SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W and A Lee"/1) | (@(roleclean,performerclean) "W and A Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2066 matches on Performance Comments, 608 matches on Author, 489 matches on Event Comments, 62 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Nicoll, III, 280, 390, states that this was an alteration of Shakespear's play by John Lee.] Receipts: #174 5s. (173.10.6; 0.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Apprentice

Dance: I: Masquerade Scene incident to the Play-; I: Minuet-Dumay, Mrs Jackson

Song: End IV: the Funeral Procession of Juliet, with the Solemn Dirge. Vocal Parts-Mattocks, Reinhold, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems, Miss Green

Event Comment: [As afterpiece the playbill announces the 31st night of The Touchstone (see 20 Feb.), but "The entertaiment at Covent-garden theatre was obliged to be changed last night, on account of Lee Lewes being seized with a most violent inflammation in his right arm...Hand-bills, announcing that The Reprisal would be the farce, were distributed at each door of the theatre as the company came in; when the tragedy, however, was ended, some persons in the galleries...began an alarming disturbance, calling out vociferously for the pantomime...and continued throughout the farce to behave in the most savage manner, pelting every actor and actress as fast as either came on the stage. Mrs Morton stood their fire of oranges, apples, and pieces of wood, with more heroism than prudence. At length the brutes aimed at her head with an orange, which struck her a violent blow, and she fainted immediately" (Morning Chronicle, 16 Feb.).

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Reprisal

Performances

Mainpiece Title: Which Is The Man

Performance Comment: As 11 Mar. but R. Palmer (of DL) in place of Lee Lewes .

Afterpiece Title: The Choice of Harlequin

Event Comment: Paid Lee Lewes in lieu of a Benefit #105. Afterpiece: Never acted at this Theatre. Receipts: #157 1s. 6d. (153/19/0; 3/2/6)

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Miss Cleland

Afterpiece Title: The Maid of the Oaks

Dance: In Act I of afterpiece a Dance by Harris, Miss Matthews, Miss Besford

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-[Lee] Lewes (1st appearance in that character); Orlando-Brereton; Amiens (with songs')-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Jaques-Palmer; Caelia (with the Cuckov song)-Miss Wheeler; Audrey-Mrs Wells; Rosalind-Miss E. Kemble (1st appearance this season) .
Cast
Role: Orlando Actor: Brereton

Afterpiece Title: High Life below Stairs

Dance: As17830918

Song: In Act v of mainpiece a song by Miss Field

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Smith; Angelo-Palmer; Claudio-Brereton; Escalus-Aickin; Clown-Parsons; Provost-Wrighten; Elbow-Wright; Fryar Peter-Chaplin; Barnardine-Fawcett; Abhorson-Alfred; Lucio-[Lee] Lewes; Mariana-Mrs Ward; Juliet-Miss Barnes; Isabella-Mrs Siddons (1st appearance in that character [in London]). [Edition of 1784 (Bathurst) adds: Francisca-Miss Simson.] hathi. hathi.

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Deaf Lover

Performance Comment: Meadows-[Lee] Lewes; Canteen-Suett; Young Wrongward-Phillimore; John-R. Palmer; William-Burton; Groom-Fawcett; Sternhold-Wrighten; Cook-Chaplin; Old Wrongward-Baddeley; Sophia-Miss Wheeler; Chambermaid-Miss Barnes; Betsy Blossom (with songs)-Mrs Wilson .
Event Comment: Mainpiece: Not acted these 2 years. Paid Thorley, Wax Chandler, #81 12s. Receipts: #91 13s. 6d. (65/15/0; 22/18/0; 0/15/6; tickets not come in: 2/5/0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; The Copper Captain-[Lee] Lewes; Margaretta (1st time)-Mrs Ward; Clara-Miss Barnes; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Miss Farren (1st appearance in that character) .

Afterpiece Title: Comus

Performances

Mainpiece Title: Love For Love

Performance Comment: Tattle-[Lee] Lewes; Valentine-Farren; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Waldron; Jeremy-Baddeley; Trapland-Burton; Ben-Dodd; Mrs Frail-Miss Pope; Miss Prue-Miss Wheeler; Mrs Foresight-Mrs Ward; Angelica-Miss Farren .
Cast
Role: Scandal Actor: Bensley
Role: Trapland Actor: Burton

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Love In A Veil

Performance Comment: Sir Charles Winlove-Palmer; Don Philip-Brereton; Alonzo-Baddeley; Governor-Aickin; Diego-Phillimore; Aspin-[Lee] Lewes; Flora-Mrs Wrighten; Fidelia-Mrs Ward; Leonora-Miss Farren .

Afterpiece Title: Jewish Education

Performance Comment: End of Act II Baddeley in the Character of Moses [in The School for Scandal] will present the Audience with a Specimen of Jewish Education .

Afterpiece Title: The Quacks or The Credulous Man

Dance: End of mainpiece, as17840311athi

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Farren; Major Oakly-Ryder; Sir Harry Beagle-Edwin; Captain O'Cutter-Aickin; Charles Oakly-Macready (Their 1st appearance in those characters); Russet-Fearon; Paris-Wewitzer; Tom-Rock; Lord Trinket-Lewis; Harriet-Miss Brunton (1st appearance in that character); Lady Freelove (1st time)-Mrs Bernard; Mrs Oakly-Mrs Pope Edition of 1792 (John Bell) adds: William-$Ledger; John-$Evatt; Servant-$Lee; Toilet-$Miss Stuart; Chambermaid-$Miss Brangin.
Cast
Role: Servant Actor: Lee

Afterpiece Title: Love in a Camp

Dance: As17880301

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Related Works
Related Work: Armida Author(s): Jacopo Durandi
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Performance Comment: Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Bassanio-Baker; Anthonio-A Gentleman [unidentified]; Gratiano-[Lee] Lewes; Launcelot-Gull; Lorenzo (with songs)-Tanner; Shylock-Wilkinson; Nerissa-Miss Chatterley; Portia-A Young Lady [probably Miss Thompson].probably Miss Thompson].

Afterpiece Title: The Busy Body

Performance Comment: Marplot-Wilkinson; Sir F. Gripe-Gull; Isabinda-Mrs Churton; Miranda-The Young Lady.
Cast
Role: Miranda Actor: The Young Lady.

Song: End: a favourite song-Tanner

Entertainment: Monologue. End III: a Comic Sketch of the Times-Ryder

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Harlequin and Quixotte

Performance Comment: As17971226, but added to Principal Pantomime Characters-Lee.
Cast
Role: added to Principal Pantomime Characters Actor: Lee.
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Performances

Mainpiece Title: Lovers Vows

Performance Comment: As17981022, but added: Lee.
Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Emery (1st appearance in that character); Shelty-Munden; Sandy-Incledon; Charley-Townsend; Croudy-Davenport; Serjeant Jack-Clarke; Capt. Dash-Claremont; Laird of Col-Whitmore; Laird of Raasay-Thompson; Benin-Simmons; Jenny-Miss Walcup; Moggy-Mrs Chapman (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Sandy Actor: Incledon

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: The Old Cloathsman

Performance Comment: As17990402, but Peasants and Servants-Lee, Mrs +Norton, Mrs +Gilbert, Mrs +Burnett, Mrs +Walcup, Mrs +Whitmore, Mrs +Lloyd, _Tett, _Oddwell, _Thomas.
Cast
Role: Peasants and Servants Actor: Lee, Mrs +Norton, Mrs +Gilbert, Mrs +Burnett, Mrs +Walcup, Mrs +Whitmore, Mrs +Lloyd, _Tett, _Oddwell, _Thomas.
Role: Ferdinand Actor: Clarke

Afterpiece Title: The Mouth of the Nile

Cast
Role: Ferdinand Actor: Clarke
Event Comment: [Mainpiece in place of The Suspicious Husband, advertised on playbill of 26 Dec.] Receipts: #312 11s. (301.12; 10.19)

Performances

Mainpiece Title: Lovers Vows

Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Volcano

Performance Comment: As17991223, but The Other Pantomime Characters-Lee; Attendants on Floridel-Miss +Burnett; Irish Ship@builder-_.
Event Comment: Account-Book: Tickets delivered by Ledger, Thompson, Klanert, Claremont, Simmons, Wilde, Miss Mills, Miss Sims, Mrs Lloyd, Mrs Masters, Lee, Goostree, Street, Mrs Mills, Mrs Sydney, Abbot, Mrs Egan will be admitted. 3rd piece: Representation of the Battle, as 9 Nov. 1799. Receipts: #424 9s. 6d. (40.13.6; 5.3.0; tickets: 378.13.0)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Event Comment: Sixtus Petri Arnoldinus, a Dutchman, visiting in London, saw at the King's Playhouse this day a delightful "Courting-Comedy." See N. W. Zwager, A Visitor to England in 1661, Tijdschrift voor Taal en Letteren, XXVII (1939), 286

Performances

Event Comment: Pepys, Diary: Then my wife and I to Drury Lane to the French comedy, which was so ill done, and the scenes and company and everything else so nasty and out of order and poor, that I was sick all the while in my mind to be there. See also Boswell (Restoration Court Stage, p. 280). W. J. Lawrence (Early French Players in England, The Elizabethan Playhouse and Other Studies (1912), pp. 139-40) argues that the play was Chapoton's Le Mariage d'Orphee et d'Eurydice. See also The Description of the Great Machines of the Descent of Orpheus into Hell. Presented by the French Comedians at the cockpit in Drury Lane. The Argument Taken out of the Tenth and Eleventh Books of Ovid's Metamorphosis (1661). Rugg's Diurnal the French players (BM Add. Mss. 10116, f243v)

Performances

Mainpiece Title: A French Comedy

Event Comment: The King's Company. An edition, undated but possibly issued about this time, refers to its being acted at Vere Street. The edition has no cast, no prologue, no epilouge. Pepys, Diary: Sir W. Pen and his daughter and I and my wife to the Theatre, and there saw Father's own Son, a very good play, and the first time I ever saw it

Performances

Mainpiece Title: Fathers Own Son

Event Comment: The King's Company. Pepys, Diary: We [Pepys and his wife] went to the Theatre, but coming late, and sitting in an ill place, I never had so little pleasure in a play in my life, yet it was the first time that ever I saw it, Victoria Corombona. Methinks a very poor play. Pepys, Diary, 3 Oct.. I...calling at Sir W. Batten's, where his son and his wife were, who had yesterday been at the play where we were, and it was good sport to hear how she talked of it with admiration like a fool

Performances

Mainpiece Title: Vittoria Corombona

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen and I to the Theatre, and there saw The Country Captain, a dull play

Performances

Mainpiece Title: The Country Captain

Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess Or Love At First Sight

Performance Comment: An edition in 1663 (in Killigrew's Comedies and Tragedies) lists no actors' names, no prologue, no epilogue.
Related Works
Related Work: The Princess of Cleve Author(s): Nathaniel Lee