SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Raymond"/1) | (@(roleclean,performerclean) "Raymond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 566 matches on Roles/Actors, 183 matches on Performance Comments, 56 matches on Performance Title, 10 matches on Event Comments, and 0 matches on Author.
Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Performances

Mainpiece Title: A Divertisement

Afterpiece Title: The Birth Day

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun. (1st time), Blurton; Baptist (their Father)-Bologna; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Dyke; Theodore (Page to Raymond)-Simmons; Father Ansellum-Whitmore; Master of Hotel-Thompson; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, J. Linton, Lee, Russel, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, Wilde, L. Bologna, Jackson, Webb, Chapman, Abbot, Goostree, Howell, Vials, Letteney, Wilkins, Mrs Bologna, Ms Gilbert, Ms Crow, Ms Cox, Miss Bologna, Ms Dibdin, Ms Blurton, Ms Ward, Ms Coombes; Maugerette (Baptist's mistress)-Mrs Mills (1st appearance in that character); Spectre of the Bleeding Nun (mother of Agnes)-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Miss Burnett; Abbess of St. Claire-Mrs Platt; Agnes (Daughter to the Count of Lindenbergh)-Mrs Chapman (1st appearance in that character); Nuns of the Covent of St. Claire-Ms Sims, Ms Castelle, Ms Iliff, Ms Leserve, Ms Walcup, Ms Lloyd, Ms Norton, Ms Masters.
Cast
Role: Don Raymond Actor: Farley

Dance: In: As17990316

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Don Raymond-Farley; Robert and Jaques (two Robbers)-Bologna Jun., Blurton; Baptist (their Father)-Delpini; Claud (a Postillion and one of the Banditti)-King; Don Felix (Father to Raymond)-Hawtin; Count of Lindenbergh-Whitmore Sen.; Theodore (Page to Raymond)-Simmons; Antonio (Page to Agnes, with a Song)-Miss Sims; Father Ansellum-Whitmore; Master of Hotel-Atkins; Old Steward (to Felix)-Wilde; Friars and Muleteers-Street, Linton, Thomas, Curties, Little, Oddwell, Everett, Sawyer, Gardner, Denman, J. Linton, Lee, Potts, Smith; Choral Boys-Master Ramage, Master Goodwin, Master Little, Master Slape, Master Bernard, Master Platt, Master Speare, Master Sawyer; Domestics-Platt, L. Bologna, Lewiss, Webb, Abbot, Goostree, Howell, Vials, Letteney; Maugerette (Baptist's mistress)-Mrs Mills; Spectre of the Bleeding Nun (mother of Agnes-Mrs Watts; Countess of Lindenbergh (Step-mother to Agnes)-Mrs Follett; Annette-Mrs Norton; Abbess of St. Claire-Mrs Gilbert; Agnes (Daughter to the Count of Lindenbergh)-Mrs Parker (1st appearance in that character); Nuns of the Convent of St. Claire-Ms Castelle, Ms Iliff, Ms Leserve, Ms Sydney, Ms Lloyd, Ms Norton, Ms Masters, Ms Cox, Ms Bologna, Ms Whitmore.
Cast
Role: Don Raymond Actor: Farley
Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .
Cast
Role: Raymond Actor: Wroughton

Afterpiece Title: The Deaf Lover

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-market. "[Raymond] appears to possess many of those wild beauties, and enthusiastic bursts for which Mossop has been celebrated; which produce an effect upon the audience, like electricity, instantaneous and irresistible" (Monthly Mirror, Oct. 1799, p. 232). Receipts: #304 13s. (213.5.0; 91.5.6; 0.2.6)

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17990917, but Osmond-Raymond (from the Theatre Royal, Dublin; 1st appearance on this stage); Allan-Packer.
Cast
Role: Osmond Actor: Raymond

Afterpiece Title: The Children in the Wood

Event Comment: [In mainpiece the playbill retains Kemble as The Stranger, but "The Publick are most respectfully informed that Kemble being suddenly taken so ill as to preclude the possiblity of his having the honour of appearing before them this Evening, to prevent disappointment of the Play, Raymond at a very short notice has undertaken the Part of The Stranger, and hopes to experience their usual indulgence" (printed slip attached to Kemble playbill).] Receipts: #356 12s. (242.11.6; 111.17.6; 2.3.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: As18000111, but The Stranger-Raymond.
Cast
Role: The Stranger Actor: Raymond.

Afterpiece Title: Of Age To-morrow

Music: As17991127

Dance: As17991127

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Raymond-Kemble; Theodore-Bannister Jun.; Fabian-Packer; Officers-Phillimore, Benson; Austin-Bensley; Adelaide-Mrs Crouch; Jaqueline-Miss Tidswell; Hortensia-Mrs Siddons.
Cast
Role: Raymond Actor: Kemble

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: At Hay The Count Of Narbonne

Performance Comment: Raymond-Kemble; Austin-Bensley; Theodore-Barrymore; Fabian-Packer; Officers-Phillimore, Benson; Hortensia-Mrs Siddons; Adelaide-Miss DeCamp (1st appearance in that character); Jaquelin-Miss Tidswell.
Cast
Role: Raymond Actor: Kemble

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: Raymond (General of the English Forces)-Farren; Chief Bramin-Harley; 2nd Bramin-Powel; Albert (an English Officer)-Claremont; Narrain (an Indian Chief)-Thompson; Young Bramin-Holman//Fatima-Miss Hopkins; Widow of Malabar-Mrs Fawcett .
Cast
Role: Raymond Actor: Farren

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: THE FARMER

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Raymond-Kemble; Austin-Barrymore; Theodore-C. Kemble; Fabian-Packer; Renchild-Webb; Thybalt-Maddocks; Hortensia-Mrs Siddons; Adelaide-Mrs Jordan; Jaqueline-Miss Tidswell.
Cast
Role: Raymond Actor: Kemble

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Wedding Day