SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "R Shaw"/1) | (@(roleclean,performerclean) "R Shaw")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1810 matches on Performance Comments, 330 matches on Performance Title, 266 matches on Event Comments, 66 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 3 years. Tickets delivered by the young D'Egvilles, Jones, Newbold, Shaw, Dale, Purser Sen., Smith, Aberdein, Mills, Miss Tidswell, Mrs Heard, Miss Dancer, Miss Bradshaw, Mrs Haskey, will be admitted. Receipts: #241 8s. 6d. (23.4.0; 15.3.6; 0.15.0; tickets: 202.6.0)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Deserter

Dance: End III: The Capricious Lovers-the two young D'Egvilles, Miss Blanchet (1st appearance), Miss DeCamp; End: The Scheming Jockey and Fortune@Teller-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Afterpiece [1st time; P 2(?), by John O'Keeffe. Synopsis of action in Public Advertiser, 27 Dec.]: With new Music, Scenery, Machinery, and Decorations. The Scenes designed and executed by Richards, Carver, Hodgins, Pugh, &c. The Music selected from the Works of the most eminent Masters, by A. Shaw. The new Airs composed by Shield, and the Overture by Richardson. Books of the Songs, Recitative, &c. to be had at the Theatre. Nothing under Full Price will be taken. Receipts: #315 16s. (301.6; 14.10)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Aladin or The Wonderful Lamp

Dance: In Afterpiece: Byrne, King, Ratchford, Mrs Watts, Mrs Lloyd, Mrs Ratchford. [Included, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Redemption 0 Triumph Of Truth 0

Performance Comment: See17890311but 1st Violin As17890227-Shaw.

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: As17890311

Performances

Mainpiece Title: The Triumph Of Truth 0

Performance Comment: See17890227, but 1st Violin As17890227-Shaw.

Afterpiece Title: Triumph of Truth 1

Afterpiece Title: Triumph of Truth 2

Afterpiece Title: Triumph of Truth 3

Music: As17890311

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Performance Comment: 1st Violin as17890227-Shaw.

Afterpiece Title: Grand Concerto Spirituale 1

Afterpiece Title: Grand Concerto Spirituale 2

Afterpiece Title: Grand Concerto Spirituale 3

Music: As17890311

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto bassoon-Parkinson; Ye men of Gaza-Miss Barclay (Samson); And in that air behold! God is my salvation, Therefore with joy-Reinhold; And in that day, Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Ah chi sa-Kelly, Morelli, Mrs Crouch [Il Barbiere di Siviglia, Paisiello]; With ravish'd ear-Miss Hagley (Alexander's Feast); But bright Cecilia, As from the power-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Hautboy concerto (Handel)-; Blooming virgins-Incledon (Athalia); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Fair Rosale-Master Welsh (Linley); Let's imitate-Dignum, Miss Hagley (Alexander's Feast); What though I trace-Mrs Crouch (Solomon); Zadock the Priest-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)

Event Comment: Mainpiece: To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament, under the direction of Dubois. [These were included in all subsequent performances.] With a new Overture and new Additional Musick, by Storace, Shaw, and other Eminent Masters. And new Dresses, Decorations and Machinery. [Miss Redhead is identified in Kemble Mem.] Account-Book, 20 Dec. 1792: Paid Kemble to purchase horses for Cymon #180 14s. 6d. (223.11.6; 55.4.0; 3.19.0)

Performances

Mainpiece Title: At Kings Cymon

Afterpiece Title: The Deaf Lover

Event Comment: Afterpiece: 8th Time [i.e. in continuation of the reckoning for the DL season at King's of 1792-93]. The Musick principally composed by Attwood, with selections from Mozart, Ferrari, Martin (y Soler], Linley [Sen.). With a new Overture by Shaw

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: THE MARINERS

Event Comment: Mainpiece [1st time; T 5, by Joanna Baillie. "Adapted to the stage by J. P. Kemble" (note in his hand on Kemble playbill), Text in the author's A Series of Plays (T. Cadell Jun. and W. Davies, 1798). Prologue by the Hon. Francis North; Epilogue by Georgiana Cavendish, Duchess of Devonshire (Larpent MS 1287)]: The Scenery, Musick, Dresses, and Decorations entirely new. The Musick of the Third Act composed by Shaw [and sung by Sedgwick (Dramatic Censor, II, 162)] and of the Second and Fourth Acts by Kelly. The Scenes designed by Greenwood? Jun and Capon, and executed by them, Banks, &c. The Dresses and Decorations designed by Johnston, and executed under his direction by Gay and Underwood. The Female Dresses designed and executed by Miss Rein. Receipts: #308 12s. 6d. (264.3.0; 43.15.6; 0.14.0)

Performances

Mainpiece Title: De Montfort

Afterpiece Title: The Purse

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Wentworth, Maddocks, Evans, Cook, Danby Jun., Tett, Caulfield Jun., Sawyer, Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Stephens, Ms Leak, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Jacobs, Ms Saunders, Ms Maddocks, Ms Bristow, Ms Butler, Ms Gawdry

Performances

Mainpiece Title: Ignoramus Or The Academical Lawyer

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Biter Bit or The Humours of Harlequin and Scaramouch

Afterpiece Title: The Throwsters Opera

Performances

Mainpiece Title: The Married Libertine

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Fairy Favour

Dance: End: The Gallant Peasants, as17670113

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Musical Lady

Ballet: End: The Wapping Landlady. Double Hornpipe As17680416

Performances

Mainpiece Title: Man And Wife Or The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Performances

Mainpiece Title: Timanthes

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

Performances

Mainpiece Title: Henry The Second Or The Fall Of Rosamond

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Apprentice

Dance: End: The Old Ground Young, as17720928

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Contract

Dance: A Tambourine Dance-

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Mock Doctor

Dance: The Venetian Regatta-

Performances

Mainpiece Title: New Brooms

Performance Comment: Principal Characters by King, Moody, Palmer, Parsons, Bannister, Baddeley, Wrighten, Carpenter, Griffiths, Wright, Burton, R. Palmer, Dodd, Mrs Bradshaw, Mrs Love, Miss Platt, Miss Stageldoir, Mrs Wrighten. [Cast from text (T. Becket. 1776): Sprightly-King; Phelim-Moody; Catcall-Palmer; Sir Dulcimer Dunder-Parsons; Sailor-Bannister; Mezzetin-Baddeley; Furrow-Wrighten; Dripping-Griffiths; Musician-Wright; Frank Furrow-Burton; Lad-R. Palmer; Crotchet-Dodd; Mrs Dripping-Mrs Bradshaw; Mrs Furrow-Mrs Love; Doxy-Miss Platt; Miss Dripping-Miss Stageldoir; Miss Quaver-Mrs Wrighten; unassigned-Carpenter; Prologue[, not listed on playbill,-King [; it was presumably, spoken at all subsequent performances].; it was presumably, spoken at all subsequent performances].
Cast
Role: Mrs Dripping Actor: Mrs Bradshaw

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17761105, but Lord Townly-Lacy (1st appearance in that character); Manly-Palmer; Mrs Motherly-Mrs Bradshaw.
Cast
Role: Mrs Motherly Actor: Mrs Bradshaw.

Afterpiece Title: The Milesian