SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Street"/1) | (@(roleclean,performerclean) "Street")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2312 matches on Roles/Actors, 1420 matches on Event Comments, 181 matches on Performance Comments, 88 matches on Performance Title, and 0 matches on Author.
Event Comment: Benefit for Mrs Robinson. Public Advertiser, 28 Mar.: Tickets to be had of Mrs Robinson, No. 19, Southampton-street, Covent Garden. Receipts: #189 10s. (77.5; 21.19; 0.0; tickets: 90.6) (charge: none listed)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: A ChristmasTale

Event Comment: Benefit for Woodward. Tickets delivered for Every Man in His Humour, March 18th, and for this Day, will be admitted. Public Advertiser, 7 Apr.: Tickets to be had of Woodward, Chapel Street, Grosvenor Place, Hyde-Park Corner. Receipts: #204 10s. (168.15; tickets 35.15) (charge: free)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Midas

Dance: As17761120

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 2 years. The Characters dressed in the Habits of the Country. Afterpiece [1st time; C 2, ascribed to Charles Stuart. Author of Address unknown]. Public Advertiser, 24 Mar.: Tickets to be had of Mrs Lessingham at her House, the corner of Percy-street, Rathbone Place. Receipts: #224 1s. 6d. (151.19.6; tickets: 72.2.0) (charge: #65 13s. 6d.)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Event Comment: Benefit for Sga Sestini. A new Comic Opera [usually entitled L'Isola di Alcina]; the Music by Gazzaniga. Public Advertiser, 27 Mar.: Tickets to be had of Sga Sestini, No. 8, Great Suffolk-street, Hay-market

Performances

Mainpiece Title: Alcina

Dance: As17770313

Song: With the Alterations of two new songs-Sga Sestini; a favourite one-Sga Sestini

Event Comment: Benefit for Reinhold. Public Advertiser, 25 Mar.: Tickets to be had of Reinhold, No. 46, Charlotte-street, Rathbone Place. Receipts: #237 7s. (110.12; tickets: 126.15) (charge: #68 7s.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Three Weeks after Marriage

Dance: As17770218

Event Comment: Benefit for Mrs Sutton. Tickets delivered by Thompson will be taken. Public Advertiser, 11 Apr.: Tickets to be had of Mrs Sutton, No. 8, Great Wild Street, Lincoln's Inn Fields. Receipts: #232 1s. 6d. (74.18.0; 22.18.6; 0.0.0; tickets: 134.5.0) (charge: #64 13s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Irish Widow

Dance: End I: a new Comic Dance, The Corn Thrashers-Blurton, Mrs Sutton; End: Minuet de la Cour-Froment, Mrs Sutton (his Scholar); End I: The Irish Fair, as17761031

Event Comment: Benefit for Miss Macklin [and her last appearance on the stage]. Public Advertiser, 3 Apr.: Tickets to be had of Miss Macklin, No. 59, Great Queen-street, Lincoln's Inn Fields. Receipts: #191 16s. (151.6; tickets: 40.10) (charge: #64 10s.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End I: Minuet-Aldridge, Miss Macklin; End III: The Shepherd's Wedding, as17770215; End IV: The Frolick, as17761120

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Public Advertiser, 14 Apr.: Tickets to be had of Mrs Bradshaw, No. 93, near Craven Buildings, Drury-lane; of Mrs Love, at Booth's, Brownlow-street, Long-acre; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #166 4s. (65.16; 13.14; 0.0; tickets: 86.14) (charge: #65 6s. 6d.)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Deserter

Dance: As17761214

Song: End: O What a Charming Thing's a Battle-Bannister

Event Comment: Benefit for Dunstall. Public Advertiser, 3 Apr.: Tickets to be had of Dunstall, Little Queen-street, Lincoln's Inn Fields. Receipts: #282 10s. 6d. (70.17.6 tickets: 211.13.0) (charge: #64 5s.)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Devil to Pay

Dance: End: As17761109

Event Comment: Benefit for Lee Lewes. Afterpiece: In [it] will be introduced the Stockwell Scenes, with a Prologue [by Richard Brinsley Sheridan (Boaden, Mrs Siddons, I, 107)], in the Character of Harlequin, spoken by Lee Lewes; to conclude with the Escape through the Tub, as in Mother Shipton. [The Stockwell Scenes were included in all subsequent performances. The Prologue and Escape were included in the first 3 performances only (see 3 May).] Public Advertiser, 8 Apr.: Tickets to be had of Lee Lewes, No. 40, Charlotte-street, Rathbone Place. Receipts: #282 18s. (119.15; tickets: 163.3) (charge: #69 17s. 6d.)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Event Comment: Benefit for Aldridge. Public Advertiser, 14 Apr.: Tickets to be had of Aldridge, No. 2, Great Maddox-street, Hanover-square. Receipts: #189 9s. (123.4; tickets: 66.5) (charge: #64 10s.)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Mad-Cap

Dance: End II: New Comic Dance-Master Jackson, Miss Parish (A pupil of Aldridge; 1st appearanae on the stage); End III: a new characteristic Irish Dance, The Humours of Leixlip; or, A Jaunt to the Salmon-Leap, in which an Irish Jigg,-Aldridge, Miss Besford; End IV: a new Comic Dance, The Coopers-Langrish, Master Jackson, Miss Nicols (Scholar to Aldridge; 1st appearance also); End: a new pantomimical Naval Dance, All in the Downs ; or, Farewell to Deal,-Aldridge, Jackson, Besford, Miss Besford, Miss Valois

Event Comment: Benefit for Wilson. Mainpiece: Never acted there. Interlude [1st time; INT 1, author unknown. Larpent MS 433; synopsis of plot in London Chronicle, 5 May]. Public Advertiser, 17 Apr.: Tickets to be had of Wilson at his House in Tavistock-street, Bedford-square. Receipts: #187 1s. (87.8; tickets: 99.13) (charge: #67 5s.)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Clock-Case; or, Female Curiosity

Afterpiece Title: Midas

Dance: End 2nd piece: The Humours of Leixlip, as17770425

Event Comment: Benefit for Peile. [In the playbill his part is specified.] Public Advertiser, 15 Apr.: Tickets to be had of Peile at his House, North-street, Westminster. Receipts: #184 7s. 6d. (69.6.6; tickets: 115.1.0) (charge: #105)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Harlequin's Frolicks

Dance: As17770121

Event Comment: Benefit for Dickinson, 1st gallery office-keeper. Afterpiece [F 2, by Edward Thompson, 1st acted at Richmond, 1 Aug. 1776; not published; Prologue probably by the author]: Never performed there. Public Advertiser, 17 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, near Lincoln's Inn Fields. Receipts: #276 17s. (21.14; 7.10; 0.0; tickets: 247.13) (charge: #84)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: St Helena; or, The Isle of Love

Dance: End II: a Hornpipe, as17770430

Event Comment: [Extra night] Benefit for the Widow and Children of the late Hugh? Kelly. Tickets delivered for a Comedy, May 28th, will be admitted. Morning Chronicle, 10 May: Tickets to be had of Mrs Kelly, No. 3, Racquet Court, Fleet-street. Receipts: #108 -16s. (52.1; tickets: 56.15) (charge: #52 1s.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Deuce is in Him

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Piety in Pattens