SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "TThe Queen"/1) | (@(roleclean,performerclean) "TThe Queen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1185 matches on Performance Title, 1127 matches on Performance Comments, 517 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Performances

Mainpiece Title: The Way Of Ye World

Afterpiece Title: The Witches

Song: III: A Cantata-Miss Young

Event Comment: By Command of their Majesties. King & Queen (Cros s Diary)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Witches

Event Comment: By Command of their Majesties. King & Queen (Cross Diary)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Genii

Dance: III: The Irish Lilt, as17621023

Event Comment: Benefit for Mrs Ward. To prevent any interruption in the performance, there will be No Building on Stage. N.B. Tickets to be had of Mrs Ward, at Mr Dean's in Queen St., Soho; and of Mr Sarjant, at the Stage Door, where Places may be taken

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Englishman in Paris

Dance: I: The Jealous Woodcutter, as17621023

Event Comment: By Command of their Majesties. Command (Hopkins). King & Queen (Cross Diary). Receipts: #240 13s. 6d. (MacMillan)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Fortunatus

Dance: III: The Irish Lilt, as17631119

Event Comment: By Command King & Queen (Cross Diary). Hymen was perform'd but not put in the Bills (Hopkins). [For Hymen, see 23 Jan.] Receipts: #262 6s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rites of Hecate

Afterpiece Title: Interlude Hymen

Event Comment: Benefit for Mrs Simpson and for a Public Nusance &c. (Hopkins). Benefit of Mrs Simson, and removing a Public Nuisance, by opening the way at the end of Great Queen Street (Hopkins Diary-MacMillan). By Particular Desire

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Fairy Tale

Dance: End: The Cow@Keepers, as17640504

Event Comment: Benefit for Mrs Clive. Mainpiece: Not acted for 3 years. [See 21 March 1763.] Part of Pit laid into Boxes. No building on Stage. Farce never before acted. [Attributed to Mrs Clive, not printed.] Tickets and places to be had of Mrs Clive, at the Two Red Lamps, in Great Queen St., Lincoln's Inn Fields, and of Mr Johnston at the Stage Door

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Faithful Irish Woman

Dance: End: The Irish Lilt, as17641011

Event Comment: New Scenes, Dresses, Machinery and other Decorations. Book of the Entertainment to be had at 1s. 6d. at Theatre. A Dramatic Romance by David Garrick, Music composed by Michael Arne. Gave King's Footmen and Chairmen #4 4s.; Queen's ditto; Dukes of York and Gloucester ditto (Treasurer's Book). [A memorandum dated 22 August 1766 (Folger Library, Garrick Album, 520 MS, Cage) explains that Michael Arne was to compose the Music for Cymon, and as compensation shall be intitled to and receive one third part of the profits of the three first nights which the author shall take for his own Benefits." Zachariah Stephens was witness. See 15 Jan. 1767.] Receipts: #196 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #1 8s.; from John Palmer in part of his bond #70; Paid 5 days salary list #367 13s. 4d. Receipts: #173 16s. 6d. (Treasurer's Book). Went to the 2 shilling Gallery to see the new tragedy, with its musical entertainment The Cunning Man, a sort of translation of Rousseau's Devin du Village. Holland, Powell and Bensley played Warwick, Edward and Pembroke very well. Mrs Yates did great justice to Queen Margaret. Mrs Palmer did Elizabeth. The Prologue was spoken by Bensley, the Epilogue by Mrs Yates. The characters were very richly dressed in the dresses of the time. The improper use of ridiculous modern dresses on the stage often offends me (Diary of Sylas Neville, unpublished MS portion)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Cunning Man

Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley

Event Comment: By Command of their Majesties. Paid printer's bill #9 6s (Treasurer's Book). The New Tragedy of Dido, for Benefit of the author, is oblig'd to be deferr'd till Thursday next. Receipts: #229 9s. 6d. (Treasurer's Book). Had no intention of going to the play, but seeing Garrick was to play Lord Chalkstone, I (after hearing Mr Romaine's Lecture on the chapter which contains ye Destruction of Sodom) went before 9 to ye right-side door of ye Pit. The doorkeepers said, --No Room. Saw that ye Canopy, Yeomen, &c. would prevent my seeing. They desired me if I could not get in at ye other door to come back. Found a number of people waiting there and at ye door of the First Gallery; so went back, entered and stood in ye same disagreeable situation I did last night. But I saw the inimitable Garrick very well. [Comments on excellence of whole cast.] Scarcely cool now past eleven o'clock. Ye King and Queen, Princess of Brunswick, Louisa, and all that Tribe were at dl tonight (Neville MS Diary)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Lethe

Dance: End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Powell, 1st time; Ghost-Bensley[, 1st time; Horatio-Hull; Laertes-Davis; King-Gibson[, 1st time; Polonius-Shuter; Rosencraus-R Smith; Guildenstern-Perry; Pl. King-Redman; Lucianus-Morgan; Ostrick-Dyer; Gravediggers-Dunstall, Stoppelaer; Ophelia-Miss Macklin; Queen[, that night only-Mrs Yates (playbill). [Public Advertiser assigns Lucianus-Cushing.]

Afterpiece Title: The Musical Lady

Dance: II: The Dutch Milkmaid, as17671114

Event Comment: By Command of their Majesties. King? & Queen? (Cross Diary). Mr Havard being ill, Mr Aickin played Leonato (Hopkins Diary)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin's Invasion

Event Comment: Afterpiece: Not acted these 2 years. [See 15 May 1766.] With alterations and the addition of the Masquerade and the New Allemande which had been added to Queen Mab. [See 5 Dec.

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Fortunatus

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Benefit for Bates, Dumay, Curtat, Redman, Mrs Naylor. Tickets deliver'd for The Albion Queens will be taken. Charges #64 5s. Deficit #31 11s., covered by income from tickets: Bates #21 14s. (Box 8; Pit 66; Gallery 98); Dumay #49 13s. (Box 90; Pit 125; Gallery 84); Curtat #42 13s. (Box 61; Pit 90; Gallery 139); Redman #57 17s. (Box 35; Pit 180; Gallery 221); Mrs Naylor #33 9s. (Box 36; Pit 103; Gallery 90) (Account Book). Receipts: #32 14s. (Account Book). Stoppelaer and Sarjant paid up their deficiencies for 11th and 15th Inst

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Miss in Her Teens

Dance: II: A Minuet-Dumay, Miss Madden; End: A Pantomime Dance-Fishar, Miss Capon

Event Comment: Paid Younger for license for the Court of Alexander #2 2s. Gave King's Footmen #2 2s.; Chairmen #2 2s.; Queen's Footmen #2 2s. & Chairmen #2 2s. (Account Book). Receipts: #210 12s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Event Comment: Mainpiece: By Desire. Gave King's Footmen by Hough #2 2s., his Chairmen, by Roberts, #2 2s.; Queen's Footmen by Ballintine #2 2s., her Chairmen by Price, #2 2s. (Account Book). [Those who actually paid over these gratuities are listed every time. Apparently for accounting purposes?] Receipts: #120 3s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin's Invasion

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Event Comment: Mainpiece: By Particular Desire. Gave King's footmen by Desse #2 2s.; his chairmen by Wright #2 2s.; Queen's footmen by Rumford #2 2s.; her Chairmen by Webster #2 2s. (Account Book). Receipts: #135 14s

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for Hopkins, Prompter, and Mrs Hopkins. By Particular Desire. Tickets deliver'd for Mary Queen of Scots will be taken (playbill). Miss Hopkins made her first appearance upon the stage in Celia in As You Like It. Was rec'd with great applause (Hopkins Diary). House charges: #74 14s.; Profit to beneficiaries: #165 2s. Receipts: #239 16s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Invasion

Dance: I: A Dance-Daigville's scholars

Entertainment: End: (First time) an Address to the Town-Miss P. Hopkins

Event Comment: Mainpiece: By Command of their Majesties. This Comedy is reviv'd with great Alterations by Mr G. by particular desire of the Queen. The play went off vastly well Mr G. Play'd with great Spirit & much Applauded the Alterations are vastly lik'd it will now be a living Play (Hopkins Diary). Doors open half past five. Play to begin promptly at six. House (Hopkins Diary). Receipts: #156 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Afterpiece Title: A Trip to Scotland

Event Comment: Benefit for Mrs Pitt, Mrs Dyer, and Stoppelaer. Tickets deliver'd for The Albion Queens will be taken. Receipts: #41 (Account Book). Charges: #64 10s. Deficit to each beneficary #7 16s. 8d., cover'd by income from tickets (Account Book): @Tickets Box Pit Gallery Value@Mrs Pitt 32 195 138 #51 6s.@Mrs Dyer 55 97 91 #37 8s.@Stoppelaer 107 238 164 #78 17s.@Total 194 530 393 #167 11s.

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Matthew Actor: Cushing

Afterpiece Title: The Padlock

Dance: III: The Merry Sailors, as17721012; End: A Minuet-Aldridge, Mrs Bulkley