SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Royal Theatre at Hampton Court"/1) | (@(roleclean,performerclean) "Royal Theatre at Hampton Court")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3790 matches on Event Comments, 790 matches on Performance Title, 512 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; MD 2, by Jeremiah Meyer and William Hayley, "from the German." Larpent MS 941; not published; synopsis of plot in Morning Herald, 18 Apr.]: With new Scenery, Machinery, Dresses and Decorations. The Music selected from Ditteus [i.e. Dittersdorf], Rauzzini and Salieri; the Overture and new Music by Reeve. Book of the Songs to be had at the Theatre. [Mme Carnevale had 1st appeared at king's in 1783.] Receipts: #252 3s. 6d. (242.19.6; 9.4.0)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Zelma; or, The Will o' th' Wisp

Event Comment: Paid Poor Rate for the Theatre #21 16s.; Macleish, printer [of the playbills], to 7th Inst. #67 1s. Receipts: #210 13s. 6d. (207.17.0; 2.16.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Music: As17920125

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill. In afterpiece the playbill retains Palmer as Petruchio, but "Mr Palmer not coming to the Theatre tonight, I acted Petruchio for him" (Kemble Mem.).] Receipts: #231 14s. 6d. (186.3.6; 40.1.0; 5.10.0; tickets: none listed) (charge: #178 17s. 6d.)

Performances

Mainpiece Title: Dido Queen Of Carthage

Afterpiece Title: Katharine and Petruchio

Event Comment: [Mrs Whitlock was from the Newcastle theatre.

Performances

Mainpiece Title: Poor Old Hay-market

Afterpiece Title: The Battle of Hexham; or, Days of Old

Afterpiece Title: Seeing is Believing

Event Comment: 2nd piece: The Characters will be dressed in the Habits of the Times. Books of the Songs to be had at the Theatre. "The Eustache de St. Pierre of Bensley was his Chef d'oeuvre: it suited the sourness of his aspect, his nasal intonation, and the general bluntness of his manner" (Monthly Mirror, 1796, p. 185)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Surrender of Calais

Performance Comment: King Edward-Williamson; Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribeaumont-Palmer; Eustache de St. Pierre-Bensley; Officer-Palmer Jun.; John D'Aire-Evatt; Citizens-Johnson, Farley, Wewitzer, Barrett, Abbott; O'Carrol-Johnstone; La Gloire-Bannister Jun.; Crier-Cubitt; Carpenters-Parsons, Burton; Serjeant-Wilson; Queen-Mrs Goodall; Julia-Mrs Whitlock (1st appearance in that character); Madelon-Mrs Bland; Vocal Parts-Kenrick, Willoughby, Linton, Dorion Jun., Aylmer, Little, Brown, Lyons, Mrs Taylor, Miss Fontenelle, Miss DeCamp, Mrs Edwin, Mrs Powell, Miss Hale, Mrs Gaudry, Mrs Masters, Mrs Bramwell.
Cast
Role: Harcourt Actor: Bland
Event Comment: [Uncle, who had appeared at this theatre, as an amateur, 16 Apr. 1792, is identified in MS list in Harvard playbills of new performers for this season.

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Young Men, and Old Women

Event Comment: 2nd piece [1st time; M 3, by--Francis. Perhaps the same as a piece performed under this title at Bath, 20 Nov. 1785]: With new Musick, Scenes, Dresses and Decorations. The new Musick and Overture by Dr Arnold. The Scenery by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Enchanted Wood

Dance: In 2nd piece: the Dances (under direction of D'Egville,)-Whitmell, Keys, George D'Egville, Lewis D'Egville, Master Whitmell, Master Chatterley, Master Menage, Master Webb, Mrs Haskey, Miss DeCamp, Miss E. Menage, Miss F?. D'Egville, Miss Jacobs, Miss Haskey, Miss Standen, Miss Menage

Event Comment: Benefit for Mrs Kemble. Mainpiece: Never performed at this Theatre. Afterpiece: Not acted these 4 years. Morning Herald, 28 July: Tickets to be had of Mrs Kemble at Adams's Masquerade Warehouse, Hay-market

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Dead Alive

Event Comment: Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the Office of the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 21 Nov.]. Receipts: #231 12s. (129.9; 35.14; 3.9)

Performances

Mainpiece Title: At King's The School For Scandal

Afterpiece Title: All The World's A Stage

Song: III: a song-Dignum

Event Comment: 1st piece [1st time; PREL 1, by Richard Cumberland. Larpent MS 958; not published]. Without insisting on the great Expence that has been incurred in re-building this Theatre (in the erecting of which no other Object has been attempted but the greater ease, safety and accomodation of the Spectators) it appears upon the Books that the Annual Disbursements of the past Seasons have gradually been encreasing from Year to Year, under the Direction of the present Proprietor, to nearly the sum of #10,000 per Annum more than the usual Expenditure of any of his Predecessors; it is therefore trusted the Necessity of the following small Advancement of the Prices of Admission to the Boxes and the Pit will be sufficiently apparent to the Justice of that Public whose Liberality has never yet been doubted. E. Barlow, Treasurer. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. The Office for taking Places for the Boxes is removed to Hart-street. The principal new Entrance to the Boxes is from the Great Portico in Bow-street; from the Small Portico are Entrances to the Pit and Gallery only. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit, and Gallery. Carriages coming to Bow-street Entrances are desired to set down and take up with the Horses' Heads towards Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 12 Nov.]. [The audience objected vociferously to the increased prices of admission and to the absence of a 2nd gallery (and see under 19 Sept.). "The Prelude passed off without a syllable of it being heard...Two acts of The Road to Ruin displayed the performers' skill in pantomime, for not a word was heard...The Irishman in London then walked over the stag amidst the same riot and confusion which attended the preceding pieces" (Times, 18 Sept.).] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Duenna

Afterpiece Title: Modern Antiques; or, The Merry Mourners

Event Comment: [Miss Grist was from the Newcastle theatre.] Receipts: #294 7s

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Event Comment: Afterpiece [1st time; MD 3, by John Rose, based on Raoul Sire De Crequi, by Jaques Marie Boutet de Monvel]: With new Scenes [by Greenwood (Public Advertiser, 19 Oct.)], Dresses and Decorations. The Music composed principally by Attwood; the rest selected from Mozart and Sarti. Books of the Songs to be had at the Theatre. Morning Herald, 20 Dec. 1792: This Day is published The Prisoner (1s.). Receipts: #217 10s. (128.12; 86.10; 2.8)

Performances

Mainpiece Title: At King's The Beaux Stratagem

Afterpiece Title: The Prisoner

Event Comment: Mainpiece: The Overture and all the Music composed by Carter. Words of the Songs to be had at the Theatre. MS annotation on BM playbill (cg, Vol. VIII), 15 Dec. 1792: Mr Hurlstone in full for Just in Time #150. Receipts: #286 3s

Performances

Mainpiece Title: Just In Time

Afterpiece Title: The Follies of a Day

Dance: II: a Dance-Byrn, Mme Rossi. [Danced, as here assigned, in all subsequent performances.

Event Comment: [In afterpiece the playbill retains Mrs Goodall as Widow Brady , but as she "was incapable of performing this evening, the Farce should have been changed, for poor Miss Collins was a lamentable Mrs Brady ; before the second act was half over, the greater part of the audience quitted the theatre" (Thespian Magazine, Dec. 1792, p. 150).] Receipts: #169 1s. (129.10; 37.19; 1.12)

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: The Irish Widow

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece [1st time; MF 2, by William Pearce]: With new Music, Dresses, &c. The Music composed by Haydn, Sacchini, and Shield. The Scenery by Richards. Books of the Songs [W. Woodfall, 1792] to be had at the The Theatre. Public Advertiser, 20 Apr. 1793: This Day is published Hartford Bridge (1s.). Receipts: #294 17s. 6d

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hartford Bridge; or, The Skirts of the Camp

Event Comment: The Careless Husband [advertised on playbill of 8 Nov.] is obliged to be deferred on account of the Indisposition of a Principal Performer. [This was F. Aickin's last appearance in London. Subsequently he acted for several years at the Liverpool theatre, of which he was the manager.] Receipts: #349 11s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Hartford Bridge

Song: As17921029

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 961; not published; synopsis of plot in Universal Magazine, Nov. 1792, p. 393]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Music composed principally by Storace, with a few Pieces selected from Anfossi, Bianchi and [La Bella Pescatrice, by] Guglielmi. Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 15 Apr. 1793]. "The dialogue of operas now a days is thought of little consequence, and in this instance, the author has certainly strictly adhered to that opinion; however, by the aid of Painter, Composer, Taylor and Performers [The Pirates] will certainly long continue to attract admiration" (Thespian Magazine, Jan. 1793, p. 169). Receipts: #359 10s. 6d. (336.6.6; 23.0.0; 0.4.0)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: Katharine and Petruchio

Dance: The Dances (composed by D'Egville)-Hamoir, D'Egville, Master D'Egville, Miss Prevot, Miss Menage, Miss Phillips, the Miss D'Egvilles. [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.

Event Comment: Mainpiece: In Four Acts. The Music by Dr Arne and Giardini. Books of the Lyric Part of the Drama to be had at the Theatre. [Mrs Pollock is identified in European Magazine, Dec. 1792, p. 456. "Candour and impartiality compel us to advise this lady to desist from a pursuit that affords her not the most distant prospect of success. She is deficient in every dramatic requisite, her person alone excepted" (Morning Herald, 26 Nov.).] Receipts: #182 0s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Animal Magnetism

Dance: End: A New Divertisement-Byrn, Holland, Mme Rossi

Song: In: the Principal Vocal Parts-Miss Broadhurst, Mrs Blanchard, Miss Barnett, Mrs Martyr

Event Comment: [In mainpiece the playbill omits Anna, but "Mrs Rock was a wretched Anna" (Thespian Magazine, Feb. 1793, p. 195). Miss Morris is identified in European Magazine, Jan. 1793, p. 69; and see 14, 16 Nov.] Afterpiece [1st time; P 2(?), author unknown. Text (i.e. synopsis of action), For the Booksellers, 1793. Larpent MS 964 contains Songs only]: Partly New, and partly a Selection of Scenery, Machinery, Tricks, and Business, from the most approved Pantomimic Productions of Lunn, Rich, Woodward, Messink, Rosamond [i.e. Rosoman], Lalauze, &c. The Music chiefly compiled [by Thomas Goodwin] from Pepusch, Galliard, Dr Arne, Vincent, Dibdin, Dr Arnold, Fisher, the rest by Shield. The selected Scenery and Machinery re-painted, and the several new ones designed and executed by Hodgins, Pugh, Walmsley, Lupino, &c. The Dances by Byrn, who will for the first time introduce a Burlesque Pas de Russe. With new Dresses, Machinery and Decorations. Books of the Songs to be had at the Theatre. [In afterpiece the playbill lists Follett, but he "having received an injury at the morning's rehearsal, afforded that excellent actor, Munden, the opportunity of giving the Public an additional proof of the versatility of his talents: -he undertook the part of the Clown [i.e. Clodpole ], and performed it so well that he will probably be obliged to retain it" (Morning Herald, 21 Dec.). He was probably omitted from the Vocal Characters (see 21 Dec.).] Receipts: #258 10s. 6d

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin's Museum; or, Mother Shipton Triumphant

Event Comment: [This was Mrs Wells's last appearance as a regular member of the company of any London theatre.] Receipts: #290 11s. 6d

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Harlequin's Museum

Dance: As17921226

Event Comment: [Mrs Pollock is identified by MS annotation on BM playbill (cg, Vol. VIII). Her 1st appearance was at this theatre, 24 Nov. 1792.] Receipts: #304 14s

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin's Museum

Dance: As17921226

Event Comment: "Notoriety and Tom Thumb were to have been performed by command of Their Majesties; but, in consequence of the news from France [the execution of Louis XVI on 21 Jan.], at five o'clock a letter was received from the Vice-Chamberlain, stating that Their Majesties could not honour the theatre with their presence, and the farce was changed from Tom Thumb to the new Pantomime" (Morning Chronicle, 24 Jan.). The Doors to be opened at 5:30. To begin at 6:30. Receipts: #352 2s. 6d

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Harlequin's Museum

Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: As17930216

Event Comment: Afterpiece [1st time; CO 2, by William Pearce]: With new Music, Scenes and Dresses. The Music composed and selected [From Paisiello and Gretry (BUC, 946)] by Shield. The Scenes designed and executed by Richards. Books of the Songs to be at the Theatre. ["Mr Pearce #100 for Midnight Wanderers" (MS annotation on BM playbill (cg, Vol. VIII), 2 Mar. 1793).] Morning Herald, 21 May 1793: This day is published The Midnight Wanderers (1s.). Receipts: #332 17s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Midnight Wanderers