Event Comment: The Duke's Company. Pepys, Diary: My wife and I by coach to The Duke's house, where we say The Unfortunate Lovers; but I know not whether I am grown more curious than I was or no, but I was not much pleased with it, though I know not where to lay the fault, unless it was that the house was very empty, by reason of a new play at the other house. Yet here was my Lady Castlemaine in a box. In An Elegy on the Death of Edward Angel, 1673, two lines suggest that Angel acted Friskin: @Adieu, dear Friskin: Unfort'nate Lover weep,@Your mirth is fled, and now i' th' Grave must sleep.

Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Event Comment: Benefit Spiller. Afterpiece: Written by Sir John Vanbrugh. Receipts: money #29 1s.; tickets #38 16s

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Sir George Etheridge

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Event Comment: Both pieces by Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward and the Lady Augusta

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Lady Augusta

Event Comment: Tickets deliver'd by Roger, Marr, Leigh, &c for Sir Courtly Nice will be taken. [Absence of additional parts in advance bill of 5 April suggests cutting of them in acting text.

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Event Comment: To the Author of the General Advertiser, Sir: I have frequently observ'd particular Notice has been taken in your paper of particular Merit, I hope therefore you'll allow room for this short Epistle--I am a great Lover of Public Diversions, especially such as can agreeably amuse, or afford the highest Mirth, without offense to Sense of Decency; Of this kind are the two new dances compos'd by Salomon, and perform'd by him, Mr Cook, Mr Muilment, Madem Violette, Sga Padouana, and the young little Salomon, and others. To say they are excellent in their way is barely doing 'em justice; but in these Dances they may be said to have excell'd themselves. The first, tho' a kind of Serious Pastoral Ballet afforded the Audience great Pleasure; and I believe never did three dancers in a Pas Trois, altogether equal the Execution of Sg Salomon, Madem Violette, and Mr Cook; there was an Elegance peculiar to herself that shone thro' her whole performance. The other Entertainment is the representation of a Fair, to which People of all degrees and nations are suppos'd to resort, it may not improperly be stil'd a very High Piece of Low Humour; and caused as much laughter and applause as the strongest Farce ever produc'd, without offending the Modesty of the Ladies. We have had many performers from abroad, but Sg Salamon and Violette so inimitably express their characters in this entertainment, that I think they excel what we have hitherto seen; and very much deserve the Encouragement of the Town, I am, &c

Event Comment: By Command. Present the Prince and Princess of Wales, the Prince George, Prince Edward, and Prince William, with the Lady Augusta and Lady Elizabeth (Account Books, Egerton 2268). Receipts: #87 7s. 6d

Event Comment: Receipts: #132 0s. 6d. Paid Kemp #9 12s.; Meares #1 10s.; Mr Day (turner) #12 1s.; Pattinson (tallow chandler) three bills to 11 Feb., #54 8s. 8d. Was at Covent Garden Gallery with Sir Harriott to see the Jovial Crew and Duke and No Duke. I met Legyt, Piggot, Bettenson there & got home by 10 (Hailey, Brietzcke Diary, Vol. 197, p. 72)

Event Comment: To the writer of the letter signed Hotspur in the Morning Chronicle 13 Jan. 1774; Sir: I solemnly disavow myself the writer of any anonymous letter in this or any other Newspaper relative to the School for Wives and as to the villainous accusation respecting any personal insult offered me at Liverpool I pronounce it to be a notorious lie. I now call on you to stand forth with your name and your proofs or the world will be convinc'd you are an infamous malignant assassin. Thursday Nt. Jan. 13 1774. James Reddish (Winston MS 10, from Dr Burney News Cuttings). Receipts: #255 12s. 6d. (Treasurer's Book)

Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Event Comment: Mrs Hartley being taken ill, Sir Thomas Overbury [announced on playbill of 11 Feb.] is obliged to be deferred till Monday. Receipts: #167 6s. (164.10.6; 2.15.6)

Event Comment: [Seymour is identified in European Magazine, Oct. 1787, p. 315. Address by Edward Hickey Seymour (London Chronicle, 4 Oct.).] "The clock striking two -instead of the usual folly of a small table bell, when Macbeth's drink was ready -forms an alteration of much good sense and propriety" (World, 2 Oct.). "Of the Lady Macbeths [since the time of Garrick] Mrs Siddons has exhibited the most happy effect of her skill -has shown a portrait of Lady Macbeth which before existed but in imagination. Mrs Yates claims the second place of eminence; her deportment and manner were equal to Mrs Siddons, but very inferior to her in pathos and energy. Mrs Pope's performance lays claim to praise, particularly in the sleeping scene, but there is a certain delicacy and tenderness associated with the powers of that lady which prevents her giving a glowing picture of that female fiend. Mrs Bates's performance was sufficiently marking and bold in some passages, but the whole wanted uniformity and finishing" (Public Advertiser, 4 Oct.). Receipts: #225 (224.5; 0.15)

Event Comment: [Extra night] Benefit for the Fund for the Relief of those who, through Age of Infirmity, shall be obliged to retire from the Stage. [Epilogue by Edward Topham (European Magazine, Jan. 1792, p. 67).] Receipts: none listed

Event Comment: Benefit for Wells. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by James Hook. Prologue-Epilogue by Edward Topham {Public Advertiser, 21 Apr.)]. Morning Herald, 25 Apr. 1786: This Day is published The Fool (1s.)-Receipts: #174 15s. 6d. (45/3/0; 20/14/6; 0/2/0; tickets: 108/16/0) (charge: #108 13s. 9d.)

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Event Comment: Benefit Mrs Martha Smith. [Prices 3s., 2s., 1s. continue until 11 April.