SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Exeter"/1) | (@(roleclean,performerclean) "Theatre at Exeter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2486 matches on Event Comments, 409 matches on Performance Comments, 53 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre, at half a guinea each. Pit 51. 1st Gallery 3;. 6d. 2nd Gallery is. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Event Comment: [Mainpiece in place of The Siege of Damascus, announced playbill of 19 Feb.] Afterpiece: 1st Time at this Theatre, and for that Night only

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Event Comment: Benefit for Bannister. Public Advertiser, 15 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. [Miss Bannister's 1st appearance at this theatre was on 28 Apr. 1784.] Receipts: #321 9s. (118/6; 22/18; 2/4; tickets: 178/1) (charge: #113 7s. 3d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Rosin A

Dance: As17850307athi

Event Comment: Mainpiece [1st time; C 5, by Leonard Macnally. Prologue by ---- Chalmers. Epilogue by ---- Norris (see text, but London Chronicle, 4 Apr., says by Thomas Morris). In 1792 this was acted at this theatre reduced to 3 acts]. Public Advertiser, 30 Apr. 1785: This Day is published Fashionable Levities (1s. 6d.)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Magic Cavern

Event Comment: Afterpiece [1st time; CO 2, by William Pearce. MS: Larpent 696; not published; synopsis of plot in Universal Magazine, Apr. 1785, p. 209]: With new Scenes and Dresses. The Overture and Airs composed by Shield. Books of the Songs to be had at the Theatre. "The Nunnery [is] ... a most powerful narcotic. The Performers--in friendly sympathy--had totally forgotten their parts--and passed the evening in a conversation with the prompter" (Public Advertiser, 15 Apr.)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Nunnery

Event Comment: By Command of Their Majesties. Mainpiece: 1st time [i.e. at this theatre]. Receipts: #242 7s. 6d. (226/18/0; 14/18/0; 0/11/6)

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Lyar

Song: Mainpiece: With the original Music, composed by the late Dr Arne; the Vocal Parts by Miss Phillips, Miss Field, Mrs Love, Mrs Booth, the Miss Stageldoirs, Miss Barnes, Mrs Burnett, Miss Simson, Miss Burnett, Miss Cranford, Mrs Smith, Miss George, Mrs Wrighten

Event Comment: Benefit for Lepicq. Tickets, half a guinea each, to be had of Lepicq, No. 33, Pall-mall. "On machinery at this Theatre the less stress is laid the better. The boat, of which, had it been good, there was too much use, was very far from good. The representation of Lepicq swimming transgressed as little the commandment. And as to the ascent of Lepicq in the bucket, that was so badly managed as to put us in heart-felt trepidation . . . The Rivali Delusi was cut very properly by omitting the under singers' airs; yet the curtain did not drop till midnight" (Public Advertiser, 16 Apr.)

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter .

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Event Comment: Benefit for Wild [prompter]. Public Advertiser, 7 May: Tickets to be had of Wild, No. 17, Bow-street, Covent Garden. The unfortunate circumstance of breaking his leg . . . has prevented his attending the theatre the whole season [and see 18 Apr.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lawyers' Panic

Afterpiece Title: Three Weeks after Marriage

Event Comment: [This was Whitsun Eve, on which night the theatres were customarily closed.] Receipts: #241 9s. 6d. (221/13/0; 18/14/0; 1/2/6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: As17850430

Event Comment: 1st piece: Written by the Author of The Agreeable Surprise, Son-in-Law.&c. [John O'Keeffe]. The Overture and New Airs composed by Dr Arnold. 2nd piece: Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Dance: End of 1st piece, by the two Miss Simonets

Event Comment: Mainpiece: In Act I a Statute Scene. [Meadows had 1st appeard in London, from the Crow Street Theatre, Dublin, at the HAY, 12 Feb. 1785.]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Hunt the Slipper

Dance: End of Act II of mainpiece, as17850601

Event Comment: [Sga Sestini's 1st appearance as Jessamy at this theatre was on 10 Aug. 1784.]

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: A Beggar on Horseback

Dance: As17850617

Event Comment: [Sga Sestini's 1st appearance as Fanny was at this theatre on 17 Aug. 1784.]

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: A Beggar on Horseback

Dance: As17850623

Event Comment: Mainpiece [1st time; CO 3, by George Colman, the younger. MS: Larpent 704; not published; synopsis of plot in Universal Magazine, July 1785, p. 38. Prologue by the author; Epilogue by Edward Topham (European Magazine, July 1785, pp. 70-71)]: The Overture and New Airs compos'd by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Turk, And No Turk

Afterpiece Title: Nature Will Prevail

Event Comment: Benefit for the Author. Receipts: #166 7s. (164/17; 1/10) (charge: #63). [A tally-sheet for this performance in the Harvard Theatre Collection lists the following details: 338 spectators in boxes at #84 10s.; 253 in pit at #37 19s.; 314 in 1st Gallery at #31 8s.; 190 in 2nd gallery at #9 10s. Total of 1,095 spectators at #164 17s. After money #1 10s. Charge #63. Owing Mrs Inchbald #101 17s.]

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Hunt the Slipper

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 16 Nov.] . Orders and Free #24 11s. Receipts : #280 16s. 6d. (257/11/0 ; 23/0/6 ; 0/5/0)

Performances

Mainpiece Title: Othello-kemble ; Roderigo-dodd ; Cassio-bannister Jun

Afterpiece Title: The Quaker

Event Comment: [In mainpiece the playbill assigns Lord Trinket to Dodd, but he "having been taken ill, Kennedy of Covent Garden Theatre performed Lord Trinket, and was favourably received" (Public Advertiser, 28 Sept.).] Receipts: #170 18s. (120/7/0; 49/11/6; 0/19/6)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mills, Miss J. Stageldoir, and others

Event Comment: Mainpiece: Not acted these 10 years [acted 10 Nov. 1779]. [Miss Brunton was from the Bath theatre. Prologue by Arthur Murphy (Works, 1786, VII, 60).] Receipts: #337 18s. (335/7/6; 2/10/6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Catherine and Petruchio

Song: In Act v of mainpiece a Roman Ovation. The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece: Not acted these 12 years [acted 16 Dec. 1774]. [Mrs Jordan was from the York theatre.] Receipts: #195 14s. (155/1; 39/13; 1/0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Caldron

Dance: End of Act II of mainpiece The Provencalle by Williamson and Miss Stageldoir; In afterpiece, by Hamoir, Mrs Sutton and others

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Brunton (1st time at this theatre [i.e. in that character]); Dionysius-Aickin; Philotas-Farren; Melanthon-Hull; Areas-Fearon; Greek Herald-Davies; Calippus-Thompson; Greek Soldier-Gardner; Phocion-Wroughton; Erixine-Miss Platt; Euphrasia-Miss Brunton .

Afterpiece Title: Appearance is against Them

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland (1st time)-Farren; Bellamy-Davies; Jack Meggot-Booth; Tester-Stevens; Buckle-Thompson; Frankly-Wroughton; Mrs Strickland-Mrs Bates; Jacintha-Mrs Inchbald; Lucetta-Mrs Wilson; Millener-Miss Stuart; Clarinda-Mrs Abington (1st appearance in that character at this theatre) .

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece The Wapping Landlady, as17851102; In Act I of afterpiece Dance, as17851010, but Mrs Goodwin in place of Miss Andre

Event Comment: Mainpiece [1st time; CO 3, by Thomas Holcroft]: The Overture and the rest of the music entirely new, by Shield. With new Dresses, &c. Books of the Songs to be had at the Theatre. Public Advertiser, 22 Nov. 1785: This Day is published The Choleric Fathers (price not listed). Receipts: #240 4s. (238/3; 2/1)

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece The Recruiting Serjeant [performers not listed (see17851007)]; End of mainpiece new dance, The Piping Pedlar, by Byrn and Mrs Goodwin