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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princesses Royal Amelia Caroline"/1) | (@(roleclean,performerclean) "Princesses Royal Amelia Caroline")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2792 results for: Keyword - Princesses Royal, Amelia, Caroline
We found 1562 matches on Event Comments, 858 matches on Performance Title, 532 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

176
11 February 1729 @ Lincoln's Inn Fields

Event Comment: [T+The Necromancer, not advertised, may have been given as an afterpiece, as the Daily Journal, 12 Feb., states that the Prince of Wales, the Princess Royal, and the Princesses Amelia and Carolina saw it as part of the program.] Receipts: #68 15s. 6d. Probable attendance: boxes, 113 paid and 30 orders; stage, 2 paid; pit, 164 paid and 17 orders; slips, 7 paid and 12 orders; first gallery, 117 paid and 4 orders; second, 123 paid

Performances

Mainpiece Title: Themistocles, The Lover Of His Country

177
12 February 1729 @ Lincoln's Inn Fields

Event Comment: Benefit the Author. Princess Royal and Princess Amelia present. Receipts: money #92 19s.; tickets #38 10s. Probable attendance: boxes, 117 by money and 154 by tickets; stage, 18 by money; pit, 244 by money; slips, 12 by money; first gallery, 151 by money; second gallery, 127 by money

Performances

Mainpiece Title: Themistocles, The Lover Of His Country

178
09 December 1732 @ King's Theatre

Event Comment: As 5 Dec. [King, Princess Royal, and Princess Amelia present.

Performances

Mainpiece Title: Acis And Galatea

179
15 September 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Ben Johnson. By Her Majesty's Command. [The Queen, Prince of Wales, Duke, and Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Harlequin Grand Volgi: Being the Comic Interlude of Cephalus and Procris

Performance Comment: Gardeners-Pelling, Davenport; Gardeners' Wives-Mrs Davenport, Mrs Villeneuve; Noble Venetian-Este; Italian Bravo-Harper; Miller-Oates; Colombine-Miss Mann; Harlequin-Le Brun; Pierot-Davenport; Mandarin Gormogons-Thurmond, Villeneuve, Pelling, De la Magre; Chinese Guards-Wright, Taylor, Gray, Leigh. Concluding with Le Chasseur Royal by Denoyer, Mlle Roland, &c .

180
15 May 1735 @ Haymarket Theatre

Event Comment: By Command of His Royal Highness the Duke, their Royal Highnesses the Princesses Carolina, Amelia, Louisa, and Maria

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: Harlequin and Scaramouch Deserteurs

Dance:

181
19 April 1732 @ Drury Lane Theatre

Event Comment: Benefit Miss Raftor. At the particular Desire of several Ladies of Quality. [Princesses Royal and Amelia present.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Devil to Pay

Song: RRosy Bowers (Henry Purcell)-Miss Raftor

Dance: TThe Lorrain-Essex, Mrs Booth; Tambourine-Miss Robinson

182
02 May 1732 @ King's Theatre

Event Comment: An Oratorio in English. Formerly Compos'd by Mr Handel, and now revised by him, with several Additions, and to be performed by a great Number of the best Voices and Instruments. N.B. There will be no Action on the Stage. but the House will be fitted up in a decent Manner for the Audience. The Musick to be disposed after the maner of the Coronation Service. [Their Majesties, Prince, Princess Royal and Amelia present. See also Egmont, Diary, I, 266, and Dean, Handel's Dramatic Oratorios, pp. 205-97.

Performances

Mainpiece Title: Esther

183
26 April 1800 @ Covent Garden

Event Comment: Benefit for Fawcett. 1st piece: By Permission of the Proprietor of the Theatre Royal, Hay-Market. 2nd piece [1st time; M. INT 1]. 3rd piece: Never acted here; by Permission of the Proprietor of the Theatre Royal, Hay-Market. With appropriate Scenes, Dresses & Decorations. The Music composed & selected by Attwood. Morning Chronicle, 15 Apr.: Tickets to be had of Fawcett, No. 3, Tanfield-court, Temple. Receipts: #535 6s. (233.2; 7.3; tickets: 295.1)

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Emery; Dick Dowlas-Knight; Doctor Pangloss-Fawcett; Zekiel Homespun-Munden; Henry Morland-H. Johnston; Stedfast-Murray; Kenrick-Johnstone; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer (1st time)-Miss Murray; Cicely Homespun-Mrs Gibbs (1st appearance this season); With the original Epilogue-the Dramatis Personae.
Cast
Role: Caroline Dormer Actor: Miss Murray

Afterpiece Title: The Social Songsters

Afterpiece Title: The Castle of Sorrento

184
13 March 1734 @ King's Theatre

Event Comment: A Serenata. Being an Essay of several different Sorts of Harmony.[Music by Handel. Done into English by George Oldmixon.] Daily Advertiser, 14 March: Last Night Mr Handell's new Serenata, in Honour of the Princess Royal's Nuptials with the Prince of Orange, was perform'd before their Majesties, the Prince of Wales, the Princess Royal, the Prince of Orange, and all the Royal Family, and was received with the greatest Applause; the Piece containing the most exquisite Harmony ever furnish'd from the Stage, and the Disposition of the Performers being contriv'd in a very grand and magnificent Manner. [The marriage of the Prince of Orange and Royal Princess occurred on Thursday, 14 March.]

Performances

Mainpiece Title: Parnasso In Festa; Or, Apollo And The Muses Celebrating The Nuptials Of Thetis And Peleus

185
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

186
30 August 1793 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Herald, 23 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Performance Comment: Characters by Bannister Jun., Wewitzer, Barrymore, Suett, Miss DeCamp, Sga Storace (only appearance this season), Mrs Powell. Cast adjusted from text (Dublin: Patrick Conner, 1793): Lenitive-Bannister Jun.; Caddy-Wewitzer; Heartwell-Barrymore; Label-Suett; Juba-Miss DeCamp; Caroline-Sga Storace; Mrs Caddy-Mrs Powell.
Cast
Role: Caroline Actor: Sga Storace

Afterpiece Title: The Village Lawyer

187
06 September 1794 @ Haymarket Theatre

Event Comment: Afterpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: THE PRIZE; or, 2, 5, 3, 8

Performance Comment: Lenitive-Bannister Jun.; Mr Caddy-Benson; Heartwell-Palmer Jun.; Label-Suett; Juba-Master De Camp//Mrs Caddy-Mrs Booth; Caroline-Miss De Camp (1st appearance in that character) .
Cast
Role: Caroline Actor: Miss De Camp

188
18 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Sga Storace. Mainpiece: By permission of the Proprietor of the Theatre Royal, Covent Garden. Never [previously] acted at this theatre. Tickets delivered for the 11th Instant will be `dmitted. Morning Chronicle, 24 Apr.: Tickets to be had of Sga Storace [for 11 May], No. 26, Howland-street, Fitzroy-square. Receipts: #443 12s. (193.6; 75.4; 5.11; tickets: 169.11) (charge: free)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Prize

Performance Comment: As17941028, but to Caroline: an additional song-Sga Storace.
Cast
Role: Caroline Actor: Sga Storace.

Song: In course evening: Lullaby-Sga Storace

Music: End: concerto on the violin-Giornovichi; wherein he will introduce With lowly suit and plaintive ditty, Rule Britannia-

189
10 August 1795 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. 3rd piece: By permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Chronicle, 6 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: Mountaineers

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Prize; or, 2

Performance Comment: 5. 3. 8. Lenitive-Bannister Jun.; Mr Caddy-Benson; Heartwell-Palmer Jun.; Juba-Master DeCamp; Label-Suett; Mrs Caddy-Mrs Booth; Caroline-Miss DeCamp.
Cast
Role: Caroline Actor: Miss DeCamp.

190
11 July 1796 @ Haymarket Theatre

Event Comment: 1st piece: Not acted these 2 years. 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane

Performances

Mainpiece Title: The Author

Afterpiece Title: The Prize; or, 2

Performance Comment: 5. 3. 8. Lenitive-Bannister Jun.; Mr Caddy (1st time)-Burton; Heartwell-Palmer Jun.; Juba (1st time)-Mrs Harlowe; Mrs Caddy-Mrs Booth; Caroline-Miss DeCamp.
Cast
Role: Caroline Actor: Miss DeCamp.

Afterpiece Title: The Village Lawyer

191
12 December 1797 @ Covent Garden

Event Comment: By Permission of the Proprietor of the Theatre Royal Haymarket. [Epilogue by George Colman, ynger.] Receipts: #138 0s. 6d. (134.10.6; 3.10.0)

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas-Quick; Dick Dowlas-Knight; Doctor Pangloss-Fawcett; Henry Morland-Toms; Stedfast-Murray; Zekiel Homespun-Munden; Kenricke-Johnstone; John-Abbot; Waiters-Simmons, Wilde; Lady Duberly-Mrs Davenport; Caroline Dormer-Miss Mansel; Cicely Homespun (with the original Epilogue)-Mrs Gibbs.
Cast
Role: Caroline Dormer Actor: Miss Mansel

Afterpiece Title: The Round Tower

192
17 August 1799 @ Haymarket Theatre

Event Comment: Benefit for Wathen. 2nd and 3rd piece: By permission of the Proprietors of the Theatre-Royal, Drury Lane. 2nd piece: Never acted at this Theatre [i.e. in the regular summer season; it had been acted "out of season" on 9 Feb. 1797]. Morning Chronicle, 16 Aug.: Tickets to be had of Wathen, No. 2, Frith Street, Soho

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: The Spoil'd Child

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Performance Comment: Lenitive (with The Quack Doctor)-Wathen; Heartwell-J. Palmer; Mr Caddy-Davenport; Label-Suett; Juba-Mrs Edward; Mrs Caddy-Miss Leserve; Caroline-Miss DeCamp.
Cast
Role: Caroline Actor: Miss DeCamp.

Song: End I 2nd piece: The Country Club-Wathen

193
11 November 1729 @ Lincoln's Inn Fields

Event Comment: By Command of His Royal Highness. Receipts: #116 16s. [Prince, Princess Royal, and Princess Carolina present.

Performances

Mainpiece Title: The Emperor Of The Moon

Afterpiece Title: Flora

Afterpiece Title: Harlequin a Sorcerer

194
07 January 1731 @ Drury Lane Theatre

Event Comment: By Command of the Princess Royal. [Prince of Wales and Princess Royal present.

Performances

Mainpiece Title: Venice Preserv'd

195
13 November 1733 @ King's Theatre

Event Comment: The Princess Royal's Marriage, being deferr'd, the Opera will be perform'd that Day as usual. Daily Courant, 14 Nov.: Last Night their Majesties, his Royal Highness the Prince of Wales, and the three eldest Princesses . . . saw . . . Otho; but his Highness the Prince of Orange was not there

Performances

Mainpiece Title: Otho

196
13 May 1797 @ Drury Lane Theatre

Event Comment: 2nd piece [1st time; M. INT 1, by John Rose. Larpent MS 1167; not published]: A Mask, in honour of the approaching Royal Nuptials [the Marriage of Charlotte Augusta, Princess Royal of Great@Britain to Frederick William, Prince of Wurttemberg, on 18 May]. The Musick entirely new by Attwood. The Scenes, Dresses, and Decorations entirely new. Books of the Interlude to be had in the Theatre. Receipts: #254 15s. (166.15.0; 84.6.6; 3.13.6)

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Afterpiece Title: Lodoiska

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

197
07 January 1749 @ Leicester House

Event Comment: [G$Genest, IV, 288, reports this performance "in or before January 1749," finding the account in the London Magazine. In the Prologue George said of himself, "In England born, in England bred." Quin possibly superintended the royal rehearsals. See note, dl 2 Jan.

Performances

Mainpiece Title: Cato

198
22 October 1730 @ Kew Gardens

Event Comment: DDaily Journal, 23 Oct,: Yesterday being the Anniversary of the Princess Royal's Birth-Day, a Masque was prepared at His Royal Highness's Command, on that Occasion, by Mr Rich, and perform'd by his Company in His Royal Highness's@Gardens at Cue, which were illuminated with above a thousand Lamps

Performances

Mainpiece Title: A Masque

199
07 November 1727 @ Drury Lane Theatre

Event Comment: By Their Majesties' Command. [The King, Queen, Princess Royal, and Princess Carolina present.] Written by Shakespear

Performances

Mainpiece Title: King Henry The Viiith

200
27 January 1728 @ Drury Lane Theatre

Event Comment: TThe King, Queen, Princess Royal, and Princess Carolina present

Performances

Mainpiece Title: The Provok'd Husband