Event Comment: Mrs King was put in the Bills in the following manner: Rosalind By Command by Mrs King. A Circumstance I never knew before, nor do I know by what accident it happened. I'm Sure it's a particular Honour, which her acting cannot deserve (Hopkins Diary). By Command. [Macmillan's note form Kemble comments on Hopkins' astonishment at the command procedure: "This circumstance was a contrivance of Mr Garrick's in order to mortify Mrs Yates, Mrs Abington, and Miss Younge."] Paid Mr Loutherbourg on acct. #31 13s. 4d. (Treasurer's Book). [This payment occured monthly, and was made up to #261 10s. 4d. by a final payment of #8 on 29 June 1776. No further itemization of it will be made.] Receipts: #260 12s. (Treasurer's Book)

Event Comment: Hamlet -Smith as usual (Hopkins Diary). Paid half year's Watch, St Martins #32 9s. 6d.; Housekeeper's 4 Bills #50 7s. 10d.; Music Books to Mr Stayner, #6 18s. (Treasurer's Book). [The housekeeper's weekly bill averaged #10, for a total of #380 the season. No further itemization of it will be made.] Receipts: #183 3s. (Treasurer's Book)

Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Event Comment: Mrs Abington continuing ill, The Maid of the Oaks oblig'd to be deferr'd. Soon after the Farce began off off--no, more, no more, was the General Cry with much hissing--Mr King went on Two or three times to know their pleasure but they would not hear him. They Call'd for Mr Garrick he attended--but they would not hear him for a long time tho' Attempted Several times to speak--at last Somebody said hear him! hear him!--Mr G. told them that he would wait their [sic] all Night with pleasUre if they requir'd it--hear him! again was bellow'd out--he told them he waited to know their pleasure--whether they would have the Blackamoor go on or if they would have any other Farce then a great Noise ensued; as soon as they were quiet Mr G. told them that his Theatrical Life would be very Short and he should be glad to end it in peace--A man in the Pit said if you have a mind to die in Peace don't let this Farce be play'd again Mr Garrick was on and off the Stage several times nothing would content them--at Length Mr King told them that the Author had taken the Copy from the Prompter and was gone away with it.--Soon after this they withdrew So ended this troublesome Affair (Hopkins Diary). [MacMillan's note from Kemble is considerably lengthened.] Paid Mr Rowland's bill for dinners #8 9s. 3d. Receipts: #284 18s. (Treasurer's Book)

Event Comment: Sixth Night, for the Author. Receipts: #250 16s. 6d.; Charges: #73 10s.; Profits to author: #177 6s. 6d. (Treasurer's Book)

Event Comment: Benefit for Waldron and Mrs Greville. Mainpiece: Not acted these 3 years. [See 23 April 1772.] Mrs Greville Sir Harry Wildair very bad (Hopkins Diary). Receipts: #58 4s. Charges: #65 19s. Deficit to Waldron and Mrs Greville: #7 15s. (Treasurer's Book)

Event Comment: House (Hopkins Diary). Garrick's last time of performing Benedict . In the Farce the whole set of Clouds fell down upon the Stage but did no Damage (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] King was hoarse. Spleen deferr'd. Receipts: #270 10s. 6d. (Treasurer's Book)

Event Comment: Mainpiece: With Alterations [by David Garrick]. [Henderson was from the hay.] 'The style of Henderson did not assimilate with the tone of the [dl] company. They declaimed in a higher key, and more upon the level. The frequent under-tones the former hardly struck the ear at any considerable distance' (Boaden, Siddons, I, 170). Receipts: #225 8s. (204.2; 20.14; 0.12)

Event Comment: Mainpiece: Not acted these 3 years [acted 17 Apr. 1777]. Afterpiece [1st time; F 2, by Hannah Cowley, based partly on The Stolen Heiress, by Susannah Centlivre]. Public Advertiser, 30 Apr. 1779: This Day at Noon is published Who's the Dupe? (price not listed). Receipts: #193 3s. 6d. (151.2.0; 39.12.6; 2.9.0)

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Event Comment: Benefit for Bannister Jun. Mainpiece: As originally written by Shakespeare. [Genest's remark (VI, 133), "Garrick's alteration [which had been performed uninterruptedly at this theatre since Dec. 1772] seems never to have been acted after this night", is correct.] Public Advertiser, 15 Apr.: Tickets to be had of Bannister Jun., No. 8, Air-street, Piccadilly. Receipts: #280 8s. 6d. (124.18.0; 20.0.0; 0.5.6; tickets: 135.5.0) (charge: #105)

Event Comment: 1st piece: Not acted these 7 years [acted I Apr. 1777]. 2nd piece: As originally written by Shakespeare. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. to begin at 6:30 [see 23 Oct.]. Receipts: #161 12s. (135.0; 26.12; 0.0)

Event Comment: Benefit for Richard Brinsley Sheridan [who is named in the Account-Book, but not on the playbill]. Afterpiece: With a Sea Fight and Procession. [These were included in all subsequent performances.] The Scenery designed by De Loutherbourg, and executed under his direction. Receipts: #236 3s. 6d. (200.17.0; 35.0.0; 0.6.6; tickets: none listed) (charge: #73 10s.)

Event Comment: Mainpiece: As originally written by Shakespeare. Afterpiece: To conclude with a perspective Representation of the Grand Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #170 8s. (121/10/0; 48/15/6; 0/2/6)