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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Solomon Samuel"/1) | (@(roleclean,performerclean) "Solomon Samuel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3819 results for: Keyword - Solomon Samuel
We found 3501 matches on Author, 259 matches on Performance Comments, 88 matches on Event Comments, 37 matches on Performance Title, and 0 matches on Roles/Actors.

3476
23 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Mountaineers

Related Works
Related Work: The Mountaineers Author(s): Samuel Arnold

Afterpiece Title: Rosina

Song: In course evening: Little Taffline; or, The Silken Sash-Mrs Bland

3477
29 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Cambro britons

Related Works
Related Work: Cambro-Britons Author(s): Samuel Arnold

Afterpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

3478
01 September 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): Samuel Arnold

3479
04 September 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: The Review

Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): Samuel Arnold

3480
16 September 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Author

Related Works
Related Work: The Author Author(s): Samuel Foote

Dance: In II: a Hornpipe-

Song: After Imitations: Sweet Echo-Mrs Mountain

Entertainment: Imitations End: Variety of Imitations-T. Trueman

3481
19 April 1797 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Performance Comment: Characters by King, Wroughton, Bannister Jun., R. Palmer, Suett, Russell, Packer, Webb, Evans, Mrs Jordan, Miss Tidswell, Mrs Booth, Miss Mellon. Cast from text (G. G. and J. Robinson, 1797): Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Old Copsley-Packer; Servants-Webb, Evans; Albina Mandeville-Mrs Jordan; Deborah-Miss Tidswell; Mrs Rigid-Mrs Booth; Cicely Copsley-Miss Mellon; Prologue-R. Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]
Cast
Role: Sir Solomon Cynic Actor: King

Afterpiece Title: The Purse

Ballet: The Scotch Ghost. As17961221

3482
20 March 1749 @ Covent Garden

Performances

Mainpiece Title: Solomon

Cast
Role: Solomon Actor: Signora Galli

Afterpiece Title: Concerto

3483
22 March 1749 @ Covent Garden

Performances

Mainpiece Title: Solomon

Cast
Role: Solomon Actor: Signora Galli

Afterpiece Title: Concerto

3484
30 September 1783 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill assigns the 1st Gravedigger to Parsons, but "an Apology was made for Parsons, and Suett went through his Part" (Public Advertiser, 2 Oct.). In afterpiece the playbill retains Parsons as Solomon; for Fawcett see 26 Nov.] "We have for so many years been accustomed to see Hamlet dressed in the Vandyke costume, that it may be material to state that Mr Kemble played the part in a modern court dress of rich black velvet, with a star on the breast, the garter and pendant ribbon of an order-the mourning sword and buckles, with deep ruffles: the hair in powder; which, in the scenes of feigned distraction, flowed dishevelled in front and over the shoulders" (Boaden, Kemble, I, 104). Receipts: #285 16s1. (265/14/0; 19/19/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Performance Comment: As17830916, but Solomon-probably Fawcett .
Cast
Role: Solomon Actor: probably Fawcett

3485
03 March 1750 @ Drury Lane Theatre

Event Comment: BBrooks dead and remov'd from Salary list. Smith in his place. Paid Solomon Samuel for a suit of crimson velet and a blue damask'd waistcoat silver lac'd #4 4s. Salary list 4 days #203 7s. Norton 6 Chorus #1 10s. Mrs Hobson a bill 16s. (Treasurer's Book). Receipts: #180 (Cross); #173 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

3486
17 April 1744 @ Temple Bar

Performances

Mainpiece Title: Solomon

3487
28 March 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones

3488
26 March 1754 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Solomon

3489
07 March 1759 @ Covent Garden

Performances

Mainpiece Title: Solomon

3490
15 March 1765 @ Covent Garden

Performances

Mainpiece Title: Solomon

3491
06 August 1765 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Solomon

3492
18 September 1767 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Solomon

3493
27 February 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Solomon

Music: End of Part I concerto on the organ by Stanley; End of Part II concerto on the hautboy by Parke

3494
10 October 1685 @ Whitehall or St. James's

Event Comment: Samuel Pepys to Robert Southwell, 10 Oct. 1685: To night wee have had a mighty Musique--Entertainment at court for the welcoming home the King and Queen. Wherein the fraequent Returnes of the Words, Arms, Beauty, Triumph, Love, Progeny Peace, Dominion, Glory, &c. had apparently cost our Poet-Prophet more paine to finde Rhimes then Reasons (R. G. Howard, Letters and the Second Diary of Samuel Pepys [London, 1932], p. 171. [The entertainment for this occasion seems not to have survived.

Performances

Mainpiece Title: Concert

3495
23 December 1662 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

3496
09 January 1663 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

3497
12 January 1663 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

3498
12 January 1663 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

3499
13 January 1663 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

3500
14 January 1663 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke