SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sga Bossi DelCaro"/1) | (@(roleclean,performerclean) "Sga Bossi DelCaro")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 906 matches on Performance Comments, 670 matches on Performance Title, 228 matches on Event Comments, 184 matches on Roles/Actors, and 0 matches on Author.
Event Comment: With Alterations. Benefit Sga Pirker who lives at the Golden Ball in Panton St

Performances

Mainpiece Title: La Ingratitudine Punita

Performance Comment: Played at hay 12 Jan. Edition of 1748 lists for that date Nerina-Signiora Casarini; Silvia-Signiora Frasi; Alcasto-Signiora Pircher; Tirsi-Signiora Palli; Idreno-Ciacchi. New Song-Sga Pirker; Sga Frasi is to perform. Sga Frasi is to perform.
Event Comment: A new Sacred Oratorio. Music entirely new composed by Bach. Sga Grassi being indisposed Sg Savoi will do her part

Performances

Mainpiece Title: Gioas Re Di Giuda

Performance Comment: Parts-Guadagni, Savoi, Sga Guglielmi, Piatti, Morigi, Bianchi. Gioas-Guadagni; Sebia-Sga Grassi; Atalia-Sga Guglielmi; Gioiada-Bianchi; Ismaele-Piatti; Matan-Morigi (Edition of 1770).

Song: I: A Song-Guadagni, accompanied on the French Horn-Rodolfe

Music: I: Concerto on Violin-LaHaussage; II: A Sonata on the Violincello-Duport

Event Comment: Benefit for Fishar (Ballet Master) and Sga Manesiere. Charges #64 10s. Profit to each beneficiary #26 7s. 3d., plus income from tickets: Fishar #55 13s. (Box 115; Pit 112; Gallery 106); Sga Manesiere, #34 7s. (Box 59; Pit 74; Gallery 85) (Account Book). Receipts: #117 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Padlock

Dance: I: The Fingalian Dance, Double Hornpipe-Mas. Blurton, Miss Besford (both apprentices to Fishar) [see17710515]; II: A Serious Dance-Miss Capon (Apprentice to Fishar) [see17670427]; III: [A New Pastoral Dance call'd The Rural Amusements of the Shepherds and Shepherdesses-Fishar, Sga Manesiere;[, in which by Particular Desire will be be introduced an Allemande-Fishar, Sga Manesiere; IV: [A New Pantomime Dance call'd The Italian Gardner-Mas. Blurton, Miss Capon, Miss Besford. [see dl 9 Dec. 1760]

Performance Comment: Blurton, Miss Besford (both apprentices to Fishar) [see17710515]; II: A Serious Dance-Miss Capon (Apprentice to Fishar) [see17670427]; III: [A New Pastoral Dance call'd The Rural Amusements of the Shepherds and Shepherdesses-Fishar, Sga Manesiere;[, in which by Particular Desire will be be introduced an Allemande-Fishar, Sga Manesiere; IV: [A New Pantomime Dance call'd The Italian Gardner-Mas. Blurton, Miss Capon, Miss Besford. [see dl 9 Dec. 1760] .see dl 9 Dec. 1760] .

Ballet: V: The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Sga Manesiere; with a Sixfold Hornpipe[, that night only, by six principal dancers-Fishar, Sga Manesiere, Miss Twist, Mas. Blurton, Miss Capon, Miss Besford. [For Wapping Landlady, see17710412.

Performance Comment: Jack-Fishar; Landlady-Banks; Orange Woman-Sga Manesiere; with a Sixfold Hornpipe[, that night only, by six principal dancers-Fishar, Sga Manesiere, Miss Twist, Mas. Blurton, Miss Capon, Miss Besford. [For Wapping Landlady, see17710412.]For Wapping Landlady, see17710412.]
Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The Lady identified as Mrs Sage by Kemble note on playbill.] Charges #65 10s. 6d. Profit to each beneficiary #18 6s. 3d., plus income from tickets: Fishar #61 14s. (Box 104; Pit 150; Gallery 132); Sga Manesiere, #66 12s. (Box 125; Pit 179; Gallery 85) (Account Book). Receipts: #002 3s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance, call'd The Cumberland Corn@thrashers-Mas. Blurton (Apprentice to Fishar), Miss Mathews; II: (By Particular Desire) a Minuet-Fishar, Sga Manesiere; III: A Hornpipe, first time-Miller (Scholar to Fishar)

Performance Comment: Blurton (Apprentice to Fishar), Miss Mathews; II: (By Particular Desire) a Minuet-Fishar, Sga Manesiere; III: A Hornpipe, first time-Miller (Scholar to Fishar).
Cast
Role: a Minuet Actor: Fishar, Sga Manesiere

Monologue: IV: a New Grand Ballet (that night only) called The Festival of the Black Prince(As performed at Paris by Fishar with universal applause). Black Prince-Fishar; Favourites-Sga Manesiere, Miss Twist; Pages-Mas. Blurton, Miller; Dancers and Attendants-Hussey, Petrie, Dumay, Settree, King, Merrifield, Curtat, Holloway, Miss Capon, Mrs Willems, Miss Stede, Mrs Inuill, Miss Matthews, Miss Bassan, Sodi, Mrs Holloway. With dresses in the mode

Performance Comment: Black Prince-Fishar; Favourites-Sga Manesiere, Miss Twist; Pages-Mas. Blurton, Miller; Dancers and Attendants-Hussey, Petrie, Dumay, Settree, King, Merrifield, Curtat, Holloway, Miss Capon, Mrs Willems, Miss Stede, Mrs Inuill, Miss Matthews, Miss Bassan, Sodi, Mrs Holloway. With dresses in the mode.

Ballet: V: First time this season The Wapping Landlady. Jack-Fishar; Landlady-Banks; Nosegay Woman-Sga Manesiere; with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist, Miss Capon, Miss Besford (Six principal dancers)

Performance Comment: Jack-Fishar; Landlady-Banks; Nosegay Woman-Sga Manesiere; with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist, Miss Capon, Miss Besford (Six principal dancers).
Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maid's the Mistress

Performance Comment: Principal Characters by Reinhold, Edwin; Mr Bannister, Sga Sestini. [Cast from European Magazine, Feb. 1783, p. 148: Uberto-Reinhold; Vespone-Edwin; Old Woman-Mr Bannister; Serpilla-Sga Sestini.] hathi. hathi.
Cast
Role: Serpilla Actor: Sga Sestini.
Event Comment: Benefit for Sga Ferrarese del Bene. A Serious Opera [1st time; SER 2, by Pietro Giovannini]; the Music entirely new by Cherubini. Tickets, 10s. 6d. each, to be had of Sga Ferrarese del Bene, No. 232, Piccadilly

Performances

Mainpiece Title: Giulio Sabino

Performance Comment: Principal Characters by Babbini, Bartolini, Schinotti, Simonetti; Miss Wheeler, Sga Ferrarese del Bene. [Cast from libretto (Stuart and Stevenson, 1786): Sabino-Babbini; Arminio-Bartolini; Annio-Schinotti; Tito-Simonetti; Voadice-Miss Wheeler; Epponina-Sga Ferrarese del Bene.] hathi. hathi.

Dance: As17860311hroughout

Event Comment: A Serious Opera; the music by Tarchi. Mme Mara being indisposed, the new serious Opera, L'Amore Protetto dal Cielo; o sia, La Vestale, is unavoidably postponed; and Sga Benini will appear this evening for the first time in the character of Virginia. Receipts: #104 0s. 6d. [non-subscription]

Performances

Mainpiece Title: Virginia

Performance Comment: See17870322but Principal Parts-Rubinelli, Mengozzi, Balelli, Cremonini, Sga Schinotti, Sga Benini. Larpent MS 731 lists the parts: Icilius, Lucius Virginius, Appius Claudius, Publius, Tullia, Virginia.

Dance: End I: Divertissement, as17870116; End Opera: La Jardiniere, as17870322

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: [Characters-Kelly, Baddeley, Moody, Suett, Dignum, Sedgwick, Whitfield, Williames, Bannister Jun.; Sga Storace (1st appearance on the English stage i.e. in a speaking part]), Miss Romanzini, Mrs Booth, Mrs Crouch. [Cast from Songs (J. Jarvis, 1789): Lord William-Kelly; Baron of Oakland-Baddeley; Hugo-Moody; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; De Courcy-Whitfield; Martin-Williames; Edward-Bannister Jun.; Hubert-Webb; Servant-Lyons; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth; Lady Elinor-Mrs Crouch.
Cast
Role: Adela Actor: Sga Storace

Afterpiece Title: The Miller of Mansfield

Event Comment: [The playbill retains Sga Calvesi, but Morning Post, 14 Apr., prints a letter from her dated 13 Apr., stating that "she returns her most grateful thanks to the Subscribers and the Public for their indulgence in dispensing with her performance yesterday evening. She was one of the many unfortunate performers who were left unpaid in the year of 1783 by Mr Taylor. Deprived of resources, she naturally contracted debts, for one of which (yesterday evening going to obey her duty to the Public) she was arrested, and so expeditiously and secretly hurried away as to deprive her of the assistance of the Manager or her Friends to liberate her 'till an hour too late for Performance." The name of the singer who took her place is not known.

Performances

Mainpiece Title: La Bella Pescatrice

Performance Comment: As17910301but Sga_ Calvesi.

Dance: End I: Amphion et Thalie, as17910409

Ballet: End Opera: Telemachus in the Island of Calypso

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini at No. 17, Mount-street, Berkely-square. Tickets delivered for the 19th inst. will be admitted

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Performance Comment: A new selection of Serious and Comic Music. As17910331but By particular Desire, a favourite Rondeau, and for that night only, a new Song-Sga Sestini; accompanied on the Pedal Harp-Meyer Jun.; the Duetto from the Opera La Buona Figliuola-Sga Sestini, Davide.

Dance: End I: Divertissement-all the Principal Dancers; will be introduced the favourite Pas Russe, as17910519; End II: Orpheus and Eurydice, as17910326but Mlle St.Amand

Event Comment: On account of the sudden indisposition of Sga Casentini La Discordia Conjugale [advertised in Morning Chronicle, 26 Mar.] must be postponed till further notice [see 31 Mar.]

Performances

Mainpiece Title: La Locanda

Performance Comment: As17920228, but Guerina-Sga Salimbeni in place of Sga Casentini.

Dance: As17920324

Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William- Dignum; Baron of Oakland-Baddeley; Baron de Courcy-Caulfield; Robert-Suett; Charles-Sedgwick; Lewis-Bland; Martin-Cooke; Hugo-Benson; Edward-Bannister Jun.//Lady Elinor-Miss De Camp; Cicely-Mrs Bland; Maud-Mrs Booth; Adela-Sga Storace .
Cast
Role: Adela Actor: Sga Storace

Afterpiece Title: MY GRANDMOTHER

Performance Comment: Characters by Bannister Jun., Suett, Wewitzer, Waldron, Sedgwick, Bland, Lyons// Mrs Bland, Sga Storace. [Cast from text (No pub., 1794): Vapour-Bannister Jun.; Gossip-Suett; Souffrance-Wewitzer; Sir Matthew Medley-Waldron; Woodly-Sedgwick; Tom-Bland; Servant-Lyons// Charlotte-Mrs Bland; Florella-Sga Storace.] hathi. hathi.
Cast
Role: Florella Actor: Sga Storace.

Performances

Mainpiece Title: The Old Batchelor

Dance: Sga Barberini; The Peasants, as17411221, but Picq, Mlle +Bonneville, _Lalauze; +Louvre, Minuet-Desnoyer, Sga Barberini

Event Comment: Benefit for Fishar, Ballet Master and Sga Manesiere. Entertainments by Children for that night only. Charges #64 5s. [Profit to each #21 11s. 9d. plus income from tickets: Fishar #38 14s. (Box 57; Pit 107; Gallery 84); Sga Manesiere, #29 13s. (Box 60; Pit 55; Gallery 64).] Paid Barratt (wax chandler) #201 5s.; Paid Buxtons and Co., (oyl men) #135 16s. (Account Book). Receipts: #107 8s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Chaplet

Dance: I: A New Tambourine Dance-Master Blurton (apprentice to Fishar, eleven years old, 1st appearance any stage); End I: Rural Love, as17661120; II: A Serious Dance-Miss Capon (Apprentice to Fishar, sixteen years old, 1st appearance any stage); III: A New Pantomime Ballet-Mas. Blurton, Miss Besford (Apprentice to Fishar, ten years old, 1st appearance any stage as a dancer); IV: A Minuet-Fishar, Miss Capon; Double Hornpipe-Fishar, Sga Manesiere

Performance Comment: Blurton, Miss Besford (Apprentice to Fishar, ten years old, 1st appearance any stage as a dancer); IV: A Minuet-Fishar, Miss Capon; Double Hornpipe-Fishar, Sga Manesiere.

Ballet: End: A New Grand Ballet call'd The Wapping Landlady. Jack (in Distress)-Fishar; the other Sailors-Petro, Hussey, Martin, Reynald, Curtat, King; Landlady-Miles; Milk Woman-Sga Manesiere; other women-Miss D. Twist, Miss S. Twist, Miss Barrowby, Miss Hilliard, Miss Daw, Mrs Viviez

Performance Comment: Jack (in Distress)-Fishar; the other Sailors-Petro, Hussey, Martin, Reynald, Curtat, King; Landlady-Miles; Milk Woman-Sga Manesiere; other women-Miss D. Twist, Miss S. Twist, Miss Barrowby, Miss Hilliard, Miss Daw, Mrs Viviez.
Cast
Role: Milk Woman Actor: Sga Manesiere
Event Comment: Benefit for Sga Ristorini. A new Opera. Music by Sacchini

Performances

Mainpiece Title: La Contadina In Corte

Performance Comment: Clarice-Mrs Barthelemon; Rinaldo-Lovattini; Fabio-Morigi; Sandrina-Sga Ristorini; Menichino-Zanca; Tancia-Sga Demera; Berto-Ristorini (Larpent MS).
Cast
Role: Sandrina Actor: Sga Ristorini
Role: Tancia Actor: Sga Demera
Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The previous day's bill made special announcement of the variety of Dancing to be offered. N.B. A previous Academy of Dancing 23 April 1762. Miles listed for the part of Landlady by Public Advertiser.

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Catharine and Petruchio

Dance: By Desire The Tartars, as17701003; End of Farce: A New Dance, The Corsican Sailor's Punch House-Fishar, Miss Twist, Hussey, Blurton, Miss Besford

Monologue: I: A Dancing Academy. The Minuet-Fishar, Sga Manesiere; The Allemande (first time)-Mas. Blurton, Miss Besford (both apprentices of Fishar); the Hornpipe-Mas. Blurton; to conclude with a New Cotillion-

Performance Comment: The Minuet-Fishar, Sga Manesiere; The Allemande (first time)-Mas. Blurton, Miss Besford (both apprentices of Fishar); the Hornpipe-Mas. Blurton; to conclude with a New Cotillion-.
Cast
Role: The Minuet Actor: Fishar, Sga Manesiere

Ballet: End Opera: First time this season, The Wapping Landlady. Jack-Fishar; Landlady-Mrs White; Orange Woman-Sga Manesiere; with a Double Hornpipe-Fishar, Sga Manesiere

Performance Comment: Jack-Fishar; Landlady-Mrs White; Orange Woman-Sga Manesiere; with a Double Hornpipe-Fishar, Sga Manesiere.
Event Comment: A Serious Opera; the Music by Sacchini. [This was Sga Lorenzini's 1st appearance in England.] Public Advertiser, 25 Dec.: The spirit of Vestris seems to diffuse itself throughout the whole Body of Dancers at this Theatre; even the Figurants acquit themselves in a manner that deserves the encouragement of the Public

Performances

Mainpiece Title: Rinaldo

Performance Comment: Principal Characters by Roncaglia, Ansani, Manzoletto, Micheli, Sga Lorenzini, Mme LeBrun. Cast from libretto (no pub., 1781): Rinaldo-Roncaglia; Ubaldo-Ansani; Idreno-Manzoletto; Coltarco-Micheli; Zelmira-Sga Lorenzini; Armida-Mme LeBrun.
Cast
Role: Zelmira Actor: Sga Lorenzini

Dance: As17801219

Cast
Role: Les Amans Surpris Actor: Sg and Sga Zuchelli, Henry, Mlle Baccelli, Vestris? Jun.
Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performance Comment: King Arthur-Smith; Oswald-Brereton; Merlin-Aickin; Osmond-Farren; Conon-Packer; Albanact-Wrighten; Aurelius-R. Palmer; Guillamar-Griffiths; Grimbald-Bannister; Philidel-Miss Field; Cupid-Sga Romanzini (1st appearance on this stage); Emmeline-Miss Farren. [Edition of 1781 (W. Strahan [et al]) adds: Ã?olus-Danby; Matilda-Miss Barnes; and specifies Honour-Vernon [but he had withdrawn from the stage (see17811009); the part was probably acted by Du-Bellamy]; Venus-Miss Phillips; Airy Spirits-Miss Collett, Miss Wright.] hathi. hathi.
Cast
Role: Cupid Actor: Sga Romanzini

Afterpiece Title: Who's the Dupe

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Edwin, Wilson, Brett, Fearon, Stevens, Davies, Thompson, Mahon; Miss Harper, Mrs Kennedy, Mrs Wilson, Miss Platt, Sga Sestini (1st appearance on the English stage). [Cast from Songs (T. Cadell, 1782): Don Fernando [in later seasons, usually Ferdinand]-Mattocks; Ramirez [beginning with season of 1787-88 called Don Caesar]-Reinhold; Spado-Quick; Pedrillo-Edwin; Don Scipio-Wilson; Philippo-Brett; Don Juan-Fearon; Vasquez-Stevens; Rapino-Davies; Calvette-Thompson; Sanguino-Mahon; Lopez-Ledger; Don Alphonso-Mrs Kennedy; Victoria-Miss Harper; Catalina-Mrs Wilson; Dame Isabel-Miss Platt; Lorenza-Sga Sestini.] hathi. hathi.
Cast
Role: Lorenza Actor: Sga Sestini.

Afterpiece Title: Cross Purposes

Event Comment: [In mainpiece the playbill retains Sga Sestini, but "Previous to the Opera, Mattocks apologized for the sudden illness of Sestini; Mrs Martyr would, on a Notice of two Hours, attempt to read the Part" (.Public Advertiser, 9 Nov.). On 9 Nov. Sga Sestini gave birth to a son Qbid., 11 Nov.).] Receipts: #185 18s. 6d. (184/15/6; 1/3/0)

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: As17821102, but Sga Sestini's pan read by Mrs Martyr .
Cast
Role: Lorenza Actor: Sga Sestini.

Afterpiece Title: The Author

Event Comment: Benefit for Sga Rachele Dorta. Boxes to be had by applying to No. 80, near the Opera-house, Hay-market. Tickets, half a guinea each, to be had of Sga Rachele Dorta, No. 72, west side of the Hay-market

Performances

Mainpiece Title: I Rivali Delusi

Performance Comment: As17840106, but added: With additional songs by Sga Dorta .
Cast
Role: La Contessa Actor: Sga Catenacci
Role: Livietta Actor: Sga Schinotti
Role: Dorina Actor: Sga Rachele Dorta.

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608

Event Comment: A Serious Opera in 2 acts (1st time [by Pietro Metastasio]); the Music selected from the most eminent Composers by and under the direction of Cherubini. [Crescentini was from the Opera, Lucca; Sga Ferrarese from the Opera, Turin.]

Performances

Mainpiece Title: Demetrio

Performance Comment: Principal Characters by Crescentini (1st appearance), Bartolini, Cremonini, Franchi; Sga Catenacci, Sga Ferrarese(1st appearance in this country), Sga Rachele Dorta. [Libretto (G. Woodfall, 1757) lists the parts: Alceste, Fenicio, Olinto, Mitrane; Cleonice, Barsene.] hathi.

Dance: As17850101 throughout

Event Comment: Benefit for Sga Sestini. Morning Herald, 9 Aug.: Tickets to be had of Sga Sestini, No. 36, Mount-street, Grosvenor Square

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Afterpiece Title: The Spanish Barber

Afterpiece Title: Rosin a

Performance Comment: Belville-Davies (1st appearance in that character); Captain Belville-Brett; Rustic-Gaudry; Irishmen-Swords, Painter; William-Meadows; Phoebe-Sga Sestini; Dorcas-Mrs Love; Rosina-Mrs Bannister .
Cast
Role: Phoebe Actor: Sga Sestini
Event Comment: Benefit for Sga Sestini. Public Advertiser, 2 Aug.: Tickets to be had of Sga Sestini, No. 34, Mount-street, Grosvernor-square

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Jessamy-Sga Sestini; Lionel-Davies; Sir John Flowerdale-Aickin; Jenkins-Chapman; Harman-Johnson; Colonel Oldboy-Parsons; Diana-Miss George; Lady Mary-Mrs Webb; Jenny-Mrs Forster; Clarissa-Mrs Bannister.
Cast
Role: Jessamy Actor: Sga Sestini

Afterpiece Title: A Beggar on Horseback

Event Comment: Benefit for Sga Banti. 2nd piece: A Comic After-piece; the music by Paisiello. Tickets to be had of Sga Banti, No. 3, Hay-market. "The Banti's Benefit produced (presents included) #1, 353" (World, 3 June)

Performances

Mainpiece Title: Semiramide

Performance Comment: As17940426, but omitted: Braghetti, Torregiani, Garelli, Sga Colombati .

Afterpiece Title: LA SERVA PADRONA

Performance Comment: Characters by Garelli, Morelli//Sga Banti. [Cast from libretto (C. Clarke [1794]): Vespone-Garelli [in libretto, unassigned]; Uberto-Morelli//Serpina-Sga Banti.] hathi. hathi.

Dance: End of Act I of afterpiece us Ruus dt I' A11WMr (performers not listed, but see17940401 No other ballet performed this evening.]