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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "V de Sola Pinto"/1) | (@(roleclean,performerclean) "V de Sola Pinto")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3594 results for: Keyword - V. de Sola Pinto
We found 2482 matches on Performance Title, 902 matches on Performance Comments, 317 matches on Event Comments, 161 matches on Author, and 0 matches on Roles/Actors.

26
16 March 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

27
02 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

28
23 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990418

29
30 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

30
02 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: La Double Epreuve, as17990617 End Opera: La Fille Mal Gardee, as17990418

31
23 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

32
30 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

33
18 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000304

34
25 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

35
05 April 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

36
30 April 1779 @ Covent Garden

Event Comment: Benefit for Mrs Jackson. 3rd piece [1st time in London; F 2, by James Solas Dodd, based on Le Naufrage, by Joseph de laFont, and 1st acted at Smock Alley Theatre, Dublin, 1772, as The Funeral Pile. "The performers were exceedingly correct, which is unusual in benefit piece" Oulton, 1796,1,81). Prologue by the author (Town and Country Magazine, May 1779, p.270)]: With an Indian Processionv. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Jackson in the Great Piazza, Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmers Return from London

Afterpiece Title: Gallic Gratitude or The Frenchman in India

Related Works
Related Work: Gallic Gratitude; or, The Frenchman in India Author(s): James Solas Dodd

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

37
09 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Francois a Londres

Dance:

38
26 March 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Letourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

39
30 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

40
14 December 1784 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Citizen

41
11 December 1798 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide or The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

42
07 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: La Polonaise Favourite, as17780131; End II: Les Bohemiens, as17771216; End Opera: Divertisement-Mons and Mlle Banti, Vallouy@le@cadet, Mlle Baccelli

Song: In II: Air-Sga Danzi; accompanied on the Hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

43
14 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

44
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Follies Of A Day Or The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

45
24 April 1787 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

46
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

47
14 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

48
21 April 1770 @ Covent Garden

Event Comment: Benefit for Mrs Pinto. Charges #64 10s. Balance to Mrs Pinto #32 3s. 6d. plus #57 from tickets (Box 119; Pit 139; Gallery 64) (Account Book). Receipts: #96 13s. 6d

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17691226, but Polly-Mrs Pinto; Jenny-Miss Ogilvie.
Cast
Role: Polly Actor: Mrs Pinto

Afterpiece Title: The Englishman in Paris

Music: I: A Concerto on the Violin-Fisher

Dance: II: The Whim, as17691123; III: A Hornpipe-Miss Twist

Song: I of the Farce: Sweet Bird composed by Handel, sung-Mrs Pinto, accompanied by Fisher

49
24 August 1769 @ Mary-le-Bone Gardens

Event Comment: Benefit for Pinto. [See 17 Aug. A display of fifteen figures by fireworks.

Performances

Mainpiece Title: Love And Innocence

Cast
Role: Vocal parts Actor: Reynolds, Master Herryman, Master Brown, Mrs Forbes, Mrs Pinto.

Music: CConcerto on Hautboy-Park; Concerto on Violin-Pinto

50
26 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa