SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Edinburgh"/1) | (@(roleclean,performerclean) "Theatre at Edinburgh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2495 matches on Event Comments, 376 matches on Performance Comments, 63 matches on Performance Title, 2 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit for Hull. Books of the afterpiece to be had at the Theatre. Afterpiece: Founded on the plan of the old Ballad of that name. The songs adapted to old English, Irish and Scotch tunes. [Shuter's Prologue is Larpent MS 218, wherein he enters in character of a Ballad singer, interrupting the music as the overture comes to a close. He sings snatches from some ten old ballads, stopping in the midst of each to comment on the superiority of modern circumstances which parallel those referred to in the old ballads. As the bell rings he introduces the afterpiece.

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spanish Lady

Dance: IV: The Jealous Woodcutter, as17641101

Event Comment: Send Serv'tS by 3 p.m. Books of the Opera at Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Dance: II: The Last New Dance-Miss Wilford[, as17650423

Event Comment: Benefit for Perry, Dibdin. Mainpiece: Acted but once these two years. Afterpiece: Perform'd but twice. None admitted behind Scenes. Books of the Afterpiece to be sold at Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Shepherd's Artifice

Dance: II: A Medley Hornpipe, as17650430 End: Rural Love, as17641212

Event Comment: Mainpiece: By Particular Desire. Books of Opera at Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Upholsterer

Dance: II: Blind Man's Buff, as17641003

Event Comment: Send Serv'ts by 3 p.m. Books of Opera at Theatre (Twenty-Ninth Night)

Performances

Mainpiece Title: The Maid Of The Mill

Dance: II: A New Dance-Miss Wilford

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (ONLY) Book-Keeper, at the Stage-Door of the Theatre. No Person can be admitted behind the Scenes. Nor any money returned after the curtain is drawn up. To begin exactly at 6 o'clock. [Customary note repeated on each bill.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Event Comment: Afterpiece: A comic opera [by Bickerstaffe never performed before. Books of the opera at the Theatre. The music by the most eminent composers

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Daphne and Amintor

Event Comment: [Scheduled for performance, but theatres closed on account of the death of the Duke of Cumberland.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Daphne and Amintor

Event Comment: By Command of their Majesties. Those ladies and gentlemen who have taken places in the Boxes are desired to be at the theatre earlier than usual, to prevent mistakes; and to send their servants by 3 o'clock. [Garrick's first appearance. He afterwards played only occasionally 7 or 8 nights.] Disturbance at Drury Lane. Those not in black insulted, one young gentleman from Bond Street had a sword run into his eye (Winston MS 9)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Daphne and Amintor

Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

Event Comment: A New Musical Comedy in 3 Acts never performed before. New Scenes and Habits. Book of the Comedy to be had at the Theatre. [Richard Cumberland's second dramatic piece, and first one to be performed (Genest, V, 104).

Performances

Mainpiece Title: The Summer's Tale

Dance: I: The Garland, as17651003; II: A New Grand Ballet, call'd The Gallant Shepherds-Fichar, Sga Manesiere, Miss Wilford

Event Comment: Mainpece: By Desire. [An article appeared in the St James Chronicle; or, British Evening Post proposing reserved seats for the theatre, and suggesting a method by which to operate the system.

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Hermit

Event Comment: [Playbill notes this performance as the Fifth. See 16 Dec. 1765.] Books of the Comedy to be had at the Theatre

Performances

Mainpiece Title: The Summer's Tale

Dance: I: The Village Romps, as17651019; II: The Garland, as17651003

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: letter in the St James Chronicle; or, British Evening Post suggests a one@way street for entrance to Drury Lane Theatre, because of the great confusion caused by carriages approaching from both directions.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit

Event Comment: Neither piece acted this season. Books of the Burletta to be had at the Theatre. Midas reduc'd to two Acts

Performances

Mainpiece Title: Cleone

Afterpiece Title: Midas

Event Comment: By Command of their Majesties. Pit and Boxes to be put together. Tickets delivered this day at the Office in the theatre at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. 6d. Galleries to be opened at half after Four, Pit and Boxes at Five, To begin at Half an Hour after Six

Performances

Mainpiece Title: Deborah

Music: CConcerto on Violin-Barthelemon

Event Comment: Benefit towards the Increase of a Fund, established by the Performers of the Theatre Royal Covent Garden for the Support of Decayed Actors and their Families. This Fund having been begun by voluntary contributions among the performers, improved by a proportionable Weekly Deduction on their salaries, and intended as a reciprocal Provision for them their widows and children, in sickness and infirmity, it is humbly hoped and appeal to the Generosity of the Public will not be taken amiss. Such of the Nobility, Gentry, &c. who are pleas'd to favour this Undertaking, are desired to send for places, Box or Pit tickets, to Mr Sarjant, at the Stage Door. Mainpiece [by John Banks]: Not acted these 20 years. Occasional Prologue, written by Hull [printed in the Jester's Magazine, May 1766, p. 241]

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Perseus and Andromeda

Event Comment: To begin at 7:00 p.m. Boxes 5s. Pits 3s. Gallery 2s. Places for the Boxes to be had of Mr Jewell at the Theatre. Vivant Rex et Regina. [Repeated in the bills. Note in St James Chronicle speaks of great crowd and of numbers turned away.

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Entertainment: Dancing-

Event Comment: The Third Night. At the Theatre-Royal in the Haymarket this Day, will be performed..

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Dance: As17660620

Event Comment: The Fourth Night. [Theatre-Royal now repeated in each bill.

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Apprentice

Dance: As17660620

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for boxes to be had from Johnston at Stage Door; No money received at Stage Door, nor any returned after Curtain rises. Play will begin at exactly six o'clock; The passage from the Strand up Catherine Street to Drury Lane Theatre will be clear for Carriages. Paid Renters #8 (Drury Lane Treasurer's Book). [A constant expense nightly for 191 nights amounting to #1528 for the season. Will not be further itemized.] Receipts: #82 12s. 6d. (Drury Lane Treasurer's Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Dance: End: The Venetian Travellers-Sg Giorgi, Sga Giorgi

Event Comment: Paid half year's Poor's rate for the theatre due Michelmas last #15 12s. 6d., and ditto for the House in Bow St. passage 15s. 1!2d. (Account Book). Receipts: #144 9s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Coronation

Event Comment: [R+Rich's Register lists The Hermit as afterpiece.] Paid salary list 5 days at #72 6s. 8d. per diem, #361 13s. 4d.; Atkins not on list #1 7s. 6d.; Rollet on note #7 7s.; Vernon on note per order Mr L, #12 12s.; Bill for 2 suit Men's cloathes #15 15s. (Treasurer's Book). [See engagement contract for Guidetti (Private Correspondence of David Garrick, II, 454) arranged for in Paris by Jean Monnet in early August 1766. He was engaged as Premier Danseur and composer of Ballets at 150 Guineas a year plus "300 Livres argent de France" for travelling expenses. He was to dance for no other theatre without explicit permission from Garrick.] Receipts: #130 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Polly Honeycombe

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

Event Comment: Books of the Burletta to be had at the Theatre. Paid Thos. Williamson for 4 pounds spermeceti candles 7s. (Account Book). Receipts: #133 7s. 6d. (Account Book)

Performances

Mainpiece Title: Love's Last Shift; Or The Fool In Fashion

Afterpiece Title: Midas