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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W Shirley"/1) | (@(roleclean,performerclean) "W Shirley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1846 results for: Keyword - W. Shirley
We found 1280 matches on Performance Comments, 338 matches on Author, 276 matches on Event Comments, 34 matches on Performance Title, and 0 matches on Roles/Actors.

401
10 June 1795 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Comus

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Song: Vocal Parts, as17950309but Mrs _Blurton; In afterpiece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke

402
25 May 1796 @ Covent Garden

Performances

Mainpiece Title: Comus

Afterpiece Title: Artaxerxes

Afterpiece Title: The Doldrum

Song: In 1st piece: Sweet Echo (1st time)-Mme Mara; accompanied on the hautboy-W. Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself

403
22 March 1797 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

404
23 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: Bach's Bach's favourite concertante for flute oboe violin and violoncello-Monzani, W. Parke, G. and C. Ashley

405
30 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

406
14 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

407
05 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

408
24 January 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

409
21 March 1800 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

410
29 May 1784 @ Covent Garden

Event Comment: Benefit for Brereton, Beeston, Longley & Colley. Tickets delivered by Robson, Stephenson, Robinson, Varley, Small wood, Partridge, Shirley, Shuter, Pilbrow, Turtle, W. Ansell, Hall will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Whitsun Eve, on which night the theatre was customarily closed.] Receipts: #242 17s. (29/17/6; 3/9/6; tickets: 209/10/0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: RosiNA

411
20 August 1668 @ Lincoln's Inn Fields

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

412
07 December 1671 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.

413
02 April 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera: In The Manner Of A Rehearsal

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

414
09 May 1794 @ Covent Garden

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

415
26 January 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Temple Beau

416
07 November 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Tempest

417
17 November 1729 @ Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Dance: As17291114

418
24 November 1729 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Dance:

419
05 January 1730 @ Goodman's Fields

Performances

Mainpiece Title: A Woman's Revenge

Afterpiece Title: Hob; or, The Country Wake

Dance: As17300103

Song: As17300101

420
09 January 1730 @ Goodman's Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Jealousy Deceived

421
24 February 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Fatal Villainy

422
28 April 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

423
08 June 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Widow Bewitch'd

424
16 September 1730 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Song:

Dance:

425
14 March 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Register Office

Dance: The Sailors Revels, as17730928

Monologue: End: Linco's Travels. Linco-King; Old Woman-Mrs Bradshaw