SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Robert Hanson"/1) | (@(roleclean,performerclean) "Sir Robert Hanson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6811 matches on Performance Comments, 2100 matches on Author, 1193 matches on Event Comments, 554 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Event Comment: The King's Company. The date of the premiere is not known, but as the play was entered in the Stationers' Register, 26 June 1673, it was probably acted in May 1673 or earlier. For a discussion of its possible dates, see Nicoll, Restoration Drama, p. 403. A song, The day is come, I see it rise, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Dedication to the edition of 1673:...though it succeeded on the Stage

Performances

Mainpiece Title: Amboyna

Event Comment: The Duke's Company. This date of the premiere is not known, but the presence of Cademan (who was injured in August 1673) in the cast suggests a late spring or early summer production. In addition, two songs, in the play, Beauty no more shall suffer eclipse, and Full round the health good natured and free, both set by Robert Smith, are in Choice Ayres and Songs, 1673 (which was entered in the Stationers' Register, June 1673). It is possible, then, that the play was first given early as May 1673. Downes, Roscius Anglicanus, p. 33: A Comedy call'd The Reformation, Written by a Master of Arts in Cambridge; the Reformation in the Play, being the Reverse to the Laws of Morality and Virtue; it quickly made its Exit, to make way for a Moral one

Performances

Mainpiece Title: The Reformation

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: The Diary of Robert Hooke: at the musick house with Mr Boas. (27 Sept. 1673)

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. See Duffett's burlesque, above. The Diary of Robert Hooke, 6 Dec. 1673: Saw Empress of Morocco at Duke's Theatre. 1s. 6d. Dutchess of York? there

Performances

Mainpiece Title: The Empress Of Morocco

Event Comment: The Diary of Robert Hooke, 31 Oct. 1674: With Mr Francis Moegan at musick house

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. The Diary of Robert Hooke: Mr Hoskins and I at Shadwell. Atheistical wicked play 2 1!2 sh

Performances

Mainpiece Title: The Libertine

Event Comment: The King's Company. The Diary of Robert Hooke, 27 Aug. 1675: Saw Psyche Grand foppery

Performances

Mainpiece Title: Psyche Debauched

Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Diary of Robert Hooke: With John? Oliver saw tigre in Bartholomew fair 2d. Saw the child doe strange tricks

Performances

Event Comment: The Diary of Robert Hooke: Saw the Dutch woeman in Bartholomew fair, very strange

Performances

Event Comment: The Diary of Robert Hooke (p. 423): At Bartholomew fair Saw Elephant wave colours, shoot a gun, bend and kneel, carry a castle and a man

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Entertainments

Performance Comment: The Diary of Robert Hooke: At Barthemy fair saw fellow walk on Stilts 12 foot high.

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Edition of 1681: Prologue-; Torrismond-Betterton; Bertran-Williams; Alphonso-Wiltshire; Lorenzo-Smith; Raymond-Gillo; Pedro-Underhill; Gomez-Nokes; Dominic-Lee; Leonora-Mrs Barry; Teresa-Mrs Crofts; Elvira-Mrs Betterton; Epilogue [by a Friend of the Author's [Robert Wolseley]-.
Event Comment: Samuel Pepys to Robert Southwell, 10 Oct. 1685: To night wee have had a mighty Musique--Entertainment at court for the welcoming home the King and Queen. Wherein the fraequent Returnes of the Words, Arms, Beauty, Triumph, Love, Progeny Peace, Dominion, Glory, &c. had apparently cost our Poet-Prophet more paine to finde Rhimes then Reasons (R. G. Howard, Letters and the Second Diary of Samuel Pepys [London, 1932], p. 171. [The entertainment for this occasion seems not to have survived.

Performances

Mainpiece Title: Concert

Event Comment: The United Company. Tne date of the first performance is not known, but the Gentleman's Journal, March 1692 (licensed 9 March 1691@2), refers to its having already been produced. See also a letter concerning it dated 19 Jan. 1691@2. Probably the play was given in early February 1692. A song, How long must women wish in vain, the music by Robert King, is in Comes Amoris, The Fourth Book, 1693. Gentleman's Journal, March 1692: We have had lately a new Play, called, The Innocent Impostors. It hath been acted four times. Mr Shadwell Poet-Laureat, usher'd it into the Stage. It is said that the Author of it is not one of the Laity; therefore since he desires not to be known, I shall not presume to let you know his Name, tho the Play being Historical, and altogether of the Tragick kind, and withal treated with all the decency imaginable, can never be inglorious to its ingenious Author

Performances

Mainpiece Title: The Rape; Or, The Innocent Impostors

Event Comment: This celebration of the Queen's Birthday presumably was given on 30 April, her birthday. The music in the Royal Society of Music gives the singers as Mrs Ayliff, The Boy, Turner, Snow, Edwards, Howell, Bowman, Damascene, Bouchier, Williams, Woodeson, Roberts. See Purcell's Works, Purcell Society, XXIV (1926), ii

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Event Comment: James Brydges, Diary: I went to Mr Roberts's, who had a consort of musick, Mr Frank Roberts Mr Banister, la Riche Mr Shore, &c. I staid here till towards eleven, & then home with Lady Lucy Bright & my Wife (Huntington MS St 26)

Performances

Mainpiece Title: Concert

Event Comment: Post Boy, No. 452, 26-29 March 1698: In York-Buildings tomorrow being the 30th instant will be perform'd a New Consort of Vocal and Instrumental Musick, compos'd by Seignior Baptist for the Benefit of him and Mr Robert, beginning at the usual time. [London Gazette, No. 3378, 24-28 March 1698, with essentially the same notice, states that the admission charge is 5s.

Performances

Mainpiece Title: Concert

Event Comment: Post Man, 28 March 1699: For the Benefit of Mr Robert Roades...a Consort, all new Music, both Vocal and Instrumental: There being no Play at either House

Performances

Mainpiece Title: Concert

Event Comment: James Brydges, Diary: I went & din'd at ye fountain, after wch I went to ye Playhouse in Lincolns Inn fields, & saw my Cozen Hussys & Coz. Roberts there. I staid an act (Huntington MS St 26)

Performances

Event Comment: Benefit Ray and Roberts. At the particualr Desire of several Persons of Quality. Written by the late Mr Otway

Performances

Mainpiece Title: Venice Preserv'd

Music: Between the Acts: Select Pieces-

Dance: Thurmond Jr, Mrs Bullock, Miss Tenoe

Event Comment: Benefit Roberts, Wright, and Nailer

Performances

Mainpiece Title: King Henry The Eighth

Music: Concerto on Little Flute-Baston

Dance: