Paid Whitefield 3 months salary #7 10s

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17600221, but Macheath-Lowe, 1st time this season.

Afterpiece Title: Catherine and Petruchio

Dance: CCountry Dance-characters of the play; Hornpipe-Miss Dawson; I: Fingalian Dance-Miss Hilliard; II: Dutch Skipper-Poitier

Event Comment: Benefit for Miles, Mrs Baker, Miss Young. Tickets delivered out by Miss Ferguson will be taken. Receipts: #7 15s. 4d. covered by income from tickets. @Tickets Miles Box 15@Pit 178@Gallery 62@Value #36 13s.@Tickets Mrs Baker Box 86@Pit 124@Gallery 67@Value #46 16s.@Tickets Miss Young Box 18@Pit 75@Gallery 80@Value #23 15s.@Tickets Miss Ferguson Box 9@Pit 57@Gallery 39@Value #14 14s.@Total Box 128@Pit 434@Gallery 248@Value #121 12s.@ Paid Rich on account #21. Paid Meares 3s. [The house is now running a deficit of #371.

Performances

Mainpiece Title: Wit Without Money

Performance Comment: As17600109, but Lucy-Miss Young; Isabella-Mrs Baker.

Afterpiece Title: Harlequin Statue

Performance Comment: As17600423, but Concluding with a Country Dance%.

Song: II, IV: A Song-Miss Brent

Dance: III: The Drunken Peasant-Miles, with Clown - Bennet

Event Comment: Benefit for Vaughan, Condell, Green (boxkeepers). Receipts: #18 18s. in cash. Charges #64 5s. Deficit to each #17 0s. 8d. covered by tickets: Condell #74 12s. (Boxes 132; Pit 212; Gallery 98); Vaughan #71 2s. (Boxes 151; Pit 147; Gallery 113); Green #73 13s. (Boxes 206; Pit 119; Gallery 456). Total income #238 9s. Paid Kemp #8 6s.; Paid Pattinson (Tallow chandler) 6 bills to 8 May #100 14s. 6d.; Advanced to Barrington #21. [The house is now, according to the books, showing a deficit of #634 14s. 6d.

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: The Devil to Pay

Dance: II: The Fingalian Dance, as17591102; End: The Knife Sharpeners, as17600417

Event Comment: Mainpiece: Not acted this season. Boxes #37 15s. Paid Macklin his fifth of surplus above #63. House charges: #16 19s. 3d. Paid Mr Rich on account #300 (Account Book). [Rich's ledger system was broken down into 96 headings, of which his large sum withdrawal account was numbered 1.] Receipts: #147 16s. 6d. (Account Book)

Performances

Mainpiece Title: The Siege Of Damscus

Afterpiece Title: Love a la Mode

Dance: Dances-Poitier Jr, Mlle Capdeville [the particular ones unspecified]

Event Comment: Benefit for Author. Receipts #137 4s., but no separate account of moneys from Boxes. Paid for a license for Macklin's Play #2 2s. Paid Pattinson, tallow chandler #19 1s. (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Married Libertine

Event Comment: Afterpiece: By Desire. Boxes #62 10s. 6d. Macklin's fifth above charges came to #25 2s. 11d. Paid for sundry clothes from Voelcher #30 10s. Paid Blackmore a Bill for Rich #29 10s. and a Bill for the Theatre from 19 April last: #84 (Account Book). [On 1 Feb. one H. F. of the Middle Temple wrote to Macklin suggesting two things to insure the success of the Married Libertine. The first was practical, "bring in a claque of friends to counteract the noise of the Scots Lords who are opposing it." The second was revisional: "The play is too long,--shorten it and give the house notice that you have so done. The scenes wherein Lady Belville is solemn, grave, complaining and moral may be much abbreviated; this will...take away that heavy, lazy and sleepy (however just) part which makes your friends languish and grow cold, and gives your enemies an opportunity to improve their rancor and malignity. This observation may be applied to every recital, narrative or description which is not absolutely necessary or descriptive,--I mean necessarily connected with the frame, contexture & execution of the drama, or something designed or painted with uncommon poetic fire and enthusiasm. Pray consider whether that serious, moral and sentimental part in the character of Angelica might not be curtailed, or entirely omitted. I would have your young captain fully employed in action without ever standing still to moralize or harangue, however sensibly and poignantly he may do it. After all this there will remain a rich and uninterrupted vein of true comic humour and lively representation in short, a well connected series and succession of business which I am convinced would keep the audience so attentive and so entirely possessed that there would be no room for languor or malice to produce any effect to your detriment." (Memoirs of Macklin [Harvard Theatre Collection, extra-illustrated edition, I, part 2, p. 414.] Receipts: #188 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a la Mode

Dance: Poitier Jr, Mlle Capdeville

Event Comment: This day Publish'd Price 1s. Samson an Oratorio, as it is performed at the Theatre Royal in Covent Garden. Altered and adapted to the stage from the Samson Agonistes of Milton. @171 tickets at 10s. 6d. #89 15s. 6d.@232 tickets at 5s. #58@320 tickets at 3s. 6d. #56@723 present.@Receipts: #203 15s. 6d.@ Paid renters #10. Paid Younger a Bill for writing parts #2 12s. 11d. (Account Book). Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17610206

Event Comment: Boxes #58 15s. paid Mr Luppino in full for making dancing dresses #53. Paid Rich on Account #21 (Account Book). Receipts: #155 11s. (Account Book)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Cooke. By Particular Desire. Tickets delivered for the Busy Body will be taken. [Account Book indicates Receipts: #26 1s. 6d. plus #53 14s. from tickets: (Box 61; Pit 165; Gallery 137). A staff of 22 servants, plus the women dressers and charwomen were paid #3 13s. 2d. for operating the theatre this night. The deficit carried into the summer after this night was #216 19s. 10d. This deficit plus summer expenses produced an encumbrance of #359 12s. 9d. to be met at the start of the 1761-62 season. Rich upon ten occasions withdrew under Account I from the treasury #2743. From this account he put back into the treasury upon three occasions (May 8, 31; June 23) #600. So over and above the #6 which the Rich family received daily in Account 76, Rich tucked away #2143 in Account I. In addition his carpentry bills to Mr Gom for work at Cowley were paid from theatrical funds. His cut from Account 76 at #5 per night was #810. So apparently Rich cleared #2953 this season despite the fact that it ran only 162 nights, and that George II's death occurred in a money-making part of the season.] Charges: #42 (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Upholsterer

Song: Between Acts: a Gentleman (who never appeared upon any Stage before)

Dance: HHornpipe-Mrs Blake(, from the theatre in Dublin)

Event Comment: Mainpiece: By Desire. Paid salary list 3 days at #71 2s. 5d. per diem #213 7s. 3d.; Paid Billstickers #4 1s.; Handbills 8s.; Candlemen #1 13s.; Mantua Maker #3 17s.; Page 18s.; Chorus singers 1 night #2 5s. 6d. (Drury Lane Treasurer's Book) [The first five items were constants (weekly) during the season amounting to a total outlay as follows. No further itemization of them will be made]: @Item Weekly Average Season Total@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Candlemen #4 #148@Mantua Maker #2 #78@Page 18s. #33 6s.@ Receipts: #142 9s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit

Event Comment: Mainpiece: By Particular Desire. Paid Jos. Besford for Plumes for the Champion's Horse, &c. 10s.; Paid Mr Tomkyns & Co. a bill for wine at the practises last season #1 17s. 1d. (Account Book). Receipts: #164 19s. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Citizen

Dance: II: The Village Romps, as17661008

Event Comment: [Comedy taken from Wycherly by Garrick, cleaned up to fit the times. Garrick took many pains in teaching Miss Reynolds, who was approved by the public in the character.] Paid salary list #434 15s.; Chorus singers, 2 nights #4 6s.; Rec'd stopages #3 7s.; Paid Atkins (figure dancer) not on list #1 7s. 6d. (Treasurer's Book). Receipts: #178 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Lying Valet

Event Comment: TThe Country Girl published at 1s. 6d. Paid B. Johnsons Head a bill #1 3s. 9d.; Paid Lawrence and Keel paper bill #7 2s. 6d. (Treasuerer's Book). Receipts: #134 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17661025, but in Act III, will be introduc'd a New Song-.

Afterpiece Title: Queen Mab

Dance: II: A Pamtomime Dance The Italian Bakers, as17661011

Event Comment: Mainpiece: By Particular Desire. Paid Poor's rate for St Martin's half year to Midsummer last #20 4s.; Paid printer's bill #9 6s.; Mr Bensley on note #75 (Treasurer's Book). Receipts: #106 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: The Italian Bakers, as17661011