SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in London"/1) | (@(roleclean,performerclean) "Theatre Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bannister. [Mrs Wells had 1st acted Macheath at the hay, 14 Sept. 1781; Bannister had acted Polly at the same theatre, 16 Sept. 1785.] Gazetteer, 3 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. "There is now a most vehement rage of innovation in language, government, religion, and everything else...On the British stage, with infinite applause, young and beautiful actresses perform sometimes the Parts of highwaymen; and some singing actors squall in an affected voice resembling, and intended to imitate, that of women; the most humourous dramatic pieces are frittered away into songs; and I should not be surprised to hear that henceforth Miranda and Juliet are to be personated by grim-visaged grenadiers seven feet high, and Falstaff by a slender miss just entered her teens" (Universal Magazine, Mar. 1795, p. 171). Receipts: #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17891024, but Captain Macheath-Mrs Wells (1st time at this theatre); Lucy-Mr Johnstone (1st appearance in that character); Polly-Mr Bannister (1st time these six years); Ben Budge-_.

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister

Event Comment: Mainpiece [1st time; MD 3, by George Colman, ynger]: The new Musick (with a Martial Overture) by Dr Arnold. The Scenery by Rooker. The Characters will be dressed [playbill of 6 Aug.: The Dresses by Whitfield] in the Habits of the Times. Books of the Songs [T. Cadell, 1791] to be had at the Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Surrender of Calais

Performance Comment: Characters by Williamson, Bland, Usher, Aickin, Farren (1st appearance at this theatre), Bensley, Iliff, Evatt, Johnstone, Bannister Jun., Wilson, Parsons, Wewitzer, Burton, Rock, Chapman, Abbott, Powell, Barrett, Mrs Goodall, Mrs Kemble, Mrs Bland. Other Vocal Parts-Davies, Cubitt, Kenrick, Willoughby, Linton, Dorion, Aylmer, Little, Brown, Lyons, Mrs Bannister, Mrs Iliff, Mrs Edwards, Mrs Taylor, Miss Fontenelle, Miss DeCamp, Mrs Edwin, Mrs Powell, Miss Hale, Mrs Gaudry; [Cast from text (Longman [et al.], 1808), and Larpent MS 913: King Edward the III-Williamson; Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribaumont-Farren [in text: Palmer]; Eustache de St. Pierre-Bensley; Officer-Iliff [in text: Palmer Jun.]; John d'Aire-Evatt; O'Carrol-Johnstone; La Gloire-Bannister Jun.; Serjeant-Wilson; Workmen-Parsons, Burton; Citizens-Wewitzer, Abbott, Barrett; Cryer-Rock; Old Man-Chapman [in text: Johnson]; Arundel-Powell; Queen-Mrs Goodall; Julia-Mrs Kemble; Madelon-Mrs Bland; Attendant-Mrs Taylor; Nuns-Miss Fontenelle, Miss DeCamp, Mrs Edwin, Mrs Powell.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Yates, and her Infant Children. [Mr and Mrs Litchfield, with Mrs Litchfield as Little Pickle, are identified in Morning Chronicle, 10 Feb. Address by Thomas Roberts (European Magazine. Feb. 1797, p. 121).] Tickets to be had of Mrs Yates, No. 26, Great Pultney-street, Golden-square; and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: King Edward (for that night only)-A Gentleman [Litchfield]; Earl of Warwick-Faulkner (who performed Orestes at Drury-Lane Theatre [on 21 Dec. 1796]); Lady Eliz. Gray (for that night only)-A Lady [Mrs Litchfield]; Margaret of Anjou-Mrs Yates.

Afterpiece Title: The Spoil'd Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Event Comment: [Mrs Johnson was from the Park Theatre NewYork.] Afterpiece: Compressed into Two Acts. "Munden's Sir Francis Wronghead was a very pleasing display of comicality; but he should have contented himself with what was set down by the author, without introducing his own common place allusions to the fashions of the present day" (Morning Herald, 29 Sept.). Receipts: #200 17s. 6d. (195.19.6; 4.18.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Clarke; Squire Richard-Knight; John Moody-Thompson; James-Abbot; Constable-Whitmore; Poundage-Rees; Lady Grace-Miss Chapman; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Gibbs; Mytrilla-Mrs Watts; Mrs Motherly-Mrs Platt; Trusty-Mrs Litchfield; Lady Townly-Mrs Johnson (from the Theatre in America; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Maid of the Mill

Event Comment: Mainpiece [1st time; CO 3, by Andrew Franklin]: The Scenery, Machinery, Dresses and Decorations entirely new. The Overture and Musick composed by Florio. The Scenes, designed by Greenwood, and painted by him, Banks, and assistants. The Machinery, Dresses and Decorations designed by Johnston, and executed by him, Gay, and Underwood. The Female Dresses designed and made under the direction of Miss Rein. Books of the Songs to be had at the Theatre. "With thy exception of Pizarro, this is one of the most magnificent spectacles the stage has for some time produced. The dresses...are attended with particular accuracy to the costume of the country...and the scenery is locally correct" (Monthly Mirror, Mar. 1800, p. 173). "As a singer [Mme Mara's] powers are indisputable; but as a performer she exhibits herself in a light which alternately provokes our ridicule and pity. Her delivery is an absolute libel on the profession. To the defects of a foreign pronunciation she joins a natural impediment of speech, which partakes too strongly of a lisp to warrant her bearing part in the prose dialogue of a play. What could possibly induce her to appear before the public under such disadvantages, unless she did it in compliment to the composer, we are at a loss to conjecture; nor less are we puzzled to account for the supineness of an audience which can patiently tolerate such puny efforts" (Dramatic Censor, I, 347-48). Morning Chronicle, 14 June 1800: This day is published The Egyptian Festival (2s.). Receipts: #320 18s. 6d. (277.6.6; 42.8.0; 1.4.0)

Performances

Mainpiece Title: The Egyptian Festival

Performance Comment: Egyptians. Raymond, Holland, C. Kemble, Suett, Dignum, Caulfield, Cory, Surmont, Roffey, Mme Mara (1st appearance at this Theatre), Mrs Bland. English. Powell, Kelly, Bannister Jun., Sedgwick, Sparks, Webb, Ryder, Grimaldi, Miss Stephens, Miss DeCamp. Cast from text (J. Ridgway, 1800): Egyptians Mustapha Muley Bey-Raymond; Ali Hassan-Holland; Myrteza-C. Kemble; Uscola-Suett; Yezid (Chief of the Arabs)-Dignum; Jaffa-Caulfield; Priest-Cory; Kedah-Surmont; Zemira-Mme Mara; Nigra-Mrs Bland; English Governor-Powell; Boomly-Kelly in text: Trueman (see18000313; Longbow-Bannister Jun.; Mainstay-Sedgwick; Cook-Sparks; Officer-Webb; Violetta-Miss Stephens; Jackina-Miss DeCamp; unassigned-Roffey, Ryder, Grimaldi; Chorusses-Maddocks, Wentworth, Evans, Fisher, Danby, Danby Jun., Cook, Bardoleau, Willoughby, Elliot, Aylmer, Clarke, Mead, Dibble, Gallot, Caulfield Jun., Tett, Sawyer, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Drake, Ms Saunders, Ms Jacobs, Ms Benson, Ms Butler, Ms Chippendale, Ms Coates, Ms Gawdry; Slaves-Whitmell, Wells, Garman, Johnston, Goodman, Gauron, Bayzand, Ms Brooker, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.

Afterpiece Title: The Liar

Event Comment: London Post, 4-6 Dec. 1699: At the Request of several Persons of Quality, on Thursday next, being the 7th Inst. at the Theatre in Dorset Garden, the Famous Kentishmen, Wm. and Rich. Joy, design to show to the Town before they leave it, the same Tryals of Strength both of them, that Wm. had the Honour of showing before His Majesty, and their Royal Highnesses, with several other Persons of Quality; for which, he receiv'd a considerable Gratuity....Beginning exactly at 2, and Ending at 4. The Boxes 4s. the Pit 2s. 6d. 1st Gallery 2s. Upper Gall. 1s

Performances

Mainpiece Title: Entertainments

Event Comment: London Daily Post and General Advertiser, 1 May: Last Night The Conscious Lovers was perform'd [at GF] in Honour of the Royal Marriage, when there was a very splendid Appearance of Ladies and Gentlemen, to whom Mr Giffard had distributed Tickets. The Stage was decorated in a particular Manner with several Glass Lustres. And the Outside of the House illuminated with a great Number of Candles, a large Quantity of Liquor given to the Populace. [The Prologue is in London Daily Post and General Advertiser, 1 May; in London Daily Post and General Advertiser, 26 April, an announcement had been made that no money would be received on this night.]

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: London Gazette, No. 3264, 18-22 Feb. 1696@7: On Wednesday next, being the 24th instant, will be performed at York Buildings, a New Song Set by Signior Baptist, for the Birth Day of Her Royal Highness the Princess, and by Her Royal Highness's Command

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No 2520, 2-6 Jan. 1689@90: These are to give notice, That the Consort of Musick (at Mr Hughs's, in Freemans Court in Cornhill near the Royal-Exchange) will be perform'd on Wednesday next, being the 8th instant, and so continue every Wednesday for the future, beginning between 7 and 8 of the Clock in the Evening

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 2599, 6-9 Oct. 1690: Mr Franck's Consort of Vocal and Instrumental Musick will be performed tomorrow, being Friday the 10th instant, at the Two Golden-Balls at the upper-end of Bow-Street, Covent-Garden, at 7 in the Evening, and next Wednesday at the Outropers-Office on the Royal Exchange, and will be continued all the ensuing Winter

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No 2651, 6-9 April 1691: The Consort of Vocal and Instrumental Musick lately held in York-Buildings, will be performed again (at the same place and hours as formerly) on Monday next (being Easter-Monday) by the Command, and for the Entertainment, of her Royal Highness the Princess of Denmark

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 3388, 28 April-2 May 1698: On Wednesday next, the 4th of May, will be performed in York-Buildings, the Song which was Sung before her Royal Highness on Her Birth Day last; With other Variety of New Vocal and Instrumental Musick, Composed by Dr Turner, and for his Benefit

Performances

Mainpiece Title: Concert

Event Comment: London Daily Post and General Advertiser, 30 Nov.: Last Night there was a Rehearsal of a new Opera before his Royal Highness the Prince of Wales at his House in Pall-Mall, in which Farinelli and Senesino each of them perform'd a Part

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: London Post, 24-27 Nov. 1699: [William Joy] being oblig'd to leave Town in order to pursue some other Method, can shew but twice, which will be God-willing on Wednesday and Friday next at the Theatre in Dorset Garden, beginning Precisely at 11 a Clock, being resolved to shew no more before he leaves the Town

Performances

Mainpiece Title: Entertainments

Event Comment: London Journal, 23 Dec.: The ingenious Mr Weston of Greenwich, having lately erected a Theatre for the Use and Diversion of the young Gentlemen under his Tuition, the Play of Tamerlane was last Week performed there, with vast Applause. A new Prologue and Epilogue was pronounced upon the Occasion, written by an ingenious Hand

Performances

Event Comment: London Daily Post and General Advertiser, 31 March, contains a long article outlining opposition to silencing the theatre in Goodman's Fields

Performances

Mainpiece Title:

Event Comment: London Daily Post and General Advertiser, 16 May: We hear that Mr Mechlin has sent a Letter to a principal Persons belonging to Drury-Lane Theatre, signifying his great Sorrow, and his Intention to surrender himself next Sessions at the Old Bailey

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

Performances

Mainpiece Title: Londinium Triumphans

Performance Comment: [London's Celebration in Honour of the truely Deserving Sir Anthony Bateman, Knight, Lord Mayor of the Honourable City of London. And Done at the Costs and Charges of the Right Worshipful the Company of Skinners. The 29th of October, 1663. By John Tatham.].
Event Comment: London Gazette, No 742, 26-30 Dec. 1672: These are to give Notice, that at Mr John Banister's House, now called the Musick School, over against the George Tavern in White Fryers this present Monday, will be Musick performed by Excellent Masters, beginning precisely at four of the Clock in the afternoon, and every afternoon for the future, precisely at the same hour. Roger North on Music: But how and by what stepps Musick shot up in to such request, as to croud out from the stage even comedy itself, and to sit downe in her place and become of such mighty value and price as wee now know it to be, is worth inquiring after. The first attempt was low: a project of old Banister, who was a good violin, and a theatricall composer. He opened an obscure room in a publik house in White fryars; filled it with tables and seats, and made a side box with curtaines for the musick. 1s. a peice, call for what you please, pay the reckoning, and Welcome gentlemen. Here came most of the shack [vagabond] performers to towne, and much company to hear; and divers musicall curiositys were presented, as, for instance, Banister himself, upon a flageolett in consort, which was never heard before nor since, unless imitated by the high manner upon the violin. But this lasted not long, nor another meeting of like kind neer Paul's (headed by one Ben. Wallington) for voices to an organ, where who would, that was gifted, might performe, and no payment, but the reckoning (ed. John Wilson [London, 1959], pp. 302-3)

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No 2581, 4-7 Aug. 1690: These are to give Notice, That by Order of the Lord-Mayor and Court of Alderman of the City of London, the Fair, commonly called Lady-Fair, in the Borough of Southwark, will from henceforth be held on the 7th, 8th, and 9th of September only in every Year (according to the Grant thereof of the City) and that the Booths or Shedds will be permitted to stand in the streets there any longer than the said three days

Performances

Event Comment: London Gazette, No 3457, 26-29 Dec. 1698: On Wednesday next, will be performed at York Buildings Mr Daniel Purcell's Musick made for last St Cecilia's Feast, for the Benefit of Mr Howel and Mr Shore, with an Addition of new Vocal and Instrumental Musick. [London Gazette, 29 Dec. 1698-2 Jan. 1698@9, adds: beginning at 7 at night.] See also 22 Nov. 1698

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 813, 1-4 Sept. 1673: These are to give notice, there will be no publick Musick at the Musick-School in White Fryers, till Michaelmas day next

Performances

Event Comment: London Gazette, No 834, 13-17 Nov. 1673: At the Musick School in White Fryers, on Thursday next, will be new Musick, Vocal and Instrumental, beginning and ending at the same hours as formerly, and for the future, the first day of every Month shall be new Musick

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 844, 18-22 Dec. 1673: There will be no publick Musick at the Musick School in White-Fryers, till St Stevens day; and then every day for the future; beginning and ending as usual

Performances

Event Comment: London Gazette, No 878, 8-12 Jan. 1673@4: At the Musick-school in White-Fryers, this present Monday, several new Ayres will be performed, beginning at seven of the clock in the evening; the usual publick room to be wholly abated, and the other rooms and boxes the one halfe; this is to continue till Michaelmasse next

Performances

Mainpiece Title: Concert