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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Richmond"/1) | (@(roleclean,performerclean) "Theatre Royal in Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4581 results for: Keyword - Theatre Royal in Richmond
We found 3393 matches on Event Comments, 762 matches on Performance Title, 700 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

451
10 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-West; Mercutio-Russell; Tibalt-Cooke; Capulet-Newton; Benvolio-Glassington; Prince-Massey; Peter-Bailey; Paris-Everard; Friar Laurence-Burnett (from the Theatre Royal, Edinburgh); Lady Capulet-Mrs Newby; Nurse-Mrs Russell; Juliet-Miss Glassington.

Afterpiece Title: The Lying Valet

Dance: As17780601

Song: Between Acts: Master Nelson; End IV: Solemn Dirge and the Funeral Procession of Juliet to the Monument of the Capulets. Vocal Parts-Master Nelson, Mrs Russell, Mrs Fowler

452
07 June 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

453
12 October 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Padlock

Performance Comment: Leander-Vernon; Don Diego (1st time)-Gaudry; Mungo-Jennings (from the Theatre Royal, Edinburgh; 1st appearance upon this stage); Ursula-Mrs Love; Leonora-Miss Wright.

454
03 January 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Modish Wife

Performance Comment: Sir Scrapeall-Barrett; Colonel Parapet-Vowell; Sir Charles Prudent-Harrington; Fuzee-Blackburn; Crambo-Brown; Timothy-Munden; Captain Starboard-Smith; Lady Charlotte-Miss O'Brien (from the Theatre Royal, Dublin; 1st appearance in London); Lady Brainless-Mrs Baker; Emmeline-A Gentlewoman (1st appearance upon any stage [unidentified]); Ruelle-Miss Dudley; Mrs Busy-Mrs Lefevre; Occasional Prologue-Smith.

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

455
17 January 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-A Gentleman [unidentified]; Patie-M'Donald; Roger-Barret; Symon-Pentland; Glaud-Riddle; Bauldy-Stewart; Madge-Mr Wilson; Mause-Mr Hamilton; Jenny-Miss Campbell; Peggy-A Young Lady (from the Theatre Royal, Edinburgh [unidentified]); A New Prologue-.

Afterpiece Title: The Students; or, The Humours of St

Song: End IV: Hooly and Fairlyin character-M'Donald

Music: Between the Acts: proper Scotch Music-; a new Scotch Overture-

456
07 June 1780 @ Haymarket Theatre

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

457
29 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Colonel Oldboy-Edwin; Jessamy-Wood; Jenkins-Bannister; Harman-Bowles [From the Theatre Royal in Norwich]; Sir John Flowerdale-Aickin; Lionel-Du-Bellamy; Diana (for that night only)-Mrs Cargill; Jenny-Mrs Wilson; Lady Mary Oldboy-Mrs Webb; Clarissa-Miss Harper.

Afterpiece Title: Comus

458
25 September 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-Webster; Patie-Brown [from the Theatre Royal in Edinburgh]; Roger (with the song of There's my Thumb, I'll ne'er beguile ye)-Stewart; Symon-Middlemist; Glaud-Riddle; Bauldy-Walker; Madge-Mr Wilson; Mause-Mr Rainsford; Jenny-Miss Ramsey; Peggy-A Young Lady [unidentified]; New Prologue-Walker.

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

459
07 October 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Du-Bellamy; Sir Harry Sycamore-Waldron; Fairfield-Aickin; Mervin-Fawcett; Ralph-Suett (from the Theatre Royal, York; 1st appearance on this stage); Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Collett; Patty-Mrs Cargill (1st appearance in that character).

Afterpiece Title: Queen Mab

Dance: End I: The Butterfly, as17800921; Afterpiece: Dancing, as17800930

460
26 June 1781 @ Haymarket Theatre

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Colonel Oldboy-Edwin; Jenkins-Bannister; Lionel-Wood; Harman-Marshall; Sir John Flowerdale-Aickin; Jessamy-Wilks (From the Theatre Royal, Crow Street, Dublin); Diana-Mrs Cargill; Jenny-Mrs Wells; Lady Mary Oldboy-Mrs Webb; Clarissa-Miss Harper.

Afterpiece Title: The Author

461
25 September 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: THE CAMP

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Parsons; O'Daub-Moody; Mons. Bluard-Baddeley; William-Du-Bellamy; Serjeant Drill-Bannister; Nancy-Mrs Wells (from the Theatre Royal, Haymarket; 1st appearance on this stage); Nell-Mrs Wrighten. The other Characters by Burton, Wrighten, Wright, Chaplin, Holcroft, Fawcett, Phillimore, Norris, Griffiths, Nash, &c.; Miss Wright, Miss Simson, Miss Collett . Miss Wright, Miss Simson, Miss Collett .

462
15 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Mrs Cargill; Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Williams; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Collett; Diana Trapes-Mrs Love; Polly-Miss Wheeler (from the Theatre Royal, Bath; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Robinson Crusoe

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker

463
14 January 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Mrs Greville (of DL); Colonel Standard-Brinsley; Young Clincher-Swords (from the Theatre Royal, Dublin); Vizard-Cotton; Alderman Smuggler-Barrett; Tom Errand-Forrest; Beau Clincher-A Gentleman (1st appearance on any stage [unidentified]); Wife-Mr Pressley; Angelica-Miss Read; Parley-Miss Plain; Lady Darling-Mrs Fowler; Lady Lurewell-Mrs Child .

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

464
01 April 1782 @ Covent Garden

Event Comment: Benefit for Lewis. Afterpiece: As performed at the Theatre Royal in the Haymarket [beginning 6 Aug. 1779]; by the Author of the Son-in-Law, the Agreeable Surprise, &c. [John O'Keeffe]. [Prologue by George Colman, the elder.] Receipts: #195 9s. 6d. (161/11/6; tickets: 33/18/0) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Tony Lumpkin in Town

Dance: End of mainpiece The Humours of Newmarket; with the Poney Races. Jockies-Harris, Langrish, Ratchford, Holloway; Ladies-Mrs Ratchford, Miss Francis, Miss Matthews

465
27 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Performance Comment: As17820605 but Macheath-Miss Kirby (from the Theatre Royal, Edinburgh; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Medea and Jason

466
06 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Williamson (from the Theatre Royal, Edinburgh; 1st appearance on this stage); King-Gardner; Horatio-Aickin; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Edwin; Laertes-R. Palmer; Ostrick-Riley (1st appearance in London); Marcellus-Booth; Grave Diggers-Parsons, Massey; Ghost-Bensley; Ophelia-Mrs Bannister; Player Queen-Mrs Poussin; Queen-Mrs Wheatley. Prologue as17830531 .

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Afterpiece Title: Medea and Jason

467
17 September 1783 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Brett; Hawthorn-Reinhold; Sir William Meadows-Fearon; Eustace-Davies; Hodge-Doyle; Justice Woodcock-Quick; Deborah-Mrs Pitt; Margery-Mrs Wilson; Luanda-Mrs Morton; Rosetta-Mrs Johnstone (from the Theatre Royal, Dublin; 1st appearance on this stage) . 1st appearance on this stage) .

Afterpiece Title: Tristram Shandy

Dance: End of Act II of mainpiece The Belle of the Village by Harris and Miss Matthews

468
30 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-[J. P.] Kemble (from the Theatre Royal, Dublin; 1st appearance upon that stage); King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Barrymore; Ostrick-R. Palmer; Rosencraus-Phillimore; Guildenstern-Williames; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Gravediggers-Suett, Burton; Ghost-Bensley; Ophelia-Miss Field; Player Queen-Mrs Hedges; Queen-Mrs Hopkins .

Afterpiece Title: The Quaker

469
02 October 1783 @ Covent Garden

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Johnstone (from the Theatre Royal, Dublin; 1st appearance in this Kingdom); Col. Oldboy-Wilson; Sir John Flowerdale-Hull; Jenkins-Bannister; Harman-Davies; Jessamy-Sga Sestini (1st appearance in that character); Diana-Miss Wheeler (of DL); Jenny-Mrs Chalmers; Lady Mary Oldboy-Mrs Webb; Clarissa-Mrs Bannister .

Afterpiece Title: Retaliation

470
10 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: [entertainments Of Music And Dancing] A Grand Symphony By The Celebrated Band Of The Opera House

Performance Comment: The Peasant Metamorphosed, as17840430 Hornpipe, as17840430 A Grand Instrumental Concert. The Country Squabble, as17840430 New Pastoral Pas de Deux by Duquesney Jun. and Mlle Constance (from the Theatre Royal, Paris). The Rival Clowns, as17840430, but added: Mrs Dagville; in which Orpheo, as17840430.

471
22 September 1784 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Johnstone; Hawthorn (1st time)-Brett; Sir William Meadows-Fearon; Eustace-Davies; Hodge-Doyle; Justice Woodcock-Wilson; Deborah-Mrs Pitt; Margery-Mrs Wilson; Lucinda (1st time)-Miss Stuart; Rosetta-Miss Wheeler (from the Theatre Royal, Dublin, 1st appearance on this stage) .

Afterpiece Title: The Positive Man

Dance: End of Act II of mainpiece Pastoral Sports by Harris, Miss Matthews, &c

472
25 October 1784 @ Covent Garden

Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-A Young Gentleman (1st appearance on any stage [Holman]); Capulet-Clarke; Friar Lawrence-Hull; Benvolio-Davies; Prince-Fearon; Paris-Bonnor; Tibalt-Cubitt; Montague-Thompson; Peter-Stevens; Apothecary-Jones; Mercutio-Lewis; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Miss Younge (1st time at this theatre). Before the play an Occasional Address [spoken by Hull] .spoken by Hull] .

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

473
13 December 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Peachum-Popplewell; Lockit-Connell; Filch-Decastro; Mat o' the Mint-Ingall; Capt. Macheath (for that night only)-Dighton; Mrs Peachum and Diana Trapes-Mrs Jones; Lucy-Mrs Henley; Jenny Diver-Mrs Barnard; Polly-Mrs Woodman (late of the Theatre Royal, Covent-garden). hathi.

Afterpiece Title: The Irish Widow

Dance: In Act III of mainpiece Hornpipe by Fairbrother. vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed]

474
12 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Performance Comment: In which Meadows (from the Theatre Royal [Crow Street], Dublin) will make his 1st appearance in this Kingdom [he probably acted Lubin (see CG, 24 May 1786)]; Solomon-Decastro; the Quaker-Dighton (1st appearance in that character); Floretta-Mrs Benson; Gillian-A Young Lady (1st appearance on any stage [unidentified]) .unidentified]) .

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

475
26 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter .

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa