Event Comment: Afterpiece: By Desire. Reprisal Publish'd at 1s. "as it is now acting at the Theatre Royal in Drury Lane, printed for R. Baldwin, Paternoster Row. Receipts: #180 (Cross)

Event Comment: Benefit for Gallini. Two rows of Pit will be railed into the Boxes

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Event Comment: Benefit for Vernon. House Charges #67 9s. 6d. [Profit to Vernon #52 1s. 6d.] Paid Burney Jr 8 days salary #1 13s. 4d.; Chorus singers #2 10s. 6d. (Treasurer's Book). Receipts: #119 11s. (Treasurer's Book). Fifteen minutes past 4 took my seat in the 4th row of the first Gallery at Drury Lane...Lord Ogleby was excellently played by King. Heidelberg inimitably by Mrs Clive. After the Vintage, King by desire presented the Public again with Linco's Travels, but omitted a few things spoke last night. Cupid in Daphne and Amintor by Miss Rogers...Eleven o'clock when we got out (Neville MS Diary)

Event Comment: Paid salary list #435 19s. (Treasurer's Book). Read the 2 remaining Acts of Rule a Wife...About 15 minutes past 4 went into ye Pit, and contrary to my expectation got a seat almost in ye middle of ye 3rd row, which I prefer to any other. Garrick played Leon. By having seen him in the character before, and having read the play, I enjoyed the excellency of his acting more than I ever did. King played the Copper Captain for ye first time, and did it very well. Pritchard is excellent in Estifania, Love and Baddeley were good in Cacafago and the Old Woman (Neville MS Diary). Receipts: #202 10s. (Treasurer's Book)

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Event Comment: By Particular Desire. Neville MS Diary: Went into ye first row of ye Pit. Before ye play began and between ye acts read ye part of Lord and Lady Townly, Sir Francis, J. Moodie, and Sir Richard...The little girl who dances is more applauded than anyone who appears on that stage

Event Comment: By Authority. Not acted these 40 years. Benefit Lalauze. By Particular Desire, two rows of the Pit will be rail'd in with the Boxes

Event Comment: Benefit for Ansell and Green (Box-keepers). Charges #81 5s. Deficit to Box-Keepers #27 1s. 3d. apiece, cover'd by income from tickets: Ansell #122 2s. (Box 310; Pit 248; Gallery 74); Green #128 3s. (Box 420; Pit 115; Gallery 59) (Account Book). [Since box capacity seems to have been about 560 places, it would seem that several rows of the pit had been sold at box prices by these Boxkeepers. See 22 May 1767.] Receipts: #27 2s. 6d. (Account Book)

Event Comment: A drunken man and a livery servant were both very troublesome in the first gallery [according to an account in the Morning Chronicle, 11 Dec., which continued]: It is a very great insult to respectable citizens and gentlemen of moderate fortunes, who from principles of economy choose to sit in the first gallery, that they admit too men in liveries. Their prices of admission have been raised within these thirty years, and every art practised for interest of the managers; and in these times, when every necessary and convenience of life is considerably enhanced, it is a matter of prudence in persons of the middle rank of life to prefer the gallery to the pit. But this is no reason why livery servants should be allowed to place themselves by the wives and daughters of private gentlemen and reputable tradesmen, to whom they often behave with great insolence and indecency. [It is desirable] to know why a constable does not make his appearance in the back row of the first, as well as the second, gallery, being frequently as much wanted in the one as the other (John Hampden Diary, p. 122)

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Event Comment: Benefit for Webster. Mr Barry being ill, the tragedly of King Lear oblig'd to be deferr'd. [A comment in Lloyd's Evening Post for 29 Feb. refers to an incident in cg this evening: "A fellow who sat on the sixth row of the Upper Gallery...Threw a Keg (which he had brought full of liquor into the House) over the Gallery front. It fell upon a lady's head, who sat in that part of the Pit which was railed into the Boxes, but the Lady's hair being dress'd in high ton, the artifical mountain luckily prevented the mischief that otherwise might have been occasioned....The fellow who threw the cask was carried to the Public Office, in Bow Street, and from thence committed to Tothill Fields, Bridewell. As the custom of throwing mugs, bottles, apples, &c. from the galleries of the theatres is equally as wanton and wicked and is frequently the cause of great mischief, it is thought the present culprit will made an example of" (Quoted in Hampden, Journal).

Event Comment: Benefit for Mrs Jewell. By Permission. A Tragedy for Warm Weather, not acted these ten Years, written after the manner of the worst as well as the best English Poets [author unknown] Containing, amongst a Variety of Particulars curious, entertaining, and pathetic, the Rebellion of the Journeymen Tailors, their Military Preparations and Election of a Chief, their Skirmishes, Ambushes, Sieges, Councils and Combats; their Division into Flints, and Dungs; with the Defection of the Dungs, at the Pass of Butcher Row and total Overthrow of the Flints at the famous Battle of Temple Bar; together with the Captivit and End of their valiant leader. [Colman's shortened version of the 1767 play (Biographia Dramatica).

Event Comment: Mainpiece: A Tragedy for Warm Weather, written after the Manner of the Worst as well as the Best English Poets; containing, amongst a Variety of Particulars, the Rebellion of the Journeymen Tailors; their Military Preparations and Election of a Chief; their Skirmishes, Ambushes, Sieges, Councils and Combats; their Division into Flints and Dungs, with the Defection of the Dungs at the Pass of the Butcher-Row, and total Overthrow of the Flints at the Famous Battle of Temple-Bar; together with the Captivity and Fatal End of their Valiant Leader

Event Comment: Benefit for Macklin. Daily Advertiser, 24 Mar.: Tickets to be had of Macklin, Tavistock-Row, Covent-Garden. [Mrs Bulkley's 1st appearance as Portia was at this theatre, 1 Jan. 1768.] Receipts: #212 8s. (132.1; tickets: 80.7) (charge: #64 10s.)

Event Comment: Afterpiece: Written after the Manner of the worst as well as the best English Poets. Containing, amongst a Variety of Particulars, curious, entertaining and pathetic, the Rebellion of the Journeymen Tailors; their Military Preparations and Election of a Chief; their Skirmishes, Ambushes, Sieges, Councils, and Combats; their Division into Flints and Dungs; with the Defection of the Dungs at the Pass of the Butcher-Row, and total overthrow of the Flints at the famous battle of Temple-Bar; together with the Captivity and fatal End of their valiant Leader

Event Comment: Benefit for Mrs Palmer (the Lady who perform'd Calista). [Mainpiece: Prologue by Thomas Baker.] No Person to be admitted without a ticket, which may be had of Mrs Palmer, No. 13 Pierpont-Row; at the King's Head Tavern in the upper-Street; and at the place of Performance. [The date of the performance of The Fair Penitent, of which play Calista is the heroine, has not as yet come to light.

Event Comment: Benefit for Macklin. Public Advertiser, 22 Mar.: Tickets to be had of Macklin, Tavistock Row, Covent Garden. Receipts: #268 (193.15; tickets: 74.5) (charge: #105)

Event Comment: Benefit for Mrs Robinson. Morning Chronicle, 25 Mar.: Tickets to be had of Mrs Robinson at her house, the corner of Tavistock-row, Covent-Garden. Receipts: #201 12s. (67.4.0; 32.6.6; 0.11.6; tickets: 101.10.0) (charge: #105)

Event Comment: Benefit for Mr and Mrs Jerrold. Afterpiece: Containing the Life and Death of King Chrononhotonthologos, the valiant Exploits of Bombardimian, his general, the unsuccessful Love of Fadladinada, Queen of Queerumania, to the Antipodean King, concluding with the marriage of the aforesaid Queen to her two fortunate Lovers, Aldiborrontiphoscophornio and Rigdum Funnidos. Mr and Mrs Jerrold present their humble respects to the Ladies and Gentlemen, and as through the badness of the weather, and being Assembly-Night on their former Benefit, there was not the Expenses in the House; therefore solicit the Favour of their Company, and Interest in this their second Attempt. To begin precisely at 6:30. Pit 2s. Gallery 1s. Tickets to be had at the Crown, and at the Cock, Well's row

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Event Comment: Benefit for Smith. Part of the Pit [Public Advertiser, 26 Mar.: 4 rows] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #321 3s. (160/2/0; 9/3/6; 0/7/6; tickets: 151/10/0) (charge: #67 11s. 11d.)

Event Comment: Benefit for Macklin. Gazetteer, 7 May: Tickets to be had of Macklin, Tavistock-row, Covent-garden. Receipts: #194 11s. (116/4; tickets: 78/7) (charge: free)

Event Comment: Benefit for Mrs Siddons. Part of the Pit [6 rows (Public Advertiser, 6 Mar.)] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [In mainpiece the playbill assigns Orestes to Smith, but he "was indisposed . . . Throughout the whole [of his part] Kemble's skill was apparent. In the last scene he displayed as fine a picture of horror as was ever given from the stage" (Morning Chronicle, 6 Mar.).] Morning Herald, 24 Feb.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #293 11s. (122/17/0; 10/1/6; 1/2/6; tickets: 159/10/0) (charge: free)