SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Crow Street Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Crow Street Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mr Dexter. Last time of performing the Mainpiece this season. Tickets to be had of Dexter at his lodgings at Mr Gibson's in James Street, Covent Garden; at the Grecian Coffee House, in Deveraux Court; and at the Stage Door of the Theatre where Places may be taken. Receipts. #120 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Duke and no Duke

Dance: Sg Piettro, Mad Auretti

Song: I: Mattocks

Event Comment: Benefit for Mrs Ward. Last time of performing Mainpiece this season. Tickets to be had of Mrs Ward, next door to the Chapel in Little Wild-Street, near Drury Lane; and at the Stage Door of the Theatre, where places for the boxes may be taken. Receipts: #130 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: A Duke and no Duke

Event Comment: Benefit for Havard. Tickets to be had of Havard in Broad Court, Bow Street; at Tom's Coffee House in Russel St.; at the Bedford, Covent Garden, and at the Stage door of the Theatre. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Apprentice

Entertainment: I: The Ode in Commemoration of Shakespeare, written by Havard, set to music by Dr Boyce.-Beard, Champnes

Dance: II: A Dance-Mrs Vernon; IV: A Minuet by Desire-Miss Macklin

Event Comment: Benefit for the Lying In Hospital, Aldersgate St. Receipts: #76 15s. Income from Tickets #80 11s. (boxes 114; pit 273; gallery 111). Charges #84 (Account Book). Tomorrow the First Part of King Henry IV. [A long plea for attendance at this performance appeared in the Public Advertiser: "It affords me the greatest satisfaction when I peruse your paper, and find so many advertisements for charitable Benefits at the Theatres; which must greatly add to the Entertainment of the Stage, when we are sensible that the profits are to be appropriated towards the relief and support of the Indigent and distress'd; for the refief of whom, it must (at the same time it gives us secret pleasure) raise the astonishment of foreigners to see so many charitable piles raise their benevolent roofs in and about this great Metroplis. Amongst which I must beg leave to recommend to the Public, the City of London Lying In Hospital in Aldersgate Street (for the Benefit of which the Play of the Conscious Lovers will be performed this evening at Covent Garden); whose charitable doors have been opened for the relief of a much greater Number since the late dearth of Provisions, than its Annual Income (being supported by voluntary contributions) can possibly support, without further aid from the Public." The plea continues by emphasizing the need for expert and tender care for pregnant women, and by pointing out the satisfaction British sailors will have in knowing their wives may be delivered in this hospital.] [The Occasional Prologue (Written by Mr Lockman, Secretary to the Society of Free British Fisheries) was published in the Public Advertiser on 16 Dec.: @"Not sweeter Joy the wond'ring Indian feels,@When his far dazzling Glory Sol reveals@Than warms my heart at this auspicious Sight,@The splendid Audience of this cheerful night."@ Much emphasis on the misery of child-bearing, yet the need for a large population "to a commercial land." Also included was the Epilogue, by Lockman, "Intended for Mrs Hamilton," ending, "May each youth, here, breathe Bevil's gen'rous flame@Each virgin merit Indiana's fame."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Dance: FFingalian Dance, by Desire, as17571013

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introduc'dThe Coronation

Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Tickets and Places to be had of Smith, at his house, opposite the concert room in Dean Street, Soho, and of Mr Sarjant at the Stage Door of the Theatre. Part of the Pit will be laid into the Boxes, where servants will be allowed to keep places. N.B. No building on the Stage

Performances

Mainpiece Title: Comus

Afterpiece Title: Catherine and Petruchio

Entertainment: fter the Masque will be presented the Humours of the Age-in imitation of Shakespeare's STAGES by Smith

Event Comment: By Command of their Majesties. Those ladies and gentlemen who have taken places in the Boxes are desired to be at the theatre earlier than usual, to prevent mistakes; and to send their servants by 3 o'clock. [Garrick's first appearance. He afterwards played only occasionally 7 or 8 nights.] Disturbance at Drury Lane. Those not in black insulted, one young gentleman from Bond Street had a sword run into his eye (Winston MS 9)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Daphne and Amintor

Event Comment: letter in the St James Chronicle; or, British Evening Post suggests a one@way street for entrance to Drury Lane Theatre, because of the great confusion caused by carriages approaching from both directions.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for boxes to be had from Johnston at Stage Door; No money received at Stage Door, nor any returned after Curtain rises. Play will begin at exactly six o'clock; The passage from the Strand up Catherine Street to Drury Lane Theatre will be clear for Carriages. Paid Renters #8 (Drury Lane Treasurer's Book). [A constant expense nightly for 191 nights amounting to #1528 for the season. Will not be further itemized.] Receipts: #82 12s. 6d. (Drury Lane Treasurer's Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Dance: End: The Venetian Travellers-Sg Giorgi, Sga Giorgi

Event Comment: By Particular Desire of the Right Honorable and Honorable The Governors (Being the Last Time of performing till the Holidays). Not acted this season. For the Benefit of the General Lying-In Hospital, Quebec Street, Oxford Road. Charges #85 5s., Balance to Hospital #5 6d. Hospital also receiv'd #156 10s. from tickets (Box 544, Pit 116, Gallery 31). Paid for 1 year's watch for theatre due at Xmas #12 10s. and for the House in Bow Passage 12s. 6d. Paid Dunstall the balance due for the theatrical Fund #136 17s. (Account Book). Receipts: #90 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Citizen

Dance: III: A Hornpipe-Miss Pitt; End: The Village Romps, as17661008

Event Comment: The Author's Night. N.B. As the time limited by Mr Foote's Patent is now expiring the Company will perform every night of the week, (Saturday excepted). Mondays, Wednesdays and Fridays Barry and Mrs Dancer. Tuesdays and Thursdays Mr Foote (Public Advertiser). Set down as much as I can remember of the additions to the Orators. In the evening finished a copy for the Printer of the General Evening Post of an answer to a flattering letter which appeared in that paper some time ago. It is in praise of the Duke of York and other wretches, who not knowing how to spend enough of the Nation's money have fitted up a Theatre in St James Street on which to exhibit their own folly and profusion (Neville MS Diary). [Neville's piece appeared in the Post 8 Sept.

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: Afterpiece: A Pantomine not acted these two years. [See 22 Sept. 1768.] Alterations to The Elopement (Cross Diary). [The Rejoicing Night Scene described in Town and Country Magazine (from Theatre No XXI) as representing Ludgate Street and St Paul's with Houses illuminated.

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Elopement

Event Comment: Benefit of the New Building of the City of London Lying In Hospital, in the City Road, Old Street. Paid Weston's note to Mr Curtis #5; Mrs Bolter for 25 yds. white and silver silk, #28 15s.; 8 extra Trumpets 4 nights (13th inst. incl.) #12 (Treasurer's Book). This day published The Theatres; a poetical dissection by Sir Nicholas Nipclose (Gazetteer and New Daily Advertiser). [It is packed with embittered comments on managerial policy and upon theatrical personalities.] Receipts: #228 18s. 6d. Charges: #84; Profit to Hospital #144 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Thomasand Sally

Dance: I: The Sailors Revels, as17711008

Event Comment: Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of Mr Johnston at the Stage door. [Customary note, repeated.] Rec'd Mrs Groath's one year's rent to Xmas last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The Westminster Magazine this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the Beggar's Opera, "notwithstanding he was requested by the Bench of Justices at Bow-Street, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." Lloyd's Evening Post, 17 Sept., included extracts from letters against playing the Beggar's Opera, "because every performance makes from one two twenty thieves." Sir John Fielding and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The Morning Chronicle, 23 Sept., praised Garrick for not complying with the Justices' request. Wm Augustus Miles published a Letter to Sir John Fielding occasioned by his extraordinary Request to Mr Garrick for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: High Life below Stairs

Dance: II: The Irish Fair-Atkins, Mrs Sutton

Event Comment: Rec'd Remainder of Sinking Fund #561 15s.; Mr Bank's 1 yrs rent to Lady Day last #3; Box Office Keeper's cash returned Watson #10; Archeveque #15; Remainder of S. Barry's Bag #75 14s. 2d. (Treasurer's Book). Paid Salary List #525 12s.; half yrs. Cleansing & Lighting to Lady Day last for St Martin's #12 3s.; Mr King's extra salary #3; Manager's gift to the sufferers by fire in King Street not belonging to the theatre (#10 10s., but Mr Kennedy's Bt. under charged #3 12s. deducted) #6 18s.; Mr Millidge, printer 15s.; Mr J. French on acct #5 5s.; half yrs Land and Window Tax for Covent Garden Parish to Lady Day last-#2 18s. 6d.; Church rate for 1 yr ditto 10s. (Treasurer's Book)

Performances

Mainpiece Title: No Performance

Event Comment: Benefit for Webster. Mr Barry being ill, the tragedly of King Lear oblig'd to be deferr'd. [A comment in Lloyd's Evening Post for 29 Feb. refers to an incident in cg this evening: "A fellow who sat on the sixth row of the Upper Gallery...Threw a Keg (which he had brought full of liquor into the House) over the Gallery front. It fell upon a lady's head, who sat in that part of the Pit which was railed into the Boxes, but the Lady's hair being dress'd in high ton, the artifical mountain luckily prevented the mischief that otherwise might have been occasioned....The fellow who threw the cask was carried to the Public Office, in Bow Street, and from thence committed to Tothill Fields, Bridewell. As the custom of throwing mugs, bottles, apples, &c. from the galleries of the theatres is equally as wanton and wicked and is frequently the cause of great mischief, it is thought the present culprit will made an example of" (Quoted in Hampden, Journal).

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Syrens

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

Event Comment: Benefit for Wright, Carpenter & Butler. Public Advertiser, 5 May: Tickets to be had of Carpenter at Sutton's, No. 11, Little Russel-street, Covent Garden; of Butler, next Door to the Theatre. Receipts: #283 15s. 6d. (42.2.0; 7.2.6; 0.2.0; tickets: 234.9.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: End II: Minuet de la Cour, as17780508

Event Comment: Benefit for Davies, bookseller, and Mrs Davies, who formerly belonged to this Theatre, and who have sustained misfortunes in trade. Public Advertiser, 20 May: Tickets to be had of Davies, Great Russel-street, Covent Garden. Receipts: #198 9s. 6d. (69.14.0; 17.10.0; 0.13.6; tickets: 110.12.0) (charge: #64 4s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Invasion

Dance: End III: Minuet de la Cour, as17780508

Event Comment: Benefit for Lee Lewes. 1st piece [1st time; PREL I, by Frederick Pilon. Author of Epilogue unknown. This Prelude had reference to the illuminations held on 11 Feb. 1779 in honor of the acquittal, on a charge of misconduct in the naval operations off Brest, of Admiral Augustus Keppel. In 1780 it was acted at this theatre, with alterations, as A Gazette Extraordinary]. Tickets delivered for The Distress'd Mother will be received. Public Advertiser, 30 Mar.: Tickets to be had of Lee Lewes at his house in Bow-street, Covent Garden. Ibid, 4 May 1779: This Day is published Illumination (1s.)

Performances

Mainpiece Title: Illumination; Or, The Glaziers Conspiracy

Afterpiece Title: Elfrida

Afterpiece Title: The Touchstone

Event Comment: Benefit for Reinhold. Tickets delivered for The Comedy of Errors will be admitted. Books of the Catches and Glees to be had at the Theatre. Public Advertiser, 8 Apr.: Tickets to be had of Reinhold, No. 90, Charlotte-street, Rathbone-place

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Touchstone

Song: End II: several of the newest and most approved Catches and Glees (selected from the invaluable Collection of the Noblemen's and Gentlemen's Catch-Club)-Reinhold, Vernon, Champness, R.? Smith, Webb, Reynoldson, Simpkinson, Leoni, assisted by several other of the most eminent Performers

Event Comment: Benefit for Wright and Butler, carpenter. Afterpiece: To conclude with the Scene of the Waterfallv, as it was originally performed. Public Advertiser, 5 May: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Receipts: #267 9s. 6d. (37.11.0; 13.8.6; 0.4.0; tickets: 216.6.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Elopement

Dance: End II: Hornpipe-Wright

Song: As17790503

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

Event Comment: Benefit for Mrs Mattocks. Morning Chronicle, 25 Mar.: Tickets to be had of Mrs Mattocks, Russel-street, Covent-garden. 2nd piece: Founded on Nancy; or, The Parting Lovers [by Henry Carey]. Books of the Interlude to be had at the Theatre. Receipts: #203 1s. (179.11; tickets: 23.10) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Spaniards Dismayed; or, True Blue for Ever

Afterpiece Title: The Touchstone

Dance: End 2nd piece: Dance of Sailors-see17800401