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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS 10 "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS 10 ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3356 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). <span class=
We found 2722 matches on Event Comments, 851 matches on Performance Comments, 76 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

3101
31 October 1781 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Jovial Crew

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

3102
06 November 1781 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill. The playbill retains Henderson, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wroughton's.]. Account-Book, 19 Nov.: Paid Holcroft in full for his [two] Benefit Nights for Duplicity #100. Receipts: none listed (charge: #105)

Performances

Mainpiece Title: Duplicity

Performance Comment: As17811030, but Wroughton in place of Henderson .

Afterpiece Title: The Flitch of Bacon

3103
28 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Banditti Or Loves Labyrinth

Afterpiece Title: The Apprentice

3104
13 December 1781 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Apprentice

3105
01 January 1782 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Choice of Harlequin

3106
03 January 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: Luns Ghost or The New Years Gift

Dance: In afterpiece by Zuchelli, Miss M. Stageldoir, &c

3107
21 January 1782 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17811210, but Alicia-A Lady (1st appearance on any stage [Mrs Barnes]) .Mrs Barnes]) .

Afterpiece Title: The Choice of Harlequin

3108
11 February 1782 @ Covent Garden

Event Comment: "Whitfield played the Author the first night, but so indifferently that the part was given to Lee Lewes on the 2d" [MS annotation on BM playbill (CG, Vol. III)]. Receipts: #231 8s. (227/5; 4/3)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Performance Comment: As17820209, but Lee Lewes in place of Whitfield .

Afterpiece Title: Tom Thumb

Dance: After the Epilogue, as17811213

3109
21 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Vertumnus and Pomona

Dance: End of Epilogue a new Pastoral Dance, Palemon and Lavinia, by Aldridge, Langrish, Mrs Davenett, Miss Francis, Miss Rowson, Miss Besford

3110
14 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Tom Thumb

Performance Comment: As17811030, but Ghost-Darley .

3111
18 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Exciseman Trickd

Dance: End of Act III of mainpiece a new composed Reel, and Hornpipe by Master Holland, pupil to Holloway

Song: Hooly and Fairly, in character, by M'Donald; End of Act II The Huntsman's Sweet Halloo by Miss Hemet

3112
21 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Love At A Venture Or The Rake Reclaimd

Afterpiece Title: The Tobacconist

Monologue: 1782 03 21 End of mainpiece (never performed here) Phelimoguffinocarilocarneymacframe's Description of a Man of War and a Sea Fight, with Explanations, by Mrs Kennedy

3113
17 April 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17811015, but Filch-Mrs Wilson (of CG); Polly (for that night only)-Mr Bannister. hathi.

Afterpiece Title: The True Briton

Dance: In Act III of mainpiece a Hornpipe, as17820314mitations. End of mainpiece, by Bannister Jun

3114
27 April 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Performance Comment: As17820411, but Rosalind-A Young Lady (1st appearance any stage [Miss Blower]); added: Corin-Waldron; Charles-Wrighten; Silvius-R. Palmer; Jaques de Bois-Lamash; William-Burton; LeBeu-Phillimore; Lord-Norris; Phoebe-Miss Barnes .

Afterpiece Title: The Quaker

Dance: End of Act I of mainpiece Hornpipe, as17820314End of Act III The Devonshire Minuet, as17810915, but added: Duprez

Song: In Act v of mainpiece song, as17820411

3115
08 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Burton, Williames & Harwood, prompter. Public Advertiser, 7 May: Tickets to be had of Harwood, Blackmoor Street, Clare-market [others not listed]. Tickets sold at the Doors will not be admitted. [The playbill assigns the song in Act II to Williames, but a MS annotation on the Kemble playbill substitutes Du-Bellamy.] Receipts: #252 19s. (66/15; 34/7; 0/11; tickets: 151/6) (charge: #106 9s. 4d.)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lincos Travels

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpicce a Minuet and Gavot by Zuchelli and Miss M. Stageldoir

Song: In Act II of mainpiece a song by Du-Bellamy; End of Act III The Soldier tir'd of War's Alarms, as17820420

3116
16 May 1782 @ Drury Lane Theatre

Event Comment: Tickets delivered by Nash, Helme, Daglish, Dale, Brigg, Barthrope, Master Pulley, Mrs Lewis, Mrs Byrne will be taken. [In mainpiece the playbill retains Du-Bellamy as Lord Aimworth and Williames as Mervin, but on the Kemble playbill their names are deleted and MS annotations substitute Williames and Fawcett. This was Mrs Cargill's last appearance in London. Subsequently she acted in India.] Receipts: #231 17s. 6d. (32/8/0; 22/9/6; 0/15/0; tickets: 176/5/0)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17811120, but Lord Aimworth-Williames; Mervin-Fawcett .

Afterpiece Title: The Irish Widow

Performance Comment: As17820430, but Kecksey (1st time)-Suett .

Dance: End of Act I of mainpiece a Hornpipe, as17820314nd of mainpiece a Minuet by Brigg and A Young Lady (his Scholar [unidentified]); End of Act I of afterpiece The Irish Fair, as17820406

3117
21 May 1782 @ Covent Garden

Event Comment: Benefit for Fearon, L'Estrange, Thompson & Guard. Tickets for a Comedy, and The School for Wives will be taken. [In mainpiece the playbill retains Fearon as Justice Shallow, but on the Kemble playbill a MS annotation substitutes Waldron.] Receipts: #251 2s. 6d. (75/6/6; tickets: 175/16/0) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17820125, but Justice Shallow-Waldron [of DL]; Anne Page-Mrs Lewis; added: Principal Fairy-Miss Langrish .

Afterpiece Title: The Touchstone

Dance: As17820503

3118
02 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: None are so Blind as Those Who Wont See

3119
16 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: None are so Blind as Those Who Wont See

Dance: As17820613

3120
16 August 1782 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Afterpiece [1st time; MF 2, by George Colman, the younger. It has also been ascribed to Sarah Gardner, but for Colman's authorship see Peake, 11, 99. Composer of music unknown. MS: Larpent 589; not published]: The Words of the Songs are inserted in the Public Papers of this Day. Public Advertiser, 12 Aug.: Tickets to be had of Jewell, in Suffolk Street

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Female Dramatist

Dance: As17820613

3121
17 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Whos the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

3122
19 September 1782 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill assigns Young Bevil to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #141 9s. 6d. (106/19/0; 34/6/6; 0/4/0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

3123
03 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: All the Worlds a Stage

Dance: In Act I of mainpiece a Country Dance incident to the Piece; End of Act II the Devonshire Minuet by the Miss Stageldoirs

3124
18 October 1782 @ Covent Garden

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Barnaby Brittle

Performance Comment: As17820930, but omitted: Jeffery .

3125
22 October 1782 @ Covent Garden

Event Comment: [In mainpiece the playbill assigns Mrs Peachum to Mrs Webb, but on the Kemble playbill her name is deleted and a MS annotation substitutes Mrs Davenett's.] Receipts: #157 19s. 6d. (156/10/6; 1/9/0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Retaliation

Dance: In Act III of mainpiece a Hornpipe by Miss Matthews