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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signior Melini"/1) | (@(roleclean,performerclean) "Signior Melini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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120 results for: Keyword - Signior Melini

We found 51 matches on Performance Title, 42 matches on Event Comments, 31 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

101
29 October 1734 @ King's Theatre

Event Comment: A New Opera. [Text by Metastasio. Music by J. A. Hasse and R. Broschi.] Pit and Boxes by Tickets at a half guinea. Gallery 5s. 6 P.M. Daily Advertiser, 30 Oct.: All the Royal Family were at the Opera, when Signior Farinelli perform'd . . . with prodigious Applause. The Theatre was exceedingly crowded

Performances

Mainpiece Title: Artaxerxes

102
25 November 1735 @ King's Theatre

Event Comment: A New Opera. [By Metastasio. Music by Francis Veracini. For a full account of this opera and opera in general, see Ilchester, Lord Hervey and his Friends, pp. 238-39.] Daily Advertiser, 26 Nov.: Their Majesties, his Royal Highness, and the Princesses [attended] Adriano, compos'd by the famous Signior Veracini, who perform'd the first Fiddle

Performances

Mainpiece Title: Adriano

103
16 December 1735 @ King's Theatre

Event Comment: Daily Advertiser, 15 Dec: The Opera of Adriano, now performing with great Applause, particularly for some fine Songs in it, compos'd for Signior Farinello, having been thought by the King to be rather too long, M. Veracini has shorten'd it, and his Majesty has declar'd his Intention of being present at it [Tuesday 16]. We hear, that after this Opera has had its run, there will be a new one call'd Mithridates, the Drama of which is wrote in English by Colley Cibber, Esq; Poet Laureat, and translated from thence into Italian

Performances

Mainpiece Title: Adriano

104
05 May 1736 @ Covent Garden

Event Comment: London Daily Post and General Advertiser, 6 May: Last Night the Opera of Ariodante was performed [at CG], in which Signior Gieacchino Conti Ghizziello made his first Appearance, and met with an uncommon Reception

Performances

Mainpiece Title: Ariodante

105
23 November 1736 @ King's Theatre

Event Comment: A New Opera. Compos'd by Signior Hasse. [Text by Metastasio.] Pit and Boxes at half a guineas. Gallery 5s. 6 p.m. [Prince and Princess of Wales present.

Performances

Mainpiece Title: Siroe

106
27 November 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

107
30 November 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

108
04 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

109
14 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

110
18 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

111
21 December 1736 @ King's Theatre

Event Comment: Composed by Signior Hasse

Performances

Mainpiece Title: Siroe

112
01 January 1737 @ King's Theatre

Event Comment: Mainpiece: Composed by Signior Hasse. Afterpiece: A Comic Interlude. [Music by Giuseppe Maria Orlandini. Text by A. Salvi. Queen and all the Royal Family present.

Performances

Mainpiece Title: Siroe

Afterpiece Title: Il Giocatore; or, The Gamester

Performance Comment: Edition of 1736 states that it was performed by Signiora Anna Maria Faini, Antonio Lottini.

113
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

114
09 October 1742 @ Drury Lane Theatre

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Daily Advertiser: This evening their Royal Highnesses...will go to the theatre...to see the Comedy of the Committee, or the Faithful Irishman, and Dancing by Signior Brunoro, &c, being the first time of his appearing at that theatre

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Dance: II: a New Comic Dance La Mascarada-Brunoro, Borromeo, Mlle Bonneval, Sga Costanza; V: New Comic Dance Les Matelotes-Brunoro, Borromeo, Mlle Bonneval, Sga Constanza

Song: III: Song-Beard

Music: IV: Concerto-Veracini

115
25 September 1750 @ Drury Lane Theatre

Event Comment: Last Tuesday Signior Pasquali, Master of the Band of Music at the Theatre Royal, Mr Cibber and some other prominent players arriv'd from England to act the ensuing season [in Dublin]. Mrs Bland arriv'd [in Dublin] last Sunday from England and will appear tomorrow night in the character of Miranda in the Busy Body. Receipts: #180

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Anatomist

116
17 March 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but will be introduc'd several new Tunes on the Jew's Harp never performed before-; A Solo in a new Taste-Signor Piantafugo; Salt@Box-; and the Performances of Signior Bombasto; Sg Bombazino as usual; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; A New Prologue-a Gentleman; Epilogue-Hallet.

117
11 April 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520401 but Signior _Bombasto; Sg _Bombasino.

118
21 January 1766 @ King's Theatre

Event Comment: A new serious Opera. The Music entirely new-Signior Vento. With new Dances, new Cloaths and Decoration

Performances

Mainpiece Title: Sofonisba

119
05 September 1769 @ King's Theatre

Event Comment: PPublic Advertiser, 5 Sept. 1769: Mr Crawford and Co. beg Leave to acquaint the Nobility and Gentry, with the following List of their new Singers, and others engaged for the serious and comic Operas next Season. Those marked thus& are new Performers, viz. Principal Singers for the Serious Operas: &Signior Guadini, first Man. &Signora Cecilia Grassi, first Woman. For comic or serious: Signor Lovattini, first Man. &Sig Zamperini, &Signora Guadini, first Women. &Signor Piatti, 2nd Man serious. &Signor Bianchi, Tenor, Signora Zamperini, Sig Morighi, Signora Piatti. Composer: Sig Guiglielmi. Principal Dancers: Mr Slingsby, &Signor Galiotti, &Signor Siminon, &Signora Guidi, Signora Radicatti, &Signora Gardel. Ballet Master: &Sig Campioni. [See 7 Nov.

Performances

120
06 January 1775 @ Covent Garden

Event Comment: [See Epilogue to the Rival Candidates at dl 1 Feb. 1775, wherein Weston comments on his Dog Dragon, "But should his master's sing-song melt your soul @ He'll be as soft as-Signior Rossignol: @ Will with harmonious howlings swell each note, @ And bark sweet music,--only from his throat."

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Druids