Event Comment: [Crawford was from the hay.] Receipts: #94 11s. 6d. (66.11.0; 26.8.6; 1.12.0)

Event Comment: Benefit for Mrs Crawford. Part of the Pit will be laid into the Boxes. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Crawford, No.3, Adam-street, Adelphi

Event Comment: Benefit for Mrs Crawford. [The playbill assigns Roderigo to Lamash, but Barrett was "the substitute for Lamash, who was suddenly indisposed" (Morning Chronicle, 26 July).] Tickets to be had of Mrs Crawford at her house in Salisbury-street, Strand

Event Comment: Benefit for Mrs Crawford. Part of the Pit will be laid into the Boxes. Mainpiece: Not acted these 3 years. Receipts: #277 0s. 6d. (128.7.0; 27.4.6; 1.4.0; tickets: 120.5.0) (charge: #68 8s. 1d.)

Event Comment: Benefit for Crawford. Received from Miss Giles #100 for Fruit Office. Receipts: #111 13s. (45.9.0; 17.15.6; 0.3.6; tickets: 48.5.0) (charge: none listed)

Event Comment: "Nothing could be more affecting than [Mrs Crawford's] expression of the sorrows in the character; nor anything more languid and undecorous than her level recitation . . . Discharge the fire, and she sinks into a tasteless disregard of the business, which injures, if it does not destroy the illusion. It is in this that Mrs Siddons triumphs over her... But she cannot, so powerfully as Mrs Crawford, assail at intervals the heart" (Gazetteer, 30 Nov.)

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Event Comment: Mainpiece: Not acted these 4 years. [The playbill assigns Posthumus to Reddish, but "On Saturday afternoon, at four o'Clock, Notice was sent of the extreme illness of Reddish; and Lewis (on Application) finding it impossible to attempt the Character of Posthumus at that very short Notice [not having performed it for some Seasons) it was obligingly undertaken by Brereton of Drury-Lane Theatre" (Public Advertiser, 26 Oct.). Mrs Crawford, as Mrs Barry, had 1st acted Imogen at dl, 1 Dec. 1770.

Event Comment: The natural grandeur and commanding air of [Mrs Yate's] deportment contradicts the whole idea of the part...We cannot help thinking that [the two characters] would be much better play'd throughout, if they were exchanged; the haughty Alicia would sit much more characteristically on Mrs Yates, and Mrs Crawford would give a degree of plaintive softness to Jane Shore which seems to have been intended by the author (Gazetteer, 3 Nov.)

Event Comment: "With respect to Mrs Siddons, in [Act v of Douglas], there was no question about her superiority [to Mrs Crawford]; and her passions were displayed in the tones of harmony; her great rival seemed to me the first of a school, in latter periods much admired, which deemed discordance the natural ally of anguish, and tortured the ear to overpower the heart" (Boaden, Siddons, 11,76). Receipts: #289 9s. (284/0/6; 5/8/6)

Event Comment: Windham Diary (30 Jan. 1784), 41: On the Wednesday 1 went to see Mrs Crawford in 'Belvidera', and found her much as I expected, though her disparity was very great. I can perhaps better conceive the delusion that, aided by a little prejudice [in favor of Mrs Siddons] and the recollection of Mrs C. in better times, could hesitate about the preference. The chief faults that I should find would be, that her articulation was cramped and timid, her tones sometimes colloquial and vulgar, her action confined, and her countenance inexpressive. A new man of the name of Pope performed; I pronounced him in my own judgment as inferior, upon the whole, to Brereton. [Henderson's 1st appearance as Pierre was at Bath, 14 Oct. 1773.]

Event Comment: Mainpiece: Not acted these 11 years. III the Procession and Ceremony at the Tomb of Cresphontes. "Since Mrs Crawford's meridian another species of acting has arisen, that adds the graces of demeanour to the ebullitions of passion" (True Briton, 30 Nov.). Receipts: #175 5s. (164.19; 10.6)

Event Comment: Benefit for Mrs Abegg, Miss Fielding, Miss Lee. Tickets deliver'd out by Dumai, Dufour, Jarvis, Mrs Crawford, Hitchcock, Miss Brooks, and Miss Davis will be taken. [For tickets see below.] Paid Mr Day for fireworks used in the Rape from 1 March 1759 to 4 April 1761, 56 nights at 3s. per night #8 8s. (Account Book). @Name Box Pit Gallery Value 1!2 Value@Jarvis 11 72 54 #18 19s. #9 9s. 6d.@Dumay 7 40 16 #16 9s. 7d. #4 13s. 6d.@Dufour 14 37 17 #10 15s. #5 7s. 6d.@Mrs Abegg 51 206 77 #51 7s. #25 13s. 6d.@Miss Lee 6 59 67 #17 1s. #8 10s. 6d.@Miss Fielding 41 2 5 #11 1s. #5 10s. 6d.@Miss Brooks 4 34 16 #7 14s. #3 17s.@Mrs Crawford 14 17 28 #8 17s. #4 8s. 6d.@Miss Davis 32 30 33 #15 16s. #7 15s.@Mrs Hitchcock 40 71 18 #22 9s. Gratis@Total 220 568 331 #173 6s. #75 8s. 6d.@ Receipts: #30 18s. plus #75 8s. 6d. the half value of tickets (Account Book)