SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir George Collier"/1) | (@(roleclean,performerclean) "Sir George Collier")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6501 matches on Author, 6428 matches on Performance Comments, 1424 matches on Event Comments, 648 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Both pieces by Command of their Royal Highnesses Prince George, Prince William, Lady Augusta. Afterpiece: For last time this season. Present the Princes George & William, and the Lady Augusta. Paid Mr LaCourt in full for painting for the Fair #21. Receipts: #161 12s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Fair

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17500918, but George Barnwell-Lee; Maria-Mrs Mills.
Cast
Role: George Barnwell Actor: Lee
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Ladys Last Stake

Performance Comment: As17560327 but Mrs Conquest-Mrs Cowper; Lord George Brilliant-Ross, first time.

Afterpiece Title: Lethe with Mr Garricks new Scene

Dance: IV: Hornpipe-Mathews

Event Comment: On 21 March died of a Consumption, at Somerset House, Mrs George Garrick, wife of Mr George Garrick, a Lady in whom was united every amiable quality (Public Advertiser, 22 March.)

Performances

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: No Matter What

Performance Comment: Parts-Holland, Yates, Palmer, Miss Pritchard, Walker, Bransby, Blakes, Vaughan. [Characters lists in Larpent MS 145 as Flint , Spy , Fanny , Absent , Splinter , Felton , George , Clearcase .]Characters lists in Larpent MS 145 as Flint , Spy , Fanny , Absent , Splinter , Felton , George , Clearcase .]

Dance: IV: The Italian Peasants, as17571004

Event Comment: At Shuter's New Booth, George Inn Yard, West Smithfield. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at Twelve Noon. An Excellent Band of Musick is provided. The Scenes and Habits all entirely new. Public Advertiser, 22 Aug.: Whereas the partnership between Mess Shuter and Yates has been dissolved; and as Mr Shuter intends to carry on the Business in a more extensive manner than has been performed hitherto, he is now at a great Expence erecting a Repository in an entirely new Taste, in the George Inn Yard...prfviding new, nice, and different Assortments of Theatrical Wares, such as Wit, Humour, Incidents, American Interludes, black and white, Duets and Dances, of which the Public will be informed by Catalogue of the whole Stock, which will be delivered Gratis to his Friends and Customers...He flatters himself that no Person will serve them better or cheaper, for ready Money only, and all purchases of Five Pounds worth or upwards, shall be allowed 5 per cent of Discount. That the Publick may not mistake the Shop, over the Door way will be my Picture without a Frame, very indifferently painted, with this Motto beneath it, Shuter. Daily Advertiser, 3 Sept.: On the Great Parade after the Fair is proclaim'd, the Bold Shuter will review his Troop; and the Publick are requested to observe that the full Figure at the Middle of the Platform is the Chief...or Sachem of the Five Nations. He will be attended with Mamamawks, Papapawks, and Tomahawks...The Lords may laugh, the Ladies may laugh, and the Commoners may laugh...and that will make me laugh. Edward Shuter, born Anno Domini

Performances

Mainpiece Title: The French Floggd Or The English Sailors In America

Song: Diet, The Humours of Bartholomew Fair-Alley Croaker, Signora Ciperini; And a Song- on the late glorious success gained over the French by his Serene Highness Prince Ferdinand

Event Comment: Receipts: #173 5s. [The Occasional Song is Larpent MS 164, a patriotic one on George II's victories: "Amherst by land Boscawen by sea" referring to victories at Cape Breton, Crown Point, Niagara, Guadeloupe, Senegal, and Quebec.

Performances

Mainpiece Title: The Busy Body

Cast
Role: Sir George Actor: Smith
Role: Sir Francis Actor: Collins
Role: Sir Jealous Actor: Marten

Afterpiece Title: The Fair

Event Comment: Mainpiece: Not acted this season. [The Ode, by Robert Lloyd and A. Murphy (according to J. P. Kemble's note on the playbill), combines an Elegy on the death of George II with a compliment on the accession of George III.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Tears and Triumphs of Parnassus

Dance: II: Reviv'd the Pantomime Dance, call'd The Prussian Camp The Prussian Soldiers by the Comedians, the Characters of the Dance-Grimaldi, Miss Baker

Music:

Song: n Ode for Music, call'dThe Tears and Triumphs of Parnassus-. The Music compos'd by Stanley

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Sir John Restless Actor: Yates

Dance: As17610616

Event Comment: Never acted. [See Genest's comment (IV, 618) derived from Cumberland and the London Magazine-its appeal to the fashionable circles, its damnation at first performance because of the hanging of Harlequin in full view, and its modification thereafter. See 18 June and Horace Walpole to George Montagu [Arlington Street] July 28, 1761: I came to town yesterday through clouds of dust to see The Wishes, and went ac- [I, 381] tually feeling for Mr Bentley, and full of the emotions he must be suffering. What do [you] think in a house crowded was the first thing I saw! Mr and Madam Bentley perked up in the front boxes and acting audience at his own play--no, all the impudence of false patriotism never came up to it! Did one ever hear of an author that had couraee to see his own first night in public? I don't believe Fielding or Foote himself ever did--and this was the modest bashful Mr Bentley, that died at the thought of being known for an author, even by his own acquaintance! In the stage-box was Lady Bute, Lord Halifax and Lord Melcomb-I must say the two last entertained the house as much as the play-your King was prompter, and called out to the actors every minute to speak louder-the other went backwards and forwards behind the scenes, fetched the actors into the box, and was busier than Harlequin. The curious prologue was not spoken, the whole very ill-acted. It turned out just what I remembered it, the good parts extremely good, the rest very flat and vulgar-the genteel dialogue I believe might be written by Mrs Hannah. The audience was extremely fair. The first act they bore with patience, though it promised very ill-the second is admirable and was much applauded-so was the third-the fourth woeful-the beginning of the fifth it seemed expiring, but was revived by a delightful burlesque of the ancient chorus-which was followed by two dismal scenes, at which people yawned-but were awakened on a sudden by Harlequin's being drawn up to a gibbet nobody knew why or wherefore-this raised a prodigious and continued hiss, Harlequin all the while suspended in the air-at last they were suffered to finish the play, but nobody attended to the conclusion-modesty and his lady all the while sat with the utmost indifference-I suppose Lord Melcombe had fallen asleep [p. 382] before he came to this scene and had never read it. The epilogue was about the King and new Queen, and ended with a personal satire on Garrick-not very kind on his own stage-to add to the judge of this conduct, Cumberland two days ago published a pamphlet to abuse him. It was given out for tonight with more claps than hisses, but I think it will not do unless they reduce it to three acts." [p. 383]. Correspondence with George Montagu. Ed. W. S. Lewis & Ralph Brown. (New Haven: Yale University Press, 1941), I, 381-83] Note: (I, 381n): Bentley's play of The Wishes or Harlequin's Mouth Opened, was offered to Garrick and Rich the beginning of 1761, but wasrefused by both. His nephew Cumberland showed it to Lord Melcomb, who carried it to Lord Bute, with a compliment in verse to that Lord by Mr Cumberland. Lord Bute showed it to the King, who sent Bentley #200 and ordered the new summer company to play [it]. There was a prologue, flattering the King and Lord Bute which Foote refused to act. Two days before it was played, Cumberland wrote an anonymous pamphlet, addressed to Mr Bentley, and abusing Garrick, who had refused to act Cumberland's tragedy of Cicero's banishment, which he printed this year [1761], unacted. The Wishes were played for the first time July 27th, 1761; the 2d 3d and part of the 4th, acts were much applauded, but the conclusion extremely hissed. The Epilogue concluded with a satire on Garrick. It was acted five nights. About the same time he wrote a tragedy called Philodamus, which he was to read to Garrick, but the latter was so angry at their treatment of him, that he declared against seeing Mr Bentley" (MS account by HW of Bentley's writings, in the collection of Lord Waldegrave at Chewton Priory)

Performances

Mainpiece Title: The Wishes Or Harlequins Mouth Opened

Dance: Master Rogier, Miss Capitani

Performances

Mainpiece Title: The Fair Bride Or The Unexpected Event

Afterpiece Title: The British Tars Triumph over M Soup Maigre

Performance Comment: Cast:The performance will be highly enlivened with several entertaining Scenes between England, France, Ireland, and Scotland, in the diverting personges of Ben Bowling, an Dnglish Sailor; M Soup-Maigre, a French Captain; O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets. O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets.

Entertainment: of singing and dancing.of singing and dancing

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Perseus and Andromeda or the Cheats of Harlequin

Performance Comment: Perseus-Mattocks; Cepheus-Legg; Aethiopian-Fawcett; Cassiope-Miss Miller; Andromeda-Miss Polly; Mercury-Baker; Magician-Dibdin; Infernals-Granier, George, Dumai, Hussey, Petreo, Curtete; Harlequin-Woodward; Hussar-Clarke; Colombine-Mrs Dyer; Hussar's Servant-Cushing; Valet de Chambre-Holtom; Petit Maitre-Dyer; Concluding with a Grand Ballet-Duquesney, Miss Wilford.
Related Works
Related Work: Perseus and Andromeda Author(s): George Downing

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17671023, but George Barnwell-Cautherly.
Cast
Role: George Barnwell Actor: Cautherly.
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Elopement

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Event Comment: Paid Kingswood for feathers as per bill #48 8s.; Paid Stedman & Bewley (linnen drapers) #38 3s.; Paid Nicholls for 26 Georges, #7 16s. (Account Book). [The last item was for stage property insignia equipment for the Institution of the Garter, as St George was the Patron Saint of the order.] Receipts: #163 8s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Event Comment: Mainpiece: By Desire. Receipts: #81 2s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Shuter; George Bevil-Wroughton; Chapeau-Lewes; Consol-Quick; Robin-Dyer; H. Bevil-Owenson; F. Bevil-Thompson; Maid-Mrs Kniveton; Emily-Mrs Baker; Mrs Grub-Mrs Green.
Cast
Role: George Bevil Actor: Wroughton

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Wilson; Counsel-Jones; George Bevil-Fearon; Harry-Owenson; Francis-Courtney; Robin-Palmer; Chapeau-Kennedy; Emily-Miss Ambrose; Maid-Miss Platt; Mrs Grub-Mrs Gardner.
Cast
Role: George Bevil Actor: Fearon

Dance: As17740613

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Shuter; George Bevil-Wroughton; Chapeau-Lee Lewes; Consol-Quick; Robin-Whitefield; H. Bevil-Booth; F. Bevil-Thompson; Maid-Miss Valois; Emily-Mrs Bulkley; Mrs Grub-Mrs Green.
Cast
Role: George Bevil Actor: Wroughton

Dance: End Opera: The Merry Sailors, as17741026

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Druids

Performance Comment: As17741226, but Additional scene now specified in the Public Advertiser. For sake of clarity the full bill repeated here: Parts-Mattocks, Reinhold, Miss Brown, Miss Dayes, Lee Lewes, Dunstall, Quick, DuBellamy, Mas. Loader, Mas. George, Fearon, Banks, Cushing, Hollingsworth, Thompson, Mrs Pitt, Mrs Whitefield, Mrs White, Miss Wilde; Dances-Aldridge, Helme, Daiguville, Sga Vidini, Miss Valois, Miss Besford, Mrs Stephens.

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Druids

Performance Comment: As17750320 but to avoid confusion actors are again listed: Parts-Mattocks, Reinhold, Miss Brown, Miss Dayes, Lee Lewes, Dunstall, DuBellamy, Mas. Loader, Mas. George, Fox, Banks, Cushing, Hollingsworth, Thompson, Mrs Pitt, Mrs Whitefield, Mrs White, Miss White, Miss Wild; Dances-Aldridge, Helm, Daiguville, Sga Vidini.

Performances

Mainpiece Title: The Cozeners

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Wilson; Counsel-Jones; George Bevil-Lane; Harry-Williams; Francis-Chaplin; Robin-Castevens; Chapeau-Whitefield; Emily-Miss Ambrose; Maid-Miss Platt; Mrs Grub-Mrs Gardner.
Cast
Role: George Bevil Actor: Lane

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Wilson, first appearance on that stage; George Bevil-Wroughton; Chapeau-Lee Lewes; Consol-Quick; Robin-Wewitzer; Harry Bevil-Booth; F. Bevil-Thompson; Maid-Mrs Poussin; Emily-Mrs Bulkley; Mrs Grub-Mrs Green.
Cast
Role: George Bevil Actor: Wroughton
Event Comment: This being the Last time of Mr G. performing he generously gave the Profits of the Night to the Theatrical Fund, he spoke the Usual prologue & after the play he went forward & address'd the Audience in so pathetic a Manner as draw Tears from the Audience & himself & took his leave of them forever (Hopkins Diary). [Accounts of the farewell address in the Morning Post and in Davies; Life of Garrick.] So Ends the Season 67 different Play 32 different Farce 189 Nights in all (Hopkins Diary). N.B. The profits of this night appropriated to the benefit of the Theatrical Fund: Cash #309 2s.; After Money #2 10s. 6d. Received #311 12s. 6d. Paid #36 5s. 9d. viz: @Renters #8@Supernumeraries & Kettle Drum #2 11s.@Soldiers 14s.@Extra Constables #1 10s. 6d.@Candles, Oyl & Lampmen #3 18s. 6d.@Carpenters Extras #2 1s.@Music Band #7 18s. 9d.@Messrs. Legg, Lauchery, Larivere, Garland & Langlois Salary #1 13s. 4d.@Sundry Doorkeepers & Servants #7 18s. 8d. @#36 5s. 9d.@Rec'd #311 12s. 6d.@Paid #36 5s. 9d.@Remains #275 6s. 9d.@Brought Fd #62 3s. 7d. from 10th May@Total #337 10s. 4d.@ N.B. The above sum of the two Nights for Theatrical Fund-order'd by Mr Garrick this 25th day of June 1776 to be paid into the hands of Mr Hatsell (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book): 11 June: Rec'd Box office keeper's cash #25; Candles, Oil &c. the 2nd Fund night #7 17s.; From Mr Dodd in Full #21. 24 June: From Sinking Fund (3rd) in full #963 10s.; From Grimaldi on acct #70; From Mrs Smith (singer) in full #31 10s. 2 July: From Public Advertiser for this season #50; Gazetteer ditto #50. 4 July: Their Majesties Acct this season #76; from Mr Harrison one yrs. rent Land tax deducted #37 5s. 5 July: From Mr Parsonage 1 yr. & one quarter rent to Midsummer (tax deducted) #53 15s. 15 July: From Mr Pope 1 yr. & one quarter rent to Mids. Last (taxes deducted) #35 12s. 6d.; Mr Heath 1 yr. and 1!2 Rent to Mids last #15. 19 July: From Mrs Johnston 1 yr. & one quarter rent to Mids. last #7 10s.; Mrs Groath 1!2 year to ditto #1 10s. Mr Percy three quarters Rent to ditto #7 10s.; Mr Waterer five quarters rent to ditto (land tax deducted) #51 7s. 25 July: Sundry forfeits taken up by Evans #38 5s. AFTER SEASON EXPENDITURES (Treasurer's Book): 11 June: Five days salary to sundries at #88 2s. 10d. per diem #440 14s. 2d.; George Garrick in full of #400 #5 13s. 4d.; Slingsby in full of #350 #1 3s. 4d.; Everard on note #10 10s.; Davis on note #21; Mr King to make up #500 in full #32 10s.; Lauchery on note #15 15s.; Mr Page in full of #25 #1 12s. 6d. 28 June: To Lord Walpole for one year's acting season #315; Mr Highly in Full of his building acct #85 19s.; Ditto for 3 yrs. ground rent to the 24th inst. #42. [For explanation of Walpole payment, see Boaden, Garrick Correspondence, II, 155 an involved agreement re an annuity dating from October 1761, now being collected because of new taxes on Carriages, and because Lady Walpole was footsore and would walk nowhere.] 20 June: Adelphi Tavern Bill & Waiters #20 10s. 6d.; Mr Park, chorus 4 nights in full #1 10s.; Mr R. Johnston's property Bills in full #33 1s. 6d. 24 June: Mr D. Garrick in full of #1,300 #235 13s. 2d.; Mr R. Harwood's gratuity #5 5s. 2 July: One yrs. subscription for St George's Hospital for both the managers #10 10s. 5 July: Three quarter's rent pd for Miss Abrahams at Gardners #37 10s. 9 July: Blakes (hatter) #11 15s.; Mrs Chitty (coals) #94 17s.; Hadley & Co., Engine, #12 12s.; Thomson (smith) #6 15s.; Barrow & Co., Oil, #108 13s. 6d.; Ireland (upholsterer) #17 2s. 6d.; Stevens (mason) #42 7s. 6d.; Hewetson (laceman) #9 2s.; Racket (taylor) #16 9s.; Barret (wax chandler) #14 5s.; Waller (hosier) #11 5s. 11 July: Machin, Chorus singer, #6, Bibb (sword cutler) #2 5s.; Gardner (shoemaker) #3 2s.; Marshall (plumber) #4 13s.; Stacey (colourman) #4 17s. 15 July: Daley (sadler) #5 5s.; Scott (copperlace) #25 14s. 6d.; Norfolk (glazier) #3 7s.; Carpue (silk Dyer) #18 13s.; Mrs Carter (scowerer) #1 14s. 6d.; Chettle (timber) #4 6s. 7d.; Pope, for Wiggs, #12 12s.; ditto for 81 extra nights dressing #8 2s.; Mr Preston 69 nights dressing Mr Garrick #5 3s. 6d.; Hatsell (mercer) #47 3s. 16 July: Powney (stationer) #2 10s.; Jennings (glover) #25 17s. 6d.; Prior (turner) #9 5s. 6d; Hopkin's Prompter's bill #13 18s.; Palmer for Sperma. Candles #7 14s.; Kirkman (harpsicord maker) #13 17s. 6d.; Hele (surveyor) #26 10s. 19 July: Mrs Garwood (laundress) #2 12s. 8d.; a Green coat for Mr Garrick #3 3s.; Mr Woods, chorus, 63 nights in full, #15 15s.; Mr French's bills in full #235 3s. 6d. 22 July: Mr Waterer, Black Lyon dinner Bills #56 8s. 6d. 25 July: Mrs Vaughan (haberdasher) #3 18s. 6d.; Cubit (tinman) #2 15s.; Kirk (housekeeper) three quarter's salary to Midummer #30; Victor's gratuity and two weeks salary #35; Evans in lieu of Benefit #42 and 2 weeks salary #3; Mr Westley 2 weeks salary #1 10s. AFTER SEASON COMPUTATION: DRURY LANE 1775-1776: Books closed 25 July 1776. @Total income #37,917 3s. 10d.@Total Expense #33,453 18s. 4d.@Profit #4,463 5s. 6d. divided as follows:@Mr Clutterbuck #1,000@Managers #3,240@ In Victor's hands #223 5s. 6d. [presumably for summer expenses and opening the next season. The Treasurer's Book also mentions a sum of #575 18s. 8d. at Mr Clutterbucks, without indication of its source or contemplated use.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Beggars Opera

Afterpiece Title: Cross Purposes

Performance Comment: Grub-Wilson; George Bevil-Whitefield; Chapeau-Lee Lewes; Consol-Jones; Robin-Wewitzer; H. Bevil-Booth; F. Bevil-Thompson; Emily-Miss Ambrose; Mrs Grub-Mrs Green.
Cast
Role: George Bevil Actor: Whitefield

Dance: III: Hornpipe-Miss Besford; To conclude with: Country Dance-the characters. [Both these were danced, as here assigned, at all subsequent performances.

Performances

Mainpiece Title: The Minor

Performance Comment: The Minor-Raymond; Sir William Wealthy-Lloyd; Mr Richard Wealthy-Lewis; Loader-Comerford; Dick-Master Russell; Transfer-Marson; Smirk, Shift, Mrs Cole-Russell; Lucy-Miss Taylor.
Cast
Role: Sir William Wealthy Actor: Lloyd

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Performance Comment: Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond.