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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "V de Sola Pinto"/1) | (@(roleclean,performerclean) "V de Sola Pinto")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3593 results for: Keyword - V. de Sola Pinto
We found 2482 matches on Performance Title, 902 matches on Performance Comments, 317 matches on Event Comments, 160 matches on Author, and 0 matches on Roles/Actors.

26
16 March 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

27
02 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

28
23 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990418

29
30 April 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

30
02 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: End I: La Double Epreuve, as17990617 End Opera: La Fille Mal Gardee, as17990418

31
23 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

32
30 July 1799 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

33
18 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000304

34
25 March 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

35
05 April 1800 @ King's Theatre

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

36
30 April 1779 @ Covent Garden

Event Comment: Benefit for Mrs Jackson. 3rd piece [1st time in London; F 2, by James Solas Dodd, based on Le Naufrage, by Joseph de laFont, and 1st acted at Smock Alley Theatre, Dublin, 1772, as The Funeral Pile. "The performers were exceedingly correct, which is unusual in benefit piece" Oulton, 1796,1,81). Prologue by the author (Town and Country Magazine, May 1779, p.270)]: With an Indian Processionv. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Jackson in the Great Piazza, Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Gallic Gratitude; or, The Frenchman in India

Related Works
Related Work: Gallic Gratitude; or, The Frenchman in India Author(s): James Solas Dodd

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

37
21 April 1770 @ Covent Garden

Event Comment: Benefit for Mrs Pinto. Charges #64 10s. Balance to Mrs Pinto #32 3s. 6d. plus #57 from tickets (Box 119; Pit 139; Gallery 64) (Account Book). Receipts: #96 13s. 6d

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17691226, but Polly-Mrs Pinto; Jenny-Miss Ogilvie.
Cast
Role: Polly Actor: Mrs Pinto

Afterpiece Title: The Englishman in Paris

Music: I: A Concerto on the Violin-Fisher

Dance: II: The Whim, as17691123; III: A Hornpipe-Miss Twist

Song: I of the Farce: Sweet Bird composed by Handel, sung-Mrs Pinto, accompanied by Fisher

38
24 August 1769 @ Mary-le-Bone Gardens

Event Comment: Benefit for Pinto. [See 17 Aug. A display of fifteen figures by fireworks.

Performances

Mainpiece Title: Love And Innocence

Cast
Role: Vocal parts Actor: Reynolds, Master Herryman, Master Brown, Mrs Forbes, Mrs Pinto.

Music: CConcerto on Hautboy-Park; Concerto on Violin-Pinto

39
26 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

40
23 February 1798 @ Covent Garden

Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

41
12 April 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Double Disappointment

Dance: II: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Pastoral Dance, as17480326 Sailor's Rendezvous, as17471117

Song: SSailor's Rendezvous, as17471117

42
21 October 1786 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Richard Coeur de Lion

Song: In V: a Roman Ovation-; Vocal Parts-Johnstone, Darley, Cubitt, Brown, Mrs Martyr, Miss Stevenson, Miss Stuart, Miss Cranfield, Mrs Kennedy

43
01 March 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Mock Doctor

Dance: II: Pierrot and Pierrate-de Vallois, J. DeLagarde; III: Chacone-Mrs Bullock; IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Grand Dance of Masqueraders-Thurmond

44
08 November 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018 Also a Set of New Act Tunes composed by Arne

Dance: I: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: French Peasant by Poitier, Mlle Roland. V: Serious Ballet by Denoyer and others

45
23 February 1736 @ Covent Garden

Performances

Mainpiece Title: Theodosius

Dance: II: Harlequin by Mlle De L'Isle. III: French Peasants by Lalauze, Mlle D'Hervigni, Tench, Livier, Desse, Dupre, Mrs Ogden, Mlle Delorme, Miss Sandham, Miss Norman. IV: Tambourine by Glover and Miss Rogers. V: Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

46
20 March 1736 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man

Dance: I: A new Grotesque Pantomime Dance by Nivelon, Lalauze, Mlle De L'Isle. II: A new Serious Dance by a Scholar of Nivelon's, who never appeared on any Stage. III: A new Comic Dance by Nivelon and another of his Scholars who never appeared on any Stage before. IV: Glover's Scot's Dance. V: Flag Dance by Nivelon, accompanied by another of his Scholars who never appeared on any Stage before

47
01 April 1736 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Dance: I: A new Comic Ballet by Nivelon and Mlle De L'Isle. II: French Peasants by Lalauze, Mlle D'Hervigni, &c. V: Glover's Scot's Dance

48
20 November 1749 @ Haymarket Theatre

Performances

Mainpiece Title: Les Jeux De L'amour Et Du Hazard

Afterpiece Title: La Coquette sans la Savoir

49
17 February 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

50
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi