SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir James Bland Burges"/1) | (@(roleclean,performerclean) "Sir James Bland Burges")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 7228 matches on Performance Comments, 3712 matches on Author, 1311 matches on Event Comments, 541 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: Afterpiece: A comedy in 2 Acts not acted these 2 years. [See 30 April 1763.] The Relapse deferr'd on account of indisposition of Miss Elliot. James Bencraft Died at Covent Garden (Winston MS 9)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Catherine and Petruchio

Dance: III: Blind Man's Buff, as17641003; End: Rural Love, as17641212

Event Comment: Farce never acted before [by James Townley]. Farce-Ill received the first night and damned the second (Victor, History of the Theatres, III, 62)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Tutor

Related Works
Related Work: The Tutor Author(s): James Townley
Event Comment: Towards raising a Sum of Money for building a Wing to the Middlesex Hospital. Pit and Boxes at Half a Guinea. Gallery 5s. Upper Gallery 3s. 6d. To begin at 6:30 p.m. After the Opera will be an Assembly, with Coffee, Tea, Orgeat, and Lemonade. At Mr Almack's Great Room in King St., St James, to which every Gentleman or Lady who shall produce a Ticket that will be annexed to the Box Tickets for the Opera, will be admitted without any additional Expense. Box Tickets for this Night will admit only one Person into any part of the House, as the Tickets for the Assembly are annexed thereto. Mr Almack's room will be opened at Nine o'clock, and Ladies are desired to order their Chairs to wait in King Street, and the Coaches in St James's Square

Performances

Mainpiece Title: Ezio

Dance: Between the acts:

Event Comment: At the Little Theatre in James Street near the Haymarket. Doors to be opened at 5:00. To begin exactly at 6:00. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. to the public. After several of our Lords and Masters, the Men, have with various success made wry faces for the amusement of the town; permit a woman to attempt the arduous task of laughing the men out of their follies; declaring, however, that while she attempts the ridicule of vices peculiar to the other sex, she will by no means spare the slightest foible of her own (Public Advertiser). The Theatre is fitted up in an elegant manner, and constant fires are kept to make the house agreeably warm (Gazetteer & New Daily Advertiser). [This Lecture continued to 6 March.

Performances

Mainpiece Title: Lecture On Heads

Event Comment: The Epilogue to the play published in the St James Chronicle

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Sir John Melvil Actor: Holland
Event Comment: Author's Night. [Two more epigrams on Foote appeared in the St James Chronicle.

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Sir John Melvil Actor: Holland
Event Comment: Paid James Amson for a set of China for Love in the City, #11 2s. 11d. (Account Book). Receipts: #115 13s. 6d. (Account Book). [On 5 March appeared in the Public Advertiser the following squib]: To the Author of Love in the City. @If e'er again thy Muse engage@To laugh at Folly on the Stage,@Let Cockneys 'scape the stroke@Since 'tis with Men of Sense a Rule@That of all Fools, the Bo-Bell Fool@Can least endure a Joke. A.

Performances

Mainpiece Title: Love In The City

Event Comment: The Author's Night. N.B. As the time limited by Mr Foote's Patent is now expiring the Company will perform every night of the week, (Saturday excepted). Mondays, Wednesdays and Fridays Barry and Mrs Dancer. Tuesdays and Thursdays Mr Foote (Public Advertiser). Set down as much as I can remember of the additions to the Orators. In the evening finished a copy for the Printer of the General Evening Post of an answer to a flattering letter which appeared in that paper some time ago. It is in praise of the Duke of York and other wretches, who not knowing how to spend enough of the Nation's money have fitted up a Theatre in St James Street on which to exhibit their own folly and profusion (Neville MS Diary). [Neville's piece appeared in the Post 8 Sept.

Performances

Mainpiece Title: Countess Of Salisbury

Cast
Role: Sir Ardolf Actor: Bannister

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Cast
Role: Sir William Douglas Actor: Havard

Afterpiece Title: NNone

Event Comment: The Fifth Performance of the Mainpiece. The Music by Mr Linley of Bath. Afterpiece: By Particular Desire. Paid James Abbott for Flowers etc. for the Garland Dance #5 11d. and paid Mrs Winter for flowers etc. for the same #2 13s. 4d. (Account Book). [See 14 Dec.] Receipts: #211 2s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Oxonian in Town

Dance: End of Opera: The Dutch Milkmaid, as17671114

Event Comment: Being desir'd by many Persons of Quality, for ONE NIGHT ONLY, and By Permission of the Noblemen and Gentlemen of the Catch-Club, at the Thatch'd House in St Jame's St., will be perform'd the Favourite Catches and Glees which were exhibited Last Summer at Ranelagh-House, With TWO DESIR'D ALTERATIONS. After the 2nd Act, a Concerto on the Violin, by Barthelemon. A Considerable number of the Best Vocal and Instrumental Performers are engag'd on this occasion. Books for the Performance to be had at the theatre. Great care will be taken to keep the Theatre Cool. Ladies and Gentlemen send servants before the opening of the doors, which will be at Half-past 4. No persons can possibly be admitted behind the scenes. To Begin at exactly Seven o'clock. Tickets to be had and places to be taken (ONLY) of Mr Johnston at the stage Door (playbill)

Performances

Mainpiece Title: Catches And Glees

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Ladies' Frolick

Dance: End: A Comic Dance-two children, scholars of Daigville

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Cast
Role: Sir Callaghan Actor: Shuter
Role: Sir Archy Actor: Macklin.

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Sunday 30 Jan-Saturday last died James Love, Comedian, Master of Edinburg Theatre, late of Drury Lane. Was educated at Westminster School and went from there to Cambridge (Winston MS 10). Rec'd stopages #19 19s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3. Receipts: #183 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Genii

Event Comment: Benefit for Macklin. Last time of performing this season. Doors open half past 5. To Begin at half past 6 o'clock. Tickets to be had of Macklin, James St., Covent Garden, and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: St Patrick's Day

Dance: End: The Irish Lilt, as17741202

Event Comment: Benefit for Macklin. Public Advertiser, 8 Mar.: Tickets to be had of Macklin, James-street, Covent Garden. Receipts: #273 16s. (charge: #64 10s.). [Of this amount #177 17s. was "Money," i.e. tickets sold at the door. The remainder, #95 19s., was "Tickets," disposed of by Macklin: 305 in the boxes, 104 in the pit, 41 in the gallery.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: Pastoral Dance, as17761123; End IV: Mirth and Jollity, as17761015

Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Event Comment: Benefit for Dimond. Tickets to be had of Dimond, No. 3, Upper James-street, Golden-square

Performances

Mainpiece Title: The Jealous Wife

Cast
Role: Sir Harry Beagle Actor: Palmer

Afterpiece Title: Tony Lumpkin in Town

Dance: As17790618

Entertainment: Monologue End: Bucks have at ye all-Master Hitchcock

Event Comment: Afterpiece [1st time; MF 1, by James Cobb; music by Samuel Arnold. Larpent MS 530; not published]: Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Wedding Night

Related Works
Related Work: The Wedding Night Author(s): James Cobb
Event Comment: [3rd piece 1st acted at dl, 5 Apr. 1779, as The Contract; or, The Female Captain. Prologue by James Cobb (Public Advertiser, 19 Sept. 1780).] Tickets delivered by Kenny and Painter will be admitted

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Female Captain

Related Works
Related Work: The Contract; or, The Female Captain Author(s): James Cobb
Event Comment: [MS annotation on playbill in Harvard Theatre Collection: "Mrs Cargill run away this day with Colman Jun. James? Winston?." And see 11 Sept.

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Taylors

Performance Comment: Francisco (with an occasional Prologue in the character of Harlequin)-Pressley; Abrahamides-Cross; the other Characters by Marks, Bailey, Singer, Thomas, Sparrows, Middleton, Stephens, Jones, Browne, Goodman, James, Barnet, Newton, Hunt, Jackson, Hurst, Bulls, Crowther; Tailors' Ladies-Mrs Burden, Miss Nash, Miss Jameson, Miss Hemet .

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

Event Comment: Mainpiece: Not acted these 6 years [acted 18 Sept. 1778. Miss Scrase (see 19 Sept.) had become Mrs James Bates on 23 Sept.]. Receipts: #195 13s. 6d. (193/3/6; 2/10/0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Damon and Musidora by Harris and Miss Besford