Event Comment: "At the conclusion of the Opera on Saturday, a scene of riot and tumult took place which the King's Theatre has not witnessed since the celebrated discords between 'Tweedle-dum and Tweedle-dee' in the days of Handel and Bononcini. At the commencement of the last dance hostilities commenced by hissing and hooting from the pit and boxes...The dancers, however, were not dismayed, but continued their evolutions, though the noise was so great that they derived but little aid from the music. At last a body of malcontents, among whom were several stars and ribbons, sallied from the pit and took possession of the stage, from which they drove the light-heeled troops, and immediately began to perform a ballet tragique. The chamber of Ifigenia was despoiled of all its ornaments, and side scenes, and patent lamps; Roman tents and triumphal cars danced on the stage in all the mazes of confusion, nor did they cease, till they had demolished everything they found that was moveable. Mr Carnevale came forward to inform the audience that Mr Gallini could not be found...The ostensible reason given for this riot, which in our opinion is not to be justified on any pretense, is that Mr Gallini has not engaged dancers of sufficient eminence" (Public Advertiser, 10 Feb.)

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Event Comment: Benefit for Marshall and Mrs Harlowe. Mainpiece: In Act V a Grand Battle between the Britons and Romans. Morning Herald, 17 May: Tickets to be had of Marshall, No. 17, Crown-court, Bow-street, Covent-Garden; of Mrs Harlowe, No. 54, Drury-lane. Receipts: #256 7s. (104.2; 1.10; tickets: 150.15) (charge: #105)

Event Comment: Powell: In Consequence of Palmer not coming in time to the Theatre, the Audience were kept in waiting and the Play, which was ordered by Mr Sheridan to begin 5 minutes before the usual time [6:30], could not be begun till within Ten minutes of Seven o'Clock. Benson being lame Fisher went on as Casimir and Caulfield doubled the Part with his own. Roman Actor read at 10 [this Play not acted this season; see Powell, 18 Oct.]; Douglas rehearsed at 12 (for Mrs Siddons and Palmer). Receipts: #412 16s. (325.17.6; 80.18.6; 6.0.0)

Event Comment: Mainpiece: In Act I The Cardinal's Banquetv. In Act II The Court for the Trial of Queen Katharinev. In Act V a Grand Processionv to the Christening of Princess Elizabeth. Afterpiece: Representation of the Engagementv, as 14 Oct. [In mainpiece the playbill omits Lord Sands, but "Sands Hollingsworth, Baddeley ill" (Powell).] Powell, 17 Oct.: Chaplet rehearsed at 10 [see under 16 Oct.]; Drummer at 11; Roman Actor at 12 (order to be dismissed by Mr Kemble); 18 Oct.: Haunted Tower rehearsed at 10; Wedding Day at 12. Receipts: #307 6s. (227.18; 77.6; 2.2)

Event Comment: Powell: Drummer rehearsed at 10; Roman Father at 11. Receipts: #253 3s. 6d. (198.8.0; 52.16.0; 1.19.6)

Event Comment: [In mainpiece the playbill retains R. Palmer as Pacha, and in afterpiece Palmer as Baron Lovinski, but "R. Palmer being Ill, Benson play'd the Pacha. Palmer continuing Ill, Whitfield play'd the Baron Lovinski' (Powell).] Powell: Roman Father rehearsed at 10; Nobody at 12. Receipts: #352 15s. (279.17.6; 70.15.6; 2.2.0)

Event Comment: [Trueman's name is omitted from afterpiece, but "Trueman continuing Ill, Webb Servant in The Wedding Day" (Powell).] Powell: School for Scandal rehearsed at 10; Roman Father at 12. Receipts: #249 14s. 6d. (201.7.0; 46.8.0; 1.19.6)

Event Comment: [In afterpiece the playbill retains Trueman as Gustavus, but "Trueman Ill, Fisher Gustavus" (Powell).] Powell: Twelfth Night rehearsed at 10; Roman Father at 12; Cherokee (1st Act read) at 1:30. Receipts: #343 (273.2.6; 62.18.0; 6.19.6)

Event Comment: Paid Barratt, oilman, #538 15s. 10d. Powell: Roman Father rehearsed at 10. Receipts: #232 2s. 6d. (173.11.0; 51.10.6; 7.1.0)

Event Comment: On account of the Indisposition of Mrs Siddons The Roman Father [advertised on playbill of 24 Nov.] is deferred till Saturday. Powell: New Ballet rehearsed at 10; Nobody at 11; Cherokee (2nd & 3rd Acts read) at 12. Receipts: #172 18s. 6d. (129.2.6; 41.10.6; 2.5.6)

Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)