SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sheriffs of London"/1) | (@(roleclean,performerclean) "Sheriffs of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 846 matches on Event Comments, 604 matches on Performance Title, 433 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Event Comment: Mainpiece [1st time; C 3, by Sarah Gardner. Prologue by the author (London Chronicle, 11 Aug.). Larpent MS 435; not published; synopsis of plot in London Magazine, Aug. 1777, p. 433. For a description of the difficulties attending the reception of this play, from a recently discovered MS by Mrs Gardner, see Theatre Notebook, VII, 76-81]

Performances

Mainpiece Title: The Advertisement; Or, A Bold Stroke For A Husband

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: As17770724 but Hotspur-Smith (from the Theatre Royal, Dublin; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Portrait

Dance: As17770728

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Gardner; Aimwell-Jones; Sir Charles Freeman-Wortley; Sullen-Price; Gibbet-Parsloe; Boniface and Scrub-Gentlemen from London [unidentified]; Dorinda-Mrs Robinson; Lady Bountiful-Mrs Weeks; Cherry-Mrs Kingham; Mrs Sullen-Mrs Jerrold.

Afterpiece Title: The Irish Widow

Dance: A Hornpipe-Gentleman [unidentified]

Song: End IV: Tally O-Mrs Kingham

Entertainment: Monologue. End: Snip's Humorous Description of the Camp-Gardner

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

Performances

Mainpiece Title: King Richard The Third

Performance Comment: The Parts of King Richard, D. of Buckingham, Earl of Richmond, Tressel, Prince Edward, Duke of York, Lieutenant of the Tower, Lord Mayor, Duke of Norfolk, Queen-Performers from the Theatres Royal London; Lord Stanley-Rivers; Catesby-Jones; Ratcliffe-Farrel; Oxford-Thompson; Sir William Brandon-Clifford; King Henry-Burnet; Dutchess of York-Mrs Fowler; Lady Ann-Mrs Palmer.

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete; A Medley

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; Beviamo tuttre-_; Italian laughing song-_; Dance of Anticks-_; Dance of Shepherds and Shepherdesses-_; How merrily we live-_; Hecate-_; SCENES I and II as SCENES I and II in A Fete, 25 Apr. SCENE III. A Storm and Shipwreck. Stand to your guns my hearts of oak-Bannister; SCENE THE LAST. An Irish Fair. Teague's Journey to London through Coventry-Moody; Dancing-the Miss Stageldoirs.

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: A Fete

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; A Dance of Shepherds and Shepheresses-_; Hecate-_ SCENE I, as17810425; SCENE II, as17810425; SCENE III as SCENE IV on 25 Apr.; Dance of Anticks-_; SCENE IV. Teague's Journey to London through Coventry-Moody as17810507; The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425. The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425.

Afterpiece Title: Who's the Dupe

Dance: Scene IV: The Butterfly, as17800921

Song: End III: song-Miss Barnes (1st attempt on any stage); End 1st piece: the Grand Naval Review-; Rule Britannia-Gaudry, Edwards, Williams

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Fete

Performance Comment: As17810510, but Teague's Journey to London through Coventry-_; SCENE THE LAST. The Butterfly, as17800921; Hecate-Holcroft.

Afterpiece Title: The Flitch of Bacon

Dance: Scene the Last: The Butterfly, as17800921

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Performance Comment: Principal Characters by Mrs Cargill, Du-Bellamy, Moody, Aickin, Suett, Dodd; Mrs Wells, Mrs Love, Mrs Booth, Miss Wheeler. [Cast from London Chronicle, 30 Oct.: Patie-Mrs Cargill; Roger-Du-Bellamy; Symon-Moody; Sir William Worthy-Aickin; Glaud-Suett; Bauldy-Dodd; Jenny-Mrs Wells; Mause-Mrs Love; Madge-Mrs Booth [not listed in London Chronicle, but see17821016]; Peggy-Miss Wheeler.] hathi. hathi.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Brereton; Amiens (with songs')-Du-Bellamy; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Jaques-Palmer; Caelia (1st time, with the Cuckow song)-Miss Wheeler; Audrey-Mrs Wrighten; Rosalind-A Young Lady (1st appearance on the [London] stage [Miss Glassington]) .London] stage [Miss Glassington]) .

Afterpiece Title: Robinson Crusoe

Dance: End of Act I of mainpiece, as17820223

Song: In Act V of mainpiece song by Miss Field

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Smith; Gonzalez-Packer; Garcia-Farren; Heli-R. Palmer; Selim-Fawcett; Alonzo-Wrighten; Perez-Norris; The King-Aickin; Almcria (1st time)-Miss Kemble; Leonora-Miss Tidswell; Zara-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Brereton; Glenalvon-Palmer; Lord Randolph-Farren; Officer-Wilson; Servant-Phillimore; Norval-Bensley; Anna-Miss Wheeler; Lady Randolph-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Lyar

Dance: As17831020

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Smith; Grey-Aickin; Morton-Farren; Sir Ardolph-Packer; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Kenny, &c.; Lord William-Miss Heard; Raymond-Palmer; Eleanor-Miss Kemble; Countess of Salisbury-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Deserter

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Kemble; Siffredi-Bensley; Osmond-Farren (Their 1st appearance i n those characters) ; Rhodolpho-R. Palmer ; Officers-Phillimore, Wilson, Chaplin [Public Advertiser : Kenny], &c.; Laura (1st time)-Miss Kemble ; Sigismunda-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: St

Performances

Mainpiece Title: Braganza

Performance Comment: Valasquez-Smith; Ribiro-Palmer; Almada-Aickin; Mendoza-Barrymore; Lemos-Chaplin; Corea-Fawcctt; Antonio-Wrighten; Pizarro-R. Palmer; Ramirez-Packer; Duke of Braganza-Kemble; Duchess of Braganza-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Kemble; Bellarius-Aickin; Guiderius-Barrymore; Arviragus-R. Palmer; Cymbeline-Wrighten; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Wright; Cornelius-Chaplin; Cloten-Dodd; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Mrs Jordan (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Romp

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Widow Belmour (with a song in character)-Miss Farren; Muslin-Miss Pope; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Mrs Lovemore-Mrs Siddons(i st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Coupee-Bannister Jun.; Blister-Suett; Quaver-Barrymore; Goodwill-Packer; Thomas-Phillimore; Miss Lucy-Mrs Jordan (1st appearance in that character [in London]) .in London]) .

Performances

Mainpiece Title: Mahomet

Performance Comment: Alcanor-Wroughton (1st appearance in that character); Mahomet-Aickin; Pharon-Hull; Mirvan-Fearon; Ali-Gardner; Zaphna-Holman (1st appearance in that character); Palmira-Miss Brunton (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Two Misers

Dance: AS 12 Nov. I785

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Johnstone, Pope, Farren, Wewitzer, Bernard, Fearon, Mrs Mattocks, Mrs Wells, Miss Brunton, Mrs Bernard, Mrs Morton, Mrs Pope. [Cast from text (T. Hookham, 1788): Captain Daffodil-Lewis; Ben Levy-Quick; Villiers-Aickin; Macpharo-Johnstone; Lord Ormond-Pope; Lord Raymond-Farren; Lord Bonton-Wewitzer; Pink-Bernard; Trusty-Fearon; Lady Bonton-Mrs Mattocks; Clara-Mrs Wells; Lady Clairville-Miss Brunton; Mrs Tender-Mrs Bernard; Mademoiselle-Mrs Morton; Lady Raymond-Mrs Pope; Prologue-Farren; Epilogue-Mrs Wells ["who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)]."who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)].

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Palmer; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Le Beu-Lamash; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; Jaques-Wroughton; Caelia-Mrs Wilson; the Cuckoo Song-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Goodall (from the Theatre Royal, Bath; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Lying Valet

Dance: End I: As17880916

Song: In V: song-Mrs Forster

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Campley-Lewis; Lord Hardy-Pope; Sable-Quick; Lord Brumpton-Gardner; Trusty-Hull; Puzzle-Thompson; Cabinet-Macready; Recruits-Rock, Ledger, Painter, Evatt, Lee; Tom-Blanchard; Trim, (with) The Cries of London and Dublin-Ryder; Lady Charlotte-Miss Brunton; Mademoiselle D'Epingle-Miss Fontenelle (Their 1st appearance in those characters); Lady Brumpton-Mrs Bernard; Kate Matchlock (for that night only)-Mr Edwin; Mrs Fardingale-Mrs Webb; Tattleaid-Miss Stuart; Visiting Ladies-Mrs Platt, Mrs Davenett, Miss Rowson, Mrs Rock; Lady Harriet-Mrs Mattocks.

Afterpiece Title: Annette and Lubin

Afterpiece Title: Saint George's Day; or, Britons Rejoice

Song: End 3rd piece: God save the King-; with Grand Accompaniment [on the organ]-Greatorex [, as performed at the Oratorios see17890320