SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig and Signora Forti"/1) | (@(roleclean,performerclean) "Sig and Signora Forti")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 342 matches on Performance Comments, 212 matches on Performance Title, 160 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: SSignor Campioni first danc'd here--well (Cross). Afterpiece: With Scenes, Music, Cloths and Decorations entirely new. Paid Rigg (a Smith) #2 10s.; Mr Oram (Scene Painter) on acct #30 by order Mr Lacy (Treasurer's Book). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Acis and Galatea

Performance Comment: A New Grand Entertainment. Acis-Sig Campioni 1st appearance that stage; Galatea-Mad Auretti; Polypheme-Grandchamps; Savages-Matthews, Mrs Addison; Shepherds-Macneale, Pelling, Shawford, Simons, G. Yates, Master Shawford; Shepherdesses-Miss Baker, Mlle Mariet, Mlle Memi, Miss Cole, Mrs L'Font, Miss Shawford.
Event Comment: Benefit Signor Antonio Ambrosia, Operator on the Cremona Staccato, vulgarly call'd the Salt-Box. Tickets delivered for 5 March will be taken. Prices, Boxes 4s. Pit 3s. Gallery 2s. [The fifteenth night.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520211, but a Song, in the character of a Lion-Sig Antonio.
Event Comment: Benefit for Signor Bombasto and Signor Piantofugo. [Eighteenth night.] Henley's advertisements say he came to London in 1720, is not in debt and One Time with another, my Oratory is as full as ever, when I please, and my Service to Mr Smart, Mrs Warner, Mr Newberry, etc. J. Henley" (Daily Advertiser, 21 March).

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but a new Cantata composed by Phillipo Ruge (organist of St. Peter's in Rome)-; likewise a Solo in a new Taste-Sig Piantofugo; introduce Jew's Harp-; Salt@Box-; between the Acts a humorous Solo on the French Horn-Mrs Midnight's Daughter (just arrived from Padua); Epilogue-Hallet (in the character of Cupid).

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520321 but Concerto, Solo on Cymballo-Noell; Two new Orations-Mrs Midnight; the humourous performances of Bombasto; Bambaseno; Solo in new Taste-Sig Piantafugo; The Declamatory Piece on the Jew's Harp-a Casuist; the Oration on a Salt Box-a Rationalist; Solo of Humour on French Horn-Mrs Midnight's Daughter; New Prologue-Mr Toe.
Event Comment: Benefit and Increase of a Fund for the support of Decayed Musicians or their Families. The words of the anthems will be given at the theatre. Pit and Boxes Half a Guinea. Gallery 5s. Upper Gallery 3s

Performances

Mainpiece Title: Concert

Performance Comment: Part I Overture-; Songs Hail Immortal Bacchus (from Judith Arne)-Champness; Di Nobil Alma (Ciampi)-Miss Frederick; Farewell ye Limpid Springs (from Jeptha, Handel)-Sga Frasi; Come Blooming Boy (from Choice of Hercules, Handel)-Miss Young; Concerto on violincello-Sig Cervetto; Anthem My Heart is Insisting-(Handel); Part II Concerto on Bassoon-Baumgarten; Songs, Nymphs and Shepherds (from Alfred, Arne)-Miss Brent; Happy Day (from Eliza, Arne)-Miss Young; Concerto on violin composed and performed-Dubourg; Anthem As pants the heart-(Handel); Part III Concerto on Hautboy-Vincent; Songs, Vain is Beauty's Gaudy Flow'r (from Judith, Arne)-Miss Brent; When Bacchus, Jolly God (Handel)-Beard; Verdi Prati (from Alcina, Handel)-Miss Frederick; Freely I to Heaven Resign (from Jeptha, Handel)-Sga Frasi; Anthem, The King Shall Rejoice-(Handel).
Event Comment: For the Benefit and Increase of a Fund established for the Support of decay'd Musicians, or their Families. Sig Guadagni having declined singing at this Concert, the Managers have applied to Sig Tenducci who is so obliging to favour the Society with his Performance. Upper Gallery 3s. 6d

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Music

Performance Comment: Act I: Overture, Oriona; Song-Sga Piatti; Concerto Bassoon-Baumgarten; Song-Blanchi; Song-Sga Guglielmi; Act II: Concerto Flute-Tacet; Song-Tenducci; Solo Violino-Nofferi; Song-Grassi; Duet-Tenducci, Sga Guglielmi; Act III: Concerto Violincello-Cirri; Song-Tenducci; Concerto Hautboy-Fischar; Song-Sga Guglielmi; Quintetto-; Second of Handel's Hautboy Concertos-.
Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Woodward; Strickland-Clarke, first time; Frankly-Lewis; first time, Bellamy-Wroughton; Jack Meggot-Lee Lewes; Tester-Quick; Mrs Strickland-Mrs Mattocks; Jacintha-Mrs Lessingham; Lucetta-Mrs Green; Milliner-Mrs Inville; Clarinda-Mrs Barry, first time; To conclude with a Country Dance-the characters.

Afterpiece Title: The Druids with two New Scenes

Performance Comment: As17750316 but Sig_ Rossignol and "With Alterations to make room for Two Entire New Scenes; The Characters of the Pantomime and Dances as Usual".

Performances

Mainpiece Title: Concerto Spirituale; Judas Maccabaeus

Performance Comment: See17760223, but Part I: An Anthem by Dr Arnold-; Part II: Stabat Mater-Sig B. Pergolesi , with additional chorusses; Part III: The Power of Harmony an Ode by Dr Arnold-.

Music: First Violin, as17760223; After I: Concerto on German Flute, as17760223; End II: Concerto on Violin-Lamotte

Performances

Mainpiece Title: Hamlet

Performance Comment: Edition of 1712 lists: Ambleto-Cavaliero Nicolini Grimaldo; Valdemaro-Signora del'Epine; Siffrido-Cassani; Gerilda-Signora Elizabetta Pilotti Schiavonetti; Veremonda-Signora Isabella Girardeau; Ildegarde-Signora Barbier; Fengon-Bendler.
Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] Colman's Opera Register: Mr O. Swiny ye Manager of ye Theatre was now setting out a New Opera, Heroick. all ye Habits new & richer than ye former with 4 New Scenes, & other Decorations & Machines. Ye Tragick Opera was called Theseus. Ye Musick composed by Mr Handel....ye Opera being thus prepared Mr Swiny would have got a Subscription for Six times, but could not.--he then did give out Tickets at half a Guinea each, for two Nights ye Boxes lay'd open to ye Pit, ye House was very full these two Nights

Performances

Mainpiece Title: Theseus

Performance Comment: Deutsch (p. 52) conjectures the cast: Teseo-Valeriano; Aailea-Signora del'Epine; Medea-Signora Pilotti; Egeo-Valentini; Clizia-Signora Gallia; Arcane-Mrs Barbier; Fedra-Signora Manina; Minerva-Leveridge.
Cast
Role: Aailea Actor: Signora del'Epine
Role: Medea Actor: Signora Pilotti
Role: Clizia Actor: Signora Gallia
Role: Fedra Actor: Signora Manina
Event Comment: [Composer unknown. Text by Zeno.] By Subscription. By His Royal Highness's Command. Admission to Pit and Boxes by Ticket only. Stage Boxes 15s. Gallery 2s. 6d. The Book of the Opera given out with tickets. At 6:30 p.m. Colman's Opera Register: ye Musick managed by Nic Haym

Performances

Mainpiece Title: Lucius Verus

Performance Comment: Edition of 1715 lists: Lucio Vero-Signora Caterina Galerati; Lucilla-Signora Anastasia Robinson; Vologeso-Signora Diana Vico; Aspasia-Signora Elizabetta Pilotta Schiavonetti; Amiceto-Lawrence; Claudio-Angelo Zanoni.
Event Comment: A New Opera. Pit and Boxes by tickets at half a guinea. Gallery $s. At 6 P.M. [Their Majesties and the Royal Family present. Composer and librettist not known.]

Performances

Mainpiece Title: Semiramis

Performance Comment: Cast not listed, but edition of 1733 lists: Semiramis-Signora Margherita Durastante; Thamyris-Signora Anna Strada Del Po; Scitalche-Giovanni Carestino; Myrteus-Carlo Scalzi; Ircanus-Signora Maria Catterina Negri; Sibaris-Signora Maria Rosa Negri .
Event Comment: A New Opera. [Text by Apostolo Zeno. Recitatives by Handel. Prince and three eldest Princesses present.]

Performances

Mainpiece Title: Caius Fabricius

Performance Comment: Cast not listed, but edition of 1733 lists: Pyrrhus-Giovanni Carestino; Sextia-Signora Strada; Byrcenna-Signora Margherita Durastanri; Volusius-Carlo Scalzi; Turius-Signora Maria Catterina Negri; C. Fabricius-Walz; Cineas-Signora Maria Rosa Negri .
Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa; Or, Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

Performance Comment: Cast not listed, but edition of 1734 lists: Apollo-Carestini; Orfeo-Scalzi; Clio-Signora Strada; Calliope-Signora Durastanti; Cloride-Signora Maria Caterina Negri; Euterpe-Signora Rosa Negri; Proteo-Waltz .
Event Comment: Composed by Mr Handel. [Prince and Princess of Orange, Princess Caroline, Mrs Pendarves, Lady Rich, and Egmont present.]

Performances

Mainpiece Title: Deborah

Performance Comment: Cast not listed, but Deutsch, Handel, p. 362, conjectures it to be: Deborah-Signora Strada; Barak-Signora Maria Caterina Negri (?); Abinoam-Reinhold (?); Sisera-Carestini; Jael-Signora Rosa Negri; Israelite Women-Signora Durastanti; Chief Priest-Waltz; Chief Priest of Israelites-Reinhold (?) .

Performances

Mainpiece Title: Sosarmes

Performance Comment: Cast not listed, but Deutsch, Handel, p. 364, reconstructs the cast: Sosarme-Carestini; Haliate-Signora Durastanti; Erenice-Signora Maria Caterina Negri; Elmira-Signora Strada; Argone-Scalzi; Melo-Signora Rosa Negri; Altomaro-Waltz .
Event Comment: A New Opera. [Text by Salvi. Altered by Rolli.] Pit and Boxes together at half a guinea each. Gallery 5s. 6 p.m. [Their Majesties present.

Performances

Mainpiece Title: Arsaces

Performance Comment: Edition of 1737 lists: Arsace-Gaetano Majorano (called Caffarelli); Statira-Signora Antonia Merighi; Rosimiri-Signora Elis. duParc (called Francesina); Mitrane-Signora Maria Antonia Marchesini (called Lucchesini); Megabisa-Signora Marg. Chimenti (called Droghierina); Artabano-Antonio Montagnana.
Related Works
Related Work: Arsaces Author(s): Orlandini
Event Comment: A New Opera. [Text by Zeno. Music by Handel.] London Daily Post and General Advertiser, 4 Jan.: Last Night the new Opera of Faramondo was perform'd...to a splendid Audience, and met with general Applause. It being the first Time of Mr Handel's Appearance this Season, he was honour'd with extraordinary and repeated Signs of Approbation

Performances

Mainpiece Title: Faramondo

Performance Comment: Edition of 1737 lists: Faramondo-Gaetano Majorano (called Caffaralli); Clotide-Signora Elisabetta duParc (called Fracescina); Gustavo-Montagnana; Adolfo-Signora Margarita Chimenti (called Droghierina); Rosimonda-Signora Maria Antonia Marchesini (called Lucchesini); Gernando-Signora Antonia Merighi; Teobaldo-Antonio Lottini; Childerico-Savage.

Performances

Mainpiece Title: La Conquista Del Vello D'oro

Performance Comment: Edition of 1738 lists: Isifile-Signora Elizabetta duParc (called la Francescina); Aetor-Antonio Montagnana; Medea-Signora Maria Antonia Marchesini (called La Luchesini); Absirto-Signora Margherita Chimenti (called la Drogierina); Giascone-Gaetano Majorano (called Caffarelli); Peleus-Signora Antonia Merighi; Iphites-Antonio Lottini.

Performances

Mainpiece Title: Partenio

Performance Comment: Edition of 1738 lists: Olinto-Gaetano Majorano (called Caffarelli); Climene-Signora Elizabetta duParc (called La Franchesina); Asteria-Signora Maria Antonia Marchesini (called La Lucchesina); Tidaspe-Signora Antonia Merighi; Doralbo-Signora Margarita Chimenti (called La Droghierina); Leucone-Antonio Montagnana.
Event Comment: A New Opera. [Music by Handel.

Performances

Mainpiece Title: Xerxes

Performance Comment: Deutsch, Handel, p. 456, lists: Serse-Caffarelli; Arsamene-Signora Lucchesina; Amastre-Signora Merighi; Romilda-Signora Francesina; Atalanta-Signora Chimenti; Ariodate-Montagnana; Elviro-Lottini.
Event Comment: The King's Opera House in the Haymarket. A new Opera...Dances and other Decorations entirely New. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day, at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, no Persons Whatever to be admitted behind the Scenes. The Gallery will be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. This Day Attendance will be given at the Opera-Office from Nine to One in order to deliver the Silver Tickets to the Subscribers. Each Subscriber is desir'd to send his printed Receipt, it being necessary for the Delivery of the Tickets [customary notice on the bills throughout the season]. BBurney, History of Music, IV, 445: A pasticcio, music mainly composed by Galuppi, now the resident composer for the Opera House. Edition lists libretto by Francesco Vanneschi

Performances

Mainpiece Title: Alexander In Persia

Performance Comment: Burney, History of Music, IV, 446, lists: Angelo Maria Monticelli, Soprano, first man; Andreoni, soprano, second man; (Amorevolli) tenor; Signora Visconti, 1st woman; Signora Panichi, 2nd woman; Signora Tedeschi, 3rd Woman. The part of Amorevoli omitted (Walpole to H. Mann, 2 Nov.). Libretto lists: Monticelli, Signora Visconti, Signora Moscovita, Amorevale; airs by Lampugnani, Pescetti, Leo, Hasse.
Event Comment: A new Opera. With Dances and other Decorations entirely new. [Rest of description as before on first nights. Not listed as a new piece in the Larpent MS. Text by Zeno; Music by Porpora (Burney, History of Music, IV, 450).

Performances

Mainpiece Title: Temistocle

Performance Comment: Xerxes-Monticello; Themistocles-Amorevoli; Aspasia-Signora Visconti; Roxana-Signora Frasi; Lisimachus-Signora Galli; Sebastes-Signora Contini [from libretto at British Museum].from libretto at British Museum].
Cast
Role: Aspasia Actor: Signora Visconti
Role: Roxana Actor: Signora Frasi
Role: Lisimachus Actor: Signora Galli
Role: Sebastes Actor: Signora Contini

Performances

Mainpiece Title: Sirbace

Performance Comment: Sirbaces-Monticelli; Rosbales-Amorevoli; Eurene-Signora Visconti; Nerena-Signora Frasi; Astarbus-Signora Galli; Lesbano-Signora Contini [from libretto at British Museum].from libretto at British Museum].
Cast
Role: Eurene Actor: Signora Visconti
Role: Nerena Actor: Signora Frasi
Role: Astarbus Actor: Signora Galli
Role: Lesbano Actor: Signora Contini