SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1708 matches on Event Comments, 779 matches on Performance Comments, 57 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Larcifanfano

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli

Event Comment: Mainpiece: The 4th Night (see 25 Nov.). [The playbill retains Mrs Baddeley, but on the Kemble playbill her name is deleted and a MS annotation substitutes Mrs Farren's. After 1 Dec. Mrs Baddeley never acted again in London.] Receipts: #84 3s. (61.5.0; 22.7.6; 0.10.6)

Performances

Mainpiece Title: The Generous Impostor

Performance Comment: As17801124, but Mrs Courtly-Mrs Farren.

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequins Invasion

Dance: End IV: The Irish Fair, as17800930

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude with: a Dance of Sailors-

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17801006, but Strictland (1st time)-Thompson; Tester-Wewitzer; Jacintha-Mrs Lewis; Buckle-_; Simon-_.

Afterpiece Title: Harlequin Free Mason

Performance Comment: Larpent MS 541, and Universal Magazine, Supp. 1780, pp. 367-68 list the parts: Hiram Abbif-; Master Mason-; Bacchanal-; Skaters-; Masons-; Lawyers-; Harlequin-; Jew-; Colombine-; Fish Women-; Virgins-; Songs (G. Kearsley, 1781) lists no parts. Morning Herald, 30 Dec. assigns Dutch Lover-Wewitzer; but no others. For Reinhold see17810101. but no others. For Reinhold see17810101.

Performances

Mainpiece Title: A Wife To Be Lett

Afterpiece Title: The Sharpers Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Conquest of St

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Whod Have Thought It

Dance: End I: a Dance-Master Byrn, Miss Byrn; End I afterpiece: [another] Dance-Master and Miss Byrn

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Silver Tankard or The Point at Portsmouth

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17810924, but Peter-Stevens; Apothecary-Jones; omitted: Friar John . omitted: Friar John .

Afterpiece Title: Harlequin Free Mason

Song: As17810924

Event Comment: [Mainpiece in place of Much Ado about Nothing; afterpiece of Tom Thumb, both announced on playbill of 8 Oct. The playbill retains Quick as Isaac, but he "was taken ill & Wewitzer supplied his place" (MS annotation on BM playbill, CG, Vol. III).] Receipts: #177 (175/2; 1/18)

Performances

Mainpiece Title: The Duenna

Performance Comment: As17810926, but Isaac-Wewitzer; Lopez-probably W. Bates (see17811022); Carlos-Leoni .

Afterpiece Title: Harlequin Free Mason

Performances

Mainpiece Title: Jupiter And Alcmena

Afterpiece Title: The Norwood Gypsies

Performance Comment: As17811022, but Gypsey-Burton in place of Simpkinson .
Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Gentle Shepherd

Performance Comment: Principal Characters by Mrs Cargill, Du-Bellamy, Moody, Aickin, Suett, Dodd; Mrs Wells, Mrs Love, Mrs Booth, Miss Wheeler. [Cast from London Chronicle, 30 Oct.: Patie-Mrs Cargill; Roger-Du-Bellamy; Symon-Moody; Sir William Worthy-Aickin; Glaud-Suett; Bauldy-Dodd; Jenny-Mrs Wells; Mause-Mrs Love; Madge-Mrs Booth [not listed in London Chronicle, but see17821016]; Peggy-Miss Wheeler.] hathi. hathi.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Jovial Crew

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill. The playbill retains Henderson, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wroughton's.]. Account-Book, 19 Nov.: Paid Holcroft in full for his [two] Benefit Nights for Duplicity #100. Receipts: none listed (charge: #105)

Performances

Mainpiece Title: Duplicity

Performance Comment: As17811030, but Wroughton in place of Henderson .

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Banditti Or Loves Labyrinth

Afterpiece Title: The Apprentice

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: Luns Ghost or The New Years Gift

Dance: In afterpiece by Zuchelli, Miss M. Stageldoir, &c

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17811210, but Alicia-A Lady (1st appearance on any stage [Mrs Barnes]) .Mrs Barnes]) .

Afterpiece Title: The Choice of Harlequin

Event Comment: "Whitfield played the Author the first night, but so indifferently that the part was given to Lee Lewes on the 2d" [MS annotation on BM playbill (CG, Vol. III)]. Receipts: #231 8s. (227/5; 4/3)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Performance Comment: As17820209, but Lee Lewes in place of Whitfield .

Afterpiece Title: Tom Thumb

Dance: After the Epilogue, as17811213

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Vertumnus and Pomona

Dance: End of Epilogue a new Pastoral Dance, Palemon and Lavinia, by Aldridge, Langrish, Mrs Davenett, Miss Francis, Miss Rowson, Miss Besford