SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sr Tho Clarges"/1) | (@(roleclean,performerclean) "Sr Tho Clarges")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 495 matches on Performance Comments, 211 matches on Event Comments, 209 matches on Author, 68 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe Shepherd's Holiday (with Additions)-Tho. Burny, Sandham, Eaton, Mrs Haughton, Miss Sandham, Miss Mountfort

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Dance: I: A Shepherdess-Miss Wilford , Scholar to Poitier Sr; II: The Pygmalion Dance-Poitier Jr, Miss Wilford; End: A Minuet-Poitier Jr, Miss Wilford

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box at Plott and noe Plott 8s. [There is no certainty that this performance is the premiere; since the play was advertised in the Post Man, 25-27 May 1697, the first performance may have been late April or very early May.] Preface, Edition of 1697: As for the Spectators, tho, by reason of the advanc'd Season, and the extremity of the heat, which when the Play was first acted was intolerable, we have not had such numerous assemblies as might have been expected in Winter; yet as long as I have known the Play-house I never saw the Company there in better humour. A Comparison Between the Two Stages (1702), pp. 18-19: Ramble: Oh, that's Dennis's; and a very regular Farce, tho' he calls it a Comedy. Sullen: I think it did pretty well; 'tis laboriously Writ, as everything of his is: There's an Air of Formality in the Play agreeable to the slovenly Air in his Behaviour

Performances

Mainpiece Title: A Plot And No Plot

Event Comment: Benefit Tho. Dean Jr. Tickets 5s. At 7 p.m. Note, That the Tickets that were return'd at York-Buildings [21 Jan.] will not be taken, there being a Number of fresh Tickets issu'd out for Stationers-Hall

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; viz., A Full Piece of the famous Signor Colista-Dean Sr, Holmes, Smith; A Solo for the Arch Lute and Violin by Dean Jr-Dean Sr, Dean Jr; Singing-Gates; A set of Airs for the Arch Lute and Violin-Dean Sr, Dean Jr; Singing to the Lute-Dean Jr; A Solo of the famous Archangelo Corelli-Dean Sr; Also several select Airs Out of Camilla and Thomyris-; with Symphonies-the best Performers

Performance Comment: , A Full Piece of the famous Signor Colista-Dean Sr, Holmes, Smith; A Solo for the Arch Lute and Violin by Dean Jr-Dean Sr, Dean Jr; Singing-Gates; A set of Airs for the Arch Lute and Violin-Dean Sr, Dean Jr; Singing to the Lute-Dean Jr; A Solo of the famous Archangelo Corelli-Dean Sr; Also several select Airs Out of Camilla and Thomyris-; with Symphonies-the best Performers.
Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Cast
Role: Old Horace Actor: Tho. Howard
Event Comment: [MS note in hand of Colley Cibber (in R. J. Smith, History of the Stage, Vol. IV. BM 11826r)]: December 25, 1750 Sr. Tho' Death has been cooling his his [sic] heels at my door these three weeks, I have not had time to see him. The Dayly conversation of my friends have kept me so agreeably alive, that I have not passed my time better a great while. If you have a mind to make [?] us, I will order Death to come another day--to be serious I long to see you, and hope you will take the first opportunity. And so wish as merry a Christmas, as many New Years as your heart can hope for, I am Your real friend and Serv't C. Cibber Xmas Day

Performances

Mainpiece Title: None

Event Comment: Benefit Ryan. At the Desire of several Ladies of Quality. Afterpiece: a Comic Pastoral Ballad Farce of two short acts. [Author unknown.] Receipts: money #66 12s. 6d.; tickets #89 12s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Tho' Strange, tis True; or Love's Vagaries

Dance: Salle, Nivelon, Mrs Legar

Performances

Mainpiece Title: The Squire Of Alsatia

Related Works
Related Work: The Squire of Alsatia Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Squire Of Alsatia

Related Works
Related Work: The Squire of Alsatia Author(s): Thomas Shadwell

Song: The New Boy, Cook, Leveridge, Pack, Jones, a Gentleman whose Respect for Mr Bullock engages him to entertain his Friends for that Night only

Dance: duPre, Miss Russell, Miss Schoolding; A Scaramouch-a Gentleman for his Diversion

Performances

Mainpiece Title: A Sea Voyage

Related Works
Related Work: A Commonwealth of Women Author(s): Thomas D'Urfey

Afterpiece Title: The Adventures of Half an Hour

Song: As17160317

Dance: As17151104

Performances

Mainpiece Title: Coriolanus

Related Works
Related Work: Coriolanus Author(s): James Thomson

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Jealous Doctor

Dance: As17221016

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Related Works
Related Work: Heraclius Author(s): Sir Thomas Clarges
Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Related Works
Related Work: Heraclius Author(s): Sir Thomas Clarges

Performances

Mainpiece Title: Heraclius

Related Works
Related Work: Heraclius Author(s): Sir Thomas Clarges

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Narbonne-Pope (1st appearance in that character); Theodore-Holman; Fabian-Thompson; Officers-Powel, Claremont; Austin-Harley; Adelaide-Miss Wallis (1st appearance in that character); Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Fabian Actor: Thompson

Afterpiece Title: The British Recruit; or, Who's Afraid

Related Works
Related Work: To Arms; or, The British Recruit Author(s): Thomas Hurlstone

Afterpiece Title: Catharine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Hortensio-Claremont; Taylor-Bernard; Biondello-Rock; Pedro-Farley; Grumio-Quick; Bianca-Miss Leserve; Curtis-Mrs Platt; Catharine (for that night only)-Mrs Pope.
Cast
Role: Baptista Actor: Thompson

Song: In course 2nd piece: The Mid Watch-Incledon; 2nd piece to conclude: with a new Loyal Duet (composed by Shield) Tho' Hurricanes rattle tho' Tempest appear-Incledon, Bowden

Performances

Mainpiece Title: The Old Batchelor

Song: Leveridge, Mrs Chambers; particularly The Tipling Philosophers-Leveridge

Dance: Dupre, Nivelon Sr, Nivelon Jr, Glover, Newhouse, Mrs Ogden, Mrs Rogeir, Mrs Wall; particularly Two Pierrots-the Nivelons; Running Footman's Dance-Nivelon Sr, Mrs Rogeir; Flag Dance-Nivelon Sr

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Consisting of an Ode design'd for the Prince's Birth/Day-; an Ode on the King-; and that Celebrated Piece of Mr Dryden, called the Feast of Alexander; All by Mr Tho. Clayton, Author of Arsinoe-

Performance Comment: Clayton=, Author of Arsinoe-.
Cast
Role: Author of Arsinoe Actor: .

Performances

Mainpiece Title: Love In A Village

Cast
Role: Hawthorn Actor: Bannister

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day Author(s): Thomas Holcroft
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Thomas Holcroft

Song: End I afterpiece: Tho' Bacchus may boast (composed by Shield)-Duffey; End II: Mad Tom (composed by Purcell)-Duffey

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Tippoo Saib; or, British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

Event Comment: Benefit for Miss Chapman. Tickets delivered for The Toy will be admitted. 3rd piece [1st time; D 1, author unknown. Larpent MS 950; not published. Songs by John Collins and Charles Dibdin (MacMillan, Larpent Catalogue, 157-58)]. Morning Herald, 14 May: Tickets to be had of Miss Chapman, No. 16, Henrietta-street, Covent-Garden. Receipts: #244 18s. (122.10; 13.5; tickets: 109.3) (charge: #105)

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: As17910923, but Thompson_; Powel_; Evatt_; Mrs_ Rock. The rest of the parts are assigned.
Cast
Role: Narrain Actor: Thompson

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: A Cure for a Coxcomb; or, The Beau Bedevil'd

Song: In 3rd piece: will be introduced the following Favorite songs: When virtue forms-Mrs Davis; The Bottle-Davies; The Pleasures of the Chace-Incledon; Farewell each Tonish Life-Munden; Bucket of Water, 'Tis a mighty fine thing-Johnstone; Kitty Grogan, Tho' I'm no dancing master-Johnstone; Anna's Love-Incledon; The Pig, You all must have heard-Fawcett; To-morrow, In the downhill of life-Darley; You are aw nodding-Mrs Harlowe; Coach box, You may feast your ears-Cubitt

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Prisoner at Large

Song: End: The Storm-Incledon; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Four and Twenty Fidlers-Munden; Tho' Hurricanes rattle-Incledon, Bowden

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performance Comment: The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr.

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: afterpiece: As17991007, but Mr Speaker tho' 'tis late-_