SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS 10 "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS 10 ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2722 matches on Event Comments, 851 matches on Performance Comments, 76 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Female Orators Or Ladies Debating Society

Afterpiece Title: The Merchant of Venice

Performance Comment: As17791111, but Shylock-Henderson (1st appearance in that character on this stage); Salanio-W. Bates.

Afterpiece Title: The Deaf Lover

Song: End III 2nd piece: a Scotch ballad (the music by Dr Arne)-Mrs Kennedy

Ballet: End IV 2nd piece: The Humours of New-Market. As17800508

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Wedding Night

Event Comment: Afterpiece [1st time; P I, by George Colman, the elder. His authorship has hitherto been questioned, but for its authentication see Peake, II, 54. Larpent MS 532; not published]: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza.The Overture and new Musick by Dr Arnold. With new Scenes [by Canter (Public Advertiser, 5 Sept.)], Dresses and Decorations. The Views of the Temple of Health and the Camp in St. James's Park designed and executed by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: The Genius of Nonsense

Dance: In afterpiece: Master and Miss Byrne.[This dance was included in all subsequent performances.

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Tom Thumb

Dance: End I: The Shepherd's Wedding, as17801003; End: The Villagers, as17801011

Performances

Mainpiece Title: The Cabinet Of Fancy Or Evening Exhibition

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Tom Thumb

Dance: As17801027

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Excise Man

Dance: As17801027

Song: IV: To thee O gentle sleep!-Mrs Morton

Event Comment: [In mainpiece the playbill assigns Hastings to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #225 15s. 6d. (187.5.0; 37.11.6; 0.19.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Critic

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Upholsterer

Song: Principal Vocal Parts-Davies, Mrs Morton, Miss Morris. [The music by Purcell.

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Larcifanfano

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli

Event Comment: Mainpiece: The 4th Night (see 25 Nov.). [The playbill retains Mrs Baddeley, but on the Kemble playbill her name is deleted and a MS annotation substitutes Mrs Farren's. After 1 Dec. Mrs Baddeley never acted again in London.] Receipts: #84 3s. (61.5.0; 22.7.6; 0.10.6)

Performances

Mainpiece Title: The Generous Impostor

Performance Comment: As17801124, but Mrs Courtly-Mrs Farren.

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequins Invasion

Dance: End IV: The Irish Fair, as17800930

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude with: a Dance of Sailors-

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17801006, but Strictland (1st time)-Thompson; Tester-Wewitzer; Jacintha-Mrs Lewis; Buckle-_; Simon-_.

Afterpiece Title: Harlequin Free Mason

Performance Comment: Larpent MS 541, and Universal Magazine, Supp. 1780, pp. 367-68 list the parts: Hiram Abbif-; Master Mason-; Bacchanal-; Skaters-; Masons-; Lawyers-; Harlequin-; Jew-; Colombine-; Fish Women-; Virgins-; Songs (G. Kearsley, 1781) lists no parts. Morning Herald, 30 Dec. assigns Dutch Lover-Wewitzer; but no others. For Reinhold see17810101. but no others. For Reinhold see17810101.

Performances

Mainpiece Title: A Wife To Be Lett

Afterpiece Title: The Sharpers Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Conquest of St

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Whod Have Thought It

Dance: End I: a Dance-Master Byrn, Miss Byrn; End I afterpiece: [another] Dance-Master and Miss Byrn

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Silver Tankard or The Point at Portsmouth

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17810924, but Peter-Stevens; Apothecary-Jones; omitted: Friar John . omitted: Friar John .

Afterpiece Title: Harlequin Free Mason

Song: As17810924

Event Comment: [Mainpiece in place of Much Ado about Nothing; afterpiece of Tom Thumb, both announced on playbill of 8 Oct. The playbill retains Quick as Isaac, but he "was taken ill & Wewitzer supplied his place" (MS annotation on BM playbill, CG, Vol. III).] Receipts: #177 (175/2; 1/18)

Performances

Mainpiece Title: The Duenna

Performance Comment: As17810926, but Isaac-Wewitzer; Lopez-probably W. Bates (see17811022); Carlos-Leoni .

Afterpiece Title: Harlequin Free Mason

Performances

Mainpiece Title: Jupiter And Alcmena

Afterpiece Title: The Norwood Gypsies

Performance Comment: As17811022, but Gypsey-Burton in place of Simpkinson .
Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Gentle Shepherd

Performance Comment: Principal Characters by Mrs Cargill, Du-Bellamy, Moody, Aickin, Suett, Dodd; Mrs Wells, Mrs Love, Mrs Booth, Miss Wheeler. [Cast from London Chronicle, 30 Oct.: Patie-Mrs Cargill; Roger-Du-Bellamy; Symon-Moody; Sir William Worthy-Aickin; Glaud-Suett; Bauldy-Dodd; Jenny-Mrs Wells; Mause-Mrs Love; Madge-Mrs Booth [not listed in London Chronicle, but see17821016]; Peggy-Miss Wheeler.] hathi. hathi.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]