SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Robert and James Adam"/1) | (@(roleclean,performerclean) "Robert and James Adam")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3080 matches on Author, 2103 matches on Performance Comments, 628 matches on Event Comments, 128 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys, Diary: To Blackfryars [presumably a slip for Whitefriars, Salisbury Court] (the first time I ever was there since plays begun), and there after great patience and little expectation, from so poor beginning, I saw three acts of The Mayd in ye Mill, acted to my great content. But it begin late, I left the play

Performances

Mainpiece Title: The Maid In The Mill

Performance Comment: . Downes (Roscius Anglicanus, p. 19) implies a partial cast: Amintas-James Nokes. $Gildon">William Betterton; Maid-$James Nokes. $Gildon (Life of Betterton, 1710, p. 174) states that ThomasBetterton also had a considerable role in it.
Cast
Role: Maid Actor: James Nokes. Gildon
Event Comment: See HMC, Report III, Appendix, p. 215a; Hotson, pp. 214-15; B. M. Wagner, "John Rhodes and Ignoramus," Review of English Studies, V (1929), 43-48. See also Nicoll, Restoration Drama, pp. 302n, 423. This appears to be the Duke's Company

Performances

Mainpiece Title: Ignoramus Or The Academical Lawyer

Performance Comment: MS in Library of Duke of Westminster: Theodorus-Lilliston?; Antonius-Smyth; Ignoramus-Underhill; Dulman-Williams; Pecus-Will Peer?; Musaeus-R. Nokes; Torcal-Norris; Rosabella-Mrs? Jennings; Surda-Mrs Margaret Rutter?; Trico-Medbourne?; Banacar-Crosby; Cupes-Sandford; Polla-Mrs Norris; Cola-R. James? Nokes; Pyropus-Angell; Dorothea-Mrs Brown; Vince-Boy; Nell-Pegg; Richardus?-Revet; Prologue to the King-Alexander Read. Translated from George Ruggle's Ignoramus.
Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Rustan Actor: Sandford
Role: Achmat Actor: James Noke
Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Cast
Role: Horace Actor: James Hamilton
Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love Or The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Cast
Role: Cydnon Actor: Mrs Eastland
Role: adds Damilcar Actor: Mrs James

Performances

Mainpiece Title: The Generous Enemies Or The Ridiculous Lovers

Performance Comment: Edition of 1671: The Prologue-; The Epilogue-; Signior Robatzy-Wintersall; Signior Cassidoro-Lyddall; Don Alvarez-Major Mohune; Signior Flaminio-Keniston; Don Bertran-Carthwright; Sanco-Bell; Pedro-Shurley; Addibar-Rich. Hart; Jaccinta-Mrs Marshall; Alleria-Mrs James; Lysander-Mrs Bowtell; Sophia-Mrs Pratt; Julia-Mrs Cory; Livia-Mrs Susanna Uphill.
Cast
Role: Alleria Actor: Mrs James
Role: Lysander Actor: Mrs Bowtell
Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.
Event Comment: The King's Company. The date of the premiere is not known, but, as the play was entered in the Term Catalogues, May 1674, a first production not later than March 1674 is likely. In addition, the relatively large number of minor actors suggests that it might be a Lenten performance by the young players of the company. As to the authorship, the title page states: Written by a Person of Honour. On the other hand, Langbaine (English Dramatick Poets, p. 526) reports that he had heard that it was written by Duffett. The second Prologue is in Covent Garden Drollery, 1673, but the fact that it was intended but not spoken does not assist in dating the first performance

Performances

Mainpiece Title: The Amorous Old Woman Or tis Well If It Take

Performance Comment: [The author is not known, but the play has been attributed to ThomasDuffett.] Edition of 1764: Prologue-Major Mohun; [A second Prologue intended but not spoken Honorio-Lydal; Amante-Beeston; Garbato-Eastland; Cicco-Perin; Riccamare-Coysh; Buggio-Chapman; Furfante-Powel; Sanco@panco-Shirly; Constantia-Mrs Cox; Arabella-Mrs James; Clara-Mrs Boutel; Strega-Mrs Corey; Epilogue-.
Cast
Role: Garbato Actor: Eastland
Role: Arabella Actor: Mrs James
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is some uncertainty as to whether this is the premiere, but another performance on 15 Jan. 1674@5 and its entry in the Stationers' Register 13 Jan. 1674@5 suggest that this was probably the first performance

Performances

Mainpiece Title: The Country Wife

Performance Comment: Edition of 1675: Prologue-Mr Hart; Horner-Hart; Harcourt-Kenaston; Dorilant-Lydal; Pinchwife-Mohun; Sparkish-Haynes; Sir Jasper Fidget-Cartwright; Mrs Margarey Pinchwife-Mrs Bowtel; Mrs Alithea-Mrs James; Lady Fidget-Mrs Knep; Mrs Dainty Fidget-Mrs Corbet; Mrs Squeamish-Mrs Wyatt; Old Lady Squeamish-Mrs Rutter; Quack-Schotterel; Lucy-Mrs Cory. [Edition of 1668: Epilogue spoken by Mrs Knep.]Edition of 1668: Epilogue spoken by Mrs Knep.]
Cast
Role: Mrs Alithea Actor: Mrs James

Performances

Mainpiece Title: Love In The Dark Or The Man Of Busness

Performance Comment: Edition of 1675: Prologue-; Loredano-Lydal; Cardinal Colonna-Burt; Hircanio-Cartwright; Grimani-Griffin; Cornanti-Wintershul; Intrigo-Lacy; Count Sforza-Kynaston; Tribultio-Major Mohun; Visconti-Hayns; Jacomo-Charlton; Circumstantio-Shotterell; Satana-Harris; Proveditor-Powel; Parhelia-Mrs Uphill; Bellinganna-Mrs Bowtel; Aurana-Mrs James; Melina-Mrs Slade; Epilogue-Mr Haines.
Cast
Role: Aurana Actor: Mrs James
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Augustus Caesar. See also Nicoll, Restoration Drama, p. 346. The music for a song in act I, scene I, was composed by Nicholas Staggins, and printed in Choice Ayres and Songs, The Second Book, 1679. There is no certainty that this was the premiere, but it may well have been. The play was entered in the Term Catalogues, May 1676

Performances

Mainpiece Title: Gloriana Or The Court Of Augustus Caesar

Performance Comment: Prologue to the Court of Augustus Caesar-Mrs Roch; Epilogue to the Court of Augustus Caesar-Mr Haynes; Augustus Caesar-Mohun; Caesario-Hart; Marcellus-Kenaston; Tiberius-Lydall; Agrippa-Cartwrite; Mecaenas-Griffin; Ovid-Clarke; Leander-Powell; Araspes-Harris; Gloriana-Mrs Marshall; Julia-Mrs James; Narcissa-Mrs Corbet.
Cast
Role: Leander Actor: Powell
Role: Julia Actor: Mrs James
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle Or The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Sir Arthur Oldlove Actor: Sandford
Role: Toby Actor: James Nokes
Role: Madam Fickle Actor: Mrs Mary Lee
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162: At the Fond Husband. See also Nicoll, Restoration Drama, p. 349. Downes (Roscius Anglicanus, p. 36): [This comedy and Otway's The Soldier's Fortune] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit. One song, Under the branches of a spreading tree, set by William? Turner, is in Choice Ayres and Songs, The Second Book, 1679. For Nokes and Leigh in this play, see Cibber, Apology, ed. Lowe, I, 149. According to The Guardian, 15 June 1713, Charles II attended three of the first five nights of this play

Performances

Mainpiece Title: A Fond Husband Or The Plotting Sisters

Performance Comment: Edition of 1677: Rashley-Smith; Ranger-Harris; Peregrine Bubble-James Nokes; Old Fumble-Anth. Leigh; Sir Roger Petulant-Sandford; Sneak-Jevan; Spatterdash-Richards; Apothecary-Percival; Emillia-Mrs Barrer; Maria-Mrs Marshal; Cordelia-Mrs Hughes; Betty-Mrs Napper; Governess-Mrs Norrice; Prologue-; Epilogue-Fumble; Edition of 1678 adds: Jeremy-Richards.
Event Comment: From 16 Jan. 1696@7 to 18 May 1702 James Brydges, afterwards first Duke of Chandos, kept a diary in which he recorded, among other events, his attendance at the theatre. Unfortunately, his first entry dealing with the playhouses, like many other similar entries, does not name the play he saw; on 22 Jan. 1696@7 he wrote: my Uncle Warwick Lake? carried me to ye Playhouse. [For an account of his theatrical entries, see Lucyle Hook, James Brydges Drops in at the Theatre, Huntington Library Bulletin, VIII (1945), 306-11.

Performances

Performances

Mainpiece Title: Queen Catharine Or The Ruines Of Love

Performance Comment: Edition of 1698: Prologue-Mr Batterton; Epilogue by Mrs Trotter-Miss Porter; Edward the Fourth-Scudamore; Duke of Clarence-Verbruggen; Duke of Gloucester-Arnold; Earl of Warwick-Kynnaston; Mallavill-Bayly; Owen Tudor-Batterton; Lord Dacres-Freeman; Sir James Thyrrold-Thurmond; Queen Catharine-Mrs Barry; Isabella-Mrs Bracegirdle; Esperanza-Mrs Martin.
Cast
Role: Sir James Thyrrold Actor: Thurmond

Performances

Mainpiece Title: The Different Widows Or Intrigue A La Mode

Performance Comment: Edition of 1703 lists: Sir James Bellmont-Powell; Lord Courtall-Lloyd; Careless-Corey; Sir Anthony Loveman-Pack; Dandle-Leigh; Valentine-Booth; Gaylove-Wellar; Draul-Knap; Hearty-Trout; Widow Bellmont-Mrs Leigh; Lady Gaylove-Mrs Lawton; Angelica-Mrs Prince; Lady Courtall-Mrs Willis; Mrs Draul-Mrs Allison; Lady Loveman-Mrs Porter; Mariana-Mrs Bradshaw; Lucy-Mrs Parsons; Harriet-Mrs Fieldhouse; Prologue-Booth; Epilogue-Mrs Porter.
Cast
Role: Sir James Bellmont Actor: Powell
Role: Dandle Actor: Leigh

Performances

Mainpiece Title: The Basset Table

Performance Comment: Edition of 1706 lists: Lord Worthy-Mills; Sir James Courtly-Wilks; Lovely-Biggerstaff; Sir Rich. Plainman-Bullock; Captain Hearty-Estcourt; Sago-Johnson; Buckle-Penkethman; Lady Reveller-Mrs Oldfield; Lady Lucy-Mrs Rogers; Valeria-Mrs Mountford; Mrs Sago-Mrs Cross; Alpiew-Mrs Lucas; Prologue-Penkethman; Epilogue-Estcourt.
Cast
Role: Sir James Courtly Actor: Wilks

Performances

Mainpiece Title: The Temple Beau

Performance Comment: Temple Beau-Giffard; other parts by W. Giffard, W. Williams, Penkethman, Burney, W. Bullock, Collett, Mrs Giffard, Mrs Haughton, Mrs Purden, Mrs Seal; but edition of 1730 lists Sir Avarice Pedant-Collet; Sir Harry Wilding-Penkethman; Wilding-Giffard; Veromil-W. Giffard; Valentine-Williams; Pedant-Bullock; Pincet-Bardin; Lady Lucy Pedant-Mrs Giffard; Lady Gravely-Mrs Haughton; Bellaria-Mrs Purden; Clarissa-Mrs Seal; Prologue by James Ralph-Giffard; Epilogue by a Friend-Mrs Giffard.
Cast
Role: James Ralph Actor: Giffard
Event Comment: With New Scenes, Habits, and other Decorations proper to the Play

Performances

Mainpiece Title: Julius Caesar With The Deaths Of Brutus And Cassius

Performance Comment: Julius Caesar-Huddy; Octavius-Rosco; Antony-Giffard; Brutus-Delane; Caska-W. Giffard; Trebonius-Smith; Ligarius-Jenkins; Decius-Bardin; Metellus-Winstone; Cinna-Williams; Lucius-Master Huddy; Soothsayer-James; Calphurnia-Mrs Williamson; Portia-Mrs Thurmond; Citizens-Morgan, Norris, Collet, Bullock, Wetherilt Sr, Pearce, Stoppelaer.
Cast
Role: Soothsayer Actor: James

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Standard Actor: Delane

Afterpiece Title: The Tavern Bilkers

Performance Comment: Scaramouch-Thurmond; Harlequin-de Vallois; Punch-Evans; Landlord-Dove; 1st Drawer-Woodward; 2d Drawer-James; 3d Drawer-Giles; Landlady-Pearce.
Cast
Role: Landlord Actor: Dove
Role: 2d Drawer Actor: James
Role: Landlady Actor: Pearce.

Dance: FFriendly Lasses-Miss Wherrit, Miss Sandham; Sailor's Dance-Jones

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17321127, but Jack-James; Daniel-Penkethman; Lucy-Miss Wherrit.
Cast
Role: Jack Actor: James
Role: Blandford Actor: Havard
Role: Charlot Actor: Mrs Roberts

Afterpiece Title: The Lovers Opera

Cast
Role: Lucy Actor: Mrs Roberts

Dance: SSailor's Dance-Jones; Pierot and Pierrate-de Valois, J. Delagarde

Performances

Mainpiece Title: The Mock Doctor

Performance Comment: Sir Jasper-Pullen; Leander-Mynitt; Gregory-Hallam; Hellebore-Machen; James-Brown; Harry-Simpson; Welshman-Hicks; Dorcas-Mrs Strange; Charlot-Mrs Morse; Maid-Miss Palmes.
Cast
Role: Leander Actor: Mynitt
Role: James Actor: Brown

Afterpiece Title: Love Runs All Dangers

Dance: End Mainpiece: Dutch Skipper-T. Jones, R. Jones; Concluding with a Hornpipe-Jones

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: As17321123, but Sir Phillip-Bullock; Sackbut-Penkethman; Simon-James.
Cast
Role: Simon Actor: James.

Afterpiece Title: The Devil to Pay

Cast
Role: Nell Actor: Mrs Roberts.

Ballet: The Difference of Nations. As17330317