SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Seigniora Maria Margarita Gallia"/1) | (@(roleclean,performerclean) "Seigniora Maria Margarita Gallia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 589 matches on Performance Comments, 42 matches on Event Comments, 26 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Seigniora Maria Margarita Gallia. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music , composed by that great Italian Master Seignior Gioseppe Saggion-; With several Sonatas with Flutes and Hautboys-; and likewise a Sonata with two Flutes-Mr Paisible, Mr Bannister; And several Songs in Italian with Flutes and Hautboys,-Seigniora Maria Margarita Gallia, who never Sung in any publick Consort in England but once; The whole being entirely new composed and accompanied-Seignior Gioseppe Saggion; And likewise several Songs in English, composed by the late Famous Mr Henry Purcell-

Event Comment: Benefit Seigniora Maria Margarita Gallia. At the Desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music composed by that Great Italian Master Seignior Gioseppe Saggion-; With several Sonatas with Flutes and Hautboys, and likewise a Sonata for two Flutes-the best Masters; And several Songs in Italian, with Flutes and Hautboys-Seigniora Maria Margarita Gallia, who never Sung in any publick Concert in England but twice; The whole being new composed and accompanied-Seignior Gioseppe Saggion; And likewise several Songs in English composed by the late Famous Mr Henry Purcell-

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Song: Singing In Italian the Famous-Signiora Maria Margarita Gallia , lately arriv'd from Italy, who has never yet Sung in England; the Musick which accompanies her Singing is compos'd by Signior Joseph Saggion-

Dance: The Wedding Dance, compos'd by Monsieur L'Abbe,-Monsieur L'Abbe, Mrs Elford

Event Comment: Benefit Signiora Margaretta Gallia. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with several new Songs and Sonatas never yet perform'd by Signior Joseph Saggioni-the best Masters; the Vocal part both in English and Italian-Signiora Maria Margaretta Gallia

Event Comment: Benefit Mrs Margarita

Performances

Mainpiece Title: Arminius (acts I And Ii)

Music: To which will be added the following Songs: S hai pieta, Due pupille-Mrs Robinson; Lusinghe vezzose, Si t'intendo-Signora Galerati; Del fallo ful Camin, Ti stringo o mio diletto-Valentini; Cieco Amor, Ho un non so che nelcor-Mrs Barbier; Care labra, Una speranza-Mrs Manina; E vano ognipensiero, Si lieto e si conteno-Mrs Margarita; a new Trumpet Song-; [With a Sonata upon the Violin-[the wonderful Youth of 11 years old; [Upon the Trumpet-Mr Grannon [Grano?]; [And on an Instrument of Invention [entirely New imitating the Harp and Lute-Mrs Margarita

Performance Comment: =]; [And on an Instrument of Invention [entirely New imitating the Harp and Lute-Mrs Margarita.

Performances

Mainpiece Title: The Temple Of Love

Performance Comment: Edition of 1706 lists: Sylvander-F. Laroon; Thyrsys-Lawrence; Satyr-Cook; Countryman-Pack; Eurilla-Signora Maria Margarita Gallia; Phillis-Mrs Bracegirdle; Diana-Mrs Bowman; Venus-Mrs Baldwin; Countrywoman-Mrs Willis; Prologue-Booth; Epilogue-Mrs Bradshaw.
Event Comment: Benefit for Miss DeCamp. Mainpiece [1st time; C 5, by Maria Theresa DeCamp. Larpent MS 1254; not published; synopsis of plot in Monthly Visitor, May 1799, pp. 70-71. Author of Prologue unknown]. Morning Chronicle, 17 Apr.: Tickets to be had of Miss DeCamp, No. 14, Tottenham Court-road. Receipts: #447 8s. (151.7; 87.8; odd and after-money: 4.9; tickets: 204.4) (charge: #211 7s. 9d.)

Performances

Mainpiece Title: First Faults

Related Works
Related Work: First Faults Author(s): Maria Theresa De Camp

Afterpiece Title: Katharine and Petruchio

Dance: End: Minuet de la Cour-Miss DeCamp, Mlle Parisot

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Related Works
Related Work: Calypso and Telemachus Author(s): John Galliard

Dance: Du/Ruell, Mrs Campion, others

Performances

Mainpiece Title: Timon Of Athens

Song: Seigniora del'Epine

Dance: As17061219

Event Comment: Benefit Signora Margarita del'Epine. N.B. Three Rows of the Pit will be railed in to the Boxes at 5s

Performances

Mainpiece Title: Camilla

Performance Comment: A new Trumpet Song-Signora Margarita.

Music: Violin Solo-Carbonelli (late from Italy); accompanied-Piepo

Dance: As17181031

Event Comment: [In mainpiece the playbill assigns Margarita to Mrs Powell, and Clara to Miss Heard, but Mrs Powell "being suddenly indisposed, Miss Heard was her substitute" (Morning Chronicle, 30 Sept.). It is not stated who acted Clara.] Receipts: #245 2s. (150.3.6; 92.18.6; 2.0.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Duke-Clarke; Don Juan-Packer; Sanchio-Holland; Alonzo-Surmont; Michael Perez-Bannister Jun.; Leon-Kemble; Cacafogo-Dowton; Lorenzo-Trueman; Margarita-Miss Heard; Altea-Miss Tidswell; Clara-; Estifania-Miss Mellon (1st appearance in that character); Old Woman-Mr Suett; Maid-Mr Grimaldi.
Cast
Role: Margarita Actor: Miss Heard

Afterpiece Title: The Prize

Event Comment: Benefit for Dickinson (First Gallery Office Keeper). We borrow'd Mrs Baker for Maria (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17590106, but Thorogood-Davies; Maria-Mrs Baker.
Cast
Role: Maria Actor: Mrs Baker.

Afterpiece Title: The Englishman in Paris

Song: I: Beard

Dance: II: Hornpipe-Walker; IV: A Comic Dance-Giorgi, Sga Lucchi;

Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Baddeley; the Citizen-King; Jasper-Burton; Wilding-Lee; Dapper-Parsons; Beaufort-Packer; Quildrive-Castle; Corinna-Mrs Hippisley; Maria-Miss Pope.
Cast
Role: Maria Actor: Miss Pope.
Event Comment: Benfit for Costollo, Mrs Pitt, Mr Stede. [Public Advertiser assigns Maria to Miss Elliot.] None admitted behind Scenes. Last time of performing Mainpiece this season

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Citizen

Performance Comment: As17641107, but Corinna-Mrs Evans; Maria-Mrs Mattocks (playbill).
Cast
Role: Maria Actor: Mrs Mattocks

Dance: I: A Wooden Shoe Dance-Leppie, Miss Pitt; End: (This night only) A Medley Hornpipe-Walker, from Drury Lane, Miss Pitt his scholar; End Opera: Hornpipe-Miss Pitt; End I Afterpiece: Rural Love, as17641212

Event Comment: New Overture and Pieces of Music Between the Acts. Music by Barthelemon. New Scenes, Habits and Decorations. The Scenes designed by DeLoutherberg, and painted by Messrs French, Royer, and Greenwood. Books of the songs and Chorusses to be had at the Theatre. This piece is got up in a most Superb manner. The Scenery is beyond description fine -& the whole Performance tho' the most complicated upon the stage went off with uncommon Applause. Mrs Abington played finely--Mr Slingsby & Sga Hidou danc'd for the first time & were Amazingly well Rec'ed. The Ballets are very Grand (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #17 18s.; Paid salary list #567 16s.; J. French on Acct #5 5s. (Treasurer's Book). Mainpiece: Never performed before, by John Burgoyne. [The review in the Westminster Magazine, Nov. 1774, tells the plot, and concludes: "After some superb exhibitions of transparent scenery, several characteristic airs, and elegant dances, Mr Oldworth...proclaims Maria his only daughter and gives her to Sir Harry. After a dance of Cupids, Hymen, &c....offering them eternal wreaths, the Druid of the Oaks, freed by the present powers of Beauty from that sequestered habitation to which by mystic spells he had long been doomed, appears to ratify their union, and astonishes the spectators by his magic influence, in a glorious vision of that felicity the virtues of the happy pair had so justly insured. An admirable vaudeville, and a grand dance, conclude the dramatic entertainment....Had it not appeared obvious that the whole was intended as a mere vehicle for the splendid spectacle, we do not suppose, in spite of the managers Orders and Puffs, that the author's labors would have been tolerated. The very excellent scenery, however, of the ingenious Mr Loutherbourg preserved this piece from that damnation, which as a dramatic production, it justly merited."] Receipts: #263 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Parts by King, Dodd, Weston, Moody, Aickin, Brereton, Bannister, Lamash, Burton, Wright, Messink, Mrs Baddeley, Mrs Bradshaw, Mrs Abington. Dupely-Dodd; Old Groveby-King; Sir Harry Groveby-Brereton; Hurry-Weston; Oldworth-Aickin; Painter-Moody; Druid-Bannister; Maria-Mrs Baddeley; Lady Bab-Mrs Abington; Shepherds and Shepherdesses-Lamash, Burton, Wright, Messink, Mrs Bradshaw; (Genest, V, 442) In the Course of the Piece will be introduced a Fete Champetre-; Vocal parts-Vernon, Davies, Legg, Kear, Fawcett, Carpenter, Master Blanchard, Mrs Wrighten, Mrs Scott, Mrs Smith; The Dances-Slingsby (first appearance here in 7 years), Atkins, Como, Giorgi, Sga Crespi, Mrs Sutton, Sga Hidou (first appearance on English Stage); The Ballets-M. Larevier; Prologue-; Epilogue-.
Cast
Role: Maria Actor: Mrs Baddeley

Afterpiece Title: The Miller of Mansfield

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.
Cast
Role: Maria Actor: Miss P. Hopkins

Afterpiece Title: The Lyar

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Performance Comment: Faithful (the Man Bewitch'd)-Smith; Sir GeofFry Constant (a very extraordinary Ghost)-Stannard; Captain Constant (son of the Ghost)-Keynlas; Clinch-Shatford; Num (a Country Squire)-Mills; Slouch (his man)-Stannard Jun.; Lovely-Cross; Roger (a Countryman)-Watts; Trusty-Swords; Manage-Brown; Sir David Watchum-Lloyd; Laura-Mrs Beaufield; Maria-Miss Vernon; Dorothy-Mrs Reynolds; Lucy-Mrs Thompson; Belinda-Mrs Johnson. New Occasional Prologue spoken by Shatford .
Cast
Role: Maria Actor: Miss Vernon

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

Event Comment: "The represention announced for last night at this Theatre was Twelfth Night; but as Mrs Jordan found herself too ill to perform, new bills were issued, and the substitute was to be The Siege of Belgrade. About the middle of the day, however, Mrs Jordan found herself well enough to perform, and the other bills were circulated, importing that the play was to be Twelfth Night. But, in the afternoon, Mrs Jordan found herself too ill to perform, and a message was sent again to the theatre, signifying the melancholy disappointment. It was then too late to make any other change, and Twelfth Night was represented, Mrs Goodall reading the part of Viola. There was considerable difficulty in collecting the performers, after these repeated changes. Barrymore could not be found, and Caulfield dressed for Orsino; but when he was ready to appear Barrymore arrived, and took the part. It was then discovered that Phillimore was absent, and Caulfield was doomed to dress once more, for Phillimore's character; but soon after Phillimore came to the house. Mrs Kemble being indisposed, Miss Mellon undertook her part of Maria ...The Audience (a large one) indeed grumbled a little at this kind of dramatic hocus pocus, but on the whole, were not churlish in their testimonies of satisfaction" (True Briton, 13 Jan.). Receipts: #222 19s. (160.4.0; 58.11.6; 4.3.6)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17951119, but Fabian-R. Palmer; Viola-read by Mrs Goodall; Maria-Miss Mellon; Priest-_.
Cast
Role: Maria Actor: Miss Mellon

Afterpiece Title: My Grandmother

Event Comment: Mainpiece: Composed by Signior Hasse. Afterpiece: A Comic Interlude. [Music by Giuseppe Maria Orlandini. Text by A. Salvi. Queen and all the Royal Family present.

Performances

Mainpiece Title: Siroe

Afterpiece Title: Il Giocatore; or, The Gamester

Performance Comment: Edition of 1736 states that it was performed by Signiora Anna Maria Faini, Antonio Lottini.
Event Comment: Afterpiece: A new Comic Interlude. [Music by Giuseppe Maria Orlandini. Prince and Princess of Wales present.

Performances

Mainpiece Title: Merope

Afterpiece Title: Pourceaugnac and Grilletta

Performance Comment: Edition of 1737 states that it was performed by Signora Anna Maria Faini, Antonio Lottini.
Event Comment: Afterpiece: A new comic Interlude. [Music by Giuseppe Maria Orlandini.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Grullo and Moschetta

Performance Comment: Edition of 1737 lists: Performed by Signora Anna Maria Faini, Antonio Lottini.

Performances

Mainpiece Title: The Nonjuror

Performance Comment: Maria-Mrs Roberts; Heartly-Mrs Charke; Wolf-Rosco; Woodvil-Este; Sir John-Turbutt; Charles-James; Lady Woodvill-Mrs Shireburn; Betty-Miss Norman .
Cast
Role: Maria Actor: Mrs Roberts

Dance: II: Two Pierrots by Davenport and Olbeldiston. III: Harlequin by Miss Brett. V: A new Country Dance by Davenport, proper to the Play

Song: I: A Generi Affetti by Miss Jones and Master Arne. IV: Was ever Nymph like Rosamond by Miss Jones

Performances

Mainpiece Title: The Nonjuror

Performance Comment: Maria-Mrs Giffard; the Nonjuror-Cibber; Sir John-Peterson; Heartly-Giffard; Woodvil-W. Giffard; Charles-Mozeen; Lady Woodvil-Mrs Butler.
Cast
Role: Maria Actor: Mrs Giffard

Afterpiece Title: The Devil to Pay

Event Comment: [Maria Macklin in a MS letter to her father this date (See dl 1 Feb. 73) complains that Elfrida alone drew houses at cg this season, and that even that play failed to fill the galleries; that Colman was difficult to see; that Younger carried on all the business of the theatre, everyone kowtowing to him: "Savigny has been discharged from the theatre; Ross has been laid up all the winter with the Gout, and has lately played Lear to a thin house. The Town is big with expectation of Foote's Puppet Show."] Receipts: #166 6s

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Harlequin Sorcerer

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes