SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Jennens"/1) | (@(roleclean,performerclean) "Robert Jennens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1057 matches on Performance Comments, 924 matches on Author, 290 matches on Event Comments, 93 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Quaker

Dance: End: Minuet de la Cour, Gavotte-Henry, Miss Armstrong

Entertainment: Monologue In IV: Description of a Man of War and Sea Fight-Moody

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Wonders Of Derbyshire

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Author

Cast
Role: Robert Actor: Chaplin

Dance: As17840918

Song: End of Act I of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: Selima and Azor

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Humourist

Dance: As17880313

Song: End IV: O Say bonny Lass, as17880506

Event Comment: Rich's Company. The evidence for this date as the premiere of The Relapse is Jennens' report on 19 Nov. 1696 that Drury Lane expected to produce a new play on this date, coupled with the fact that Lady Morley saw this play on 25 Nov. 1696. The play was advertised in the Post Boy, 26-29 Dec. 1696. Preface, Edition of 1697: One word more about the Bawdy, and I have done. I own the first Night this thing was acted, some indecencies had like to have happen'd, but 'twas not my Fault. The fine Gentleman of the Play, drinking his Mistress's Health in Nants Brandy, from six in the Morning, to the time he wadled upon the Stage in the Evening, had toasted himself up, to such a pitch of Vigor, I confess I once gave Amanda for gone, and am since (with all due Respect to Mrs Rogers) very sorry she scap'd; for I am confident a certain Lady (let no one take it to herself that is handsome) who highly blames the Play, for the barenness of the conclusion, wou'd then have allowed it, a very natural Close. Gildon, English Dramatick Poets, p. 145: This Play was received with mighty applause. Cibber, Apology, I, 216: This Play (the Relapse) from its new and easy Turn of Wit, had great Success, and gave me, as a Comedian, a second Flight of Reputation along with it

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

Event Comment: A New Oratorio. Libretto-Jennens; Music-Handel

Performances

Mainpiece Title: Belshazzar

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Performances

Mainpiece Title: The Footman

Performance Comment: Miller, Bardin, Jenkins, Rosco, Bullock, Collet, Excell, Norris, Beckham, Mrs Roberts, Mrs Palmer, Mrs Haughton, Mrs Purden, Mrs Tollet, Miss Wherrit, Miss Tollet; but edition of 1731 lists: Charles-Bardin; Harry-Jenkins; Noddy-Miller; George-Rosco; Thomas-Bullock; Isaac-Excell; Laurence-Norris; Porter-Beckham; Mrs Jessamy-Mrs Haughton; Jenny-Mrs Roberts; Betty-Mrs Palmer; Sukey-Mrs Purden; Molly-Miss Tollet; Nanny-Miss Wherrit; Catherine-Mrs Tollet; Epilogue-Mrs Roberts.
Cast
Role: Jenny Actor: Mrs Roberts
Role: Epilogue Actor: Mrs Roberts.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lover His Own Rival

Performance Comment: Cast not listed, but edition of 1736 lists: Fretful-Penkethman; Matchwood-Rosco; Clerimont-Kelly; Frederick-Miss Jones; Harriot-Miss Gerrard; Lucy-Mrs Roberts. Prologue and Epilogue sung by Mrs Roberts .

Dance: In V: Scot's Dance by Haughton, Mrs Bullock, &c

Performances

Mainpiece Title: The Temple Beau

Performance Comment: Temple Beau-Giffard; Lady Lucy-Mrs Giffard; Sir Avarice-Norris; Veromil-W. Giffard; Valentine-Havard; Pedant-Rosco; Pincet-Woodward; Lady Gravely-Mrs Haughton; Clarissa-Miss Hughes; Bellaria-Mrs Roberts; Sir Harry-attempted by Penkethman, Being but the Thirteenth Time of his appearing in that Character .
Cast
Role: Bellaria Actor: Mrs Roberts

Afterpiece Title: The Lover His Own Rival

Performance Comment: Fretful-Penkethman; Chambermaid-Mrs Roberts, but see17360210 With the Prologue and Epilogue to be sung by Mrs Roberts .

Dance: II: Dutch Skipper by Vallois and Mrs Bullock. III: Richmond Maggot by Le Sac and Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock

Song: IV: By Mrs Chambers

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: Duke And No Duke; Or, Trapolin Suppos'd A Prince

Performance Comment: Trapolin-Harper; Duke-Bridgwater; Brunetto-Williams; Alberto-Chapman; Barberino-Roberts; Prudentia-Mrs Houghton; Isabella-Mrs Orfeur; Conjuoro-Orfeur; Flametta-Mrs Roberts; Dustress'd Women-Mrs Willis, Mrs Davison; Puritan-Norris.
Cast
Role: Barberino Actor: Roberts
Role: Flametta Actor: Mrs Roberts

Afterpiece Title: Hob; or, The Country Wake

Song: A Quaker's Song-Mrs Willis

Dance: Highland Lilt-Mrs Willis; Running Footman-Houghton; Union Dance-Houghton, Mrs Willis

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Country

Performance Comment: Shacklefigure-Norris Sr; Modely-Bridgewater; Heartwell-Roberts; Sir John-Norris Jr; Lurcher-Williams; Carbuncle-Orfeur; Vulture-West; Freehold-Harper; Aura-Mrs Roberts; Flora-Mrs Houghton.
Cast
Role: Heartwell Actor: Roberts
Role: Aura Actor: Mrs Roberts

Song: Original Songs-

Dance: With the Original Dances-

Performances

Mainpiece Title: The Blind Beggar Of Bednal Green; Or, The Woman Never Vex'd; With The Comical Humours Of Sir Timothy Sousecrown And His Man Gudgeon

Performance Comment: Sousecrown-Bridgewater; King-Huddy; Rakish-Williams; Montfort-Roberts; Lady Westford-Mrs Willis; Arabella-Mrs Morgan; Widow-Mrs Roberts; Gudgeon-Butcher.
Cast
Role: Montfort Actor: Roberts
Role: Widow Actor: Mrs Roberts

Entertainment: Vaulting-; Tumbling-; High Rope Walking-

Performances

Mainpiece Title: The History Of Bonduca; Or, The British Heroine: With The Humours Of Corporal Macer

Performance Comment: Caratach-Bridgwater; Venutius-Cibber Jr; Suetonius-Roberts; Macer-Griffin; Hengo-Miss Robinson; Bonduca-Mrs Butler; Claudia-Mrs Cibber; Bonvica-Miss Raftor; The Original Epilogue-Miss Brett.
Cast
Role: Suetonius Actor: Roberts

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performance Comment: Hunter-Mrs Roberts; Quorum-Fielding; Grig-Berry; Chaunter-Bridgwater; Cant-Cibber Jr; Phebe-Miss Raftor; Tippet-Mrs Heron; Mrs Chaunter-Mrs Shireburn; Tit Tatter-Mrs Willis; but edition of 1729 adds: Gage-Lacy; Mump-Roberts; Scrip-Wright; Swab-Burnet; Constable-Grey.
Cast
Role: Hunter Actor: Mrs Roberts
Role: Mump Actor: Roberts

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Principal parts-Wilks, Mills, Cibber, Bridgwater, Harper, Griffin, Roberts, Norris, Mrs Oldfield, Mrs Porter, Mrs Booth, Miss Raftor; but edition of 1730 lists: Colonel Truemore-Mills; Gainlove-Wilks; Shamwell-Bridgwater; Haughty-Harper; Conundrum-Griffin; Apeall-Cibber; Vicechancellor-W. Mills; Old Apeall-Roberts; Timothy-Norris; Dash-Oates; Lady Science-Mrs Porter; Victoria-Mrs Booth; Clarinda-Mrs Oldfield; Kitty-Miss Raftor; Wife to Haughty-Mrs Grace; Prologue-Wilks; Epilogue-Miss Robinson.

Performances

Mainpiece Title: Sophonisba

Performance Comment: Edition of 1730 lists: Masinissa-Wilks; Syphax-Mills; Narva-Roberts; Scipio-Williams; Laelius-Bridgwater; Sophonisba-Mrs Oldfield; Phoenissa-Mrs Roberts; Prologue-Williams; Epilogue-Mrs Cibber.
Cast
Role: Narva Actor: Roberts
Role: Phoenissa Actor: Mrs Roberts

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Roberts, from Drury Lane; Cholerick-Morgan, from Lincoln's Inn Fields; Clodio-Woodward, from Goodman's Fields; Angelina-Mrs Morgan, her first on this Stage; Louisa-Mrs Woodward, her first on this Stage; Antonio-Jones; Charino-Ayres; Governor-Mullart; Duart-Lacy; Manuel-Haverd; Sancho-Reynolds; Elvira-Mrs Mullart; Honoria-Mrs Lacy; With a new Prologue on the Occasion-Roberts.

Performances

Mainpiece Title: The Old Debauchees

Performance Comment: Father Martin-Cibber Jr; Isabel-Miss Raftor; Old Laroon-Shepard; Young Laroon-W. Mills; Old Jourdain-J. Roberts; Beatrice-Miss Williams; edition of 1731 adds: Prologue-William Mills.
Cast
Role: Old Jourdain Actor: J. Roberts

Afterpiece Title: The Covent Garden Tragedy

Performance Comment: Captain Bilkum-Mullart; Lovegirlo-Cibber Jr; Galloon-Paget; Leathersides-Roberts; Chairman-Jones; Mother Punchbowl-Bridgwater; Kissinda-Miss Raftor; Stormandra-Mrs Mullart; Nonparel-Miss Mears; Industrious Jenny-Miss Eliz. Roberts; Prologue-Theophilus Cibber; Epilogue-Miss Raftor.

Dance: