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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Princess Royal"/1) | (@(roleclean,performerclean) "Princess Royal")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2643 results for: Keyword - Princess Royal
We found 1547 matches on Event Comments, 839 matches on Performance Title, 399 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

2526
16 December 1793 @ Haymarket Theatre

Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

2527
21 January 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Dignum; Hawthorn-Bannister; Sir William Meadows-Aiclcin; Hodge-Wewitzer; Eustace-Caulfield; Justice Woodcock-Suett//Lucinda-Mrs Follett (of the Theatre Royal, Covent Garden); Margery-Mrs Bland; Deborah Woodcock-Mrs Hopkins; Rosetta-Miss Leak (1st appearance on any stage) .

Afterpiece Title: HARLEQUIN PEASANT

2528
25 February 1794 @ Haymarket Theatre

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Performance Comment: As17931223, but Richard-Pindar (from the Theatre Royal, Bath; 1st appearance on this stage); Sir James Tyrrel-Waldron Jun.; Lord Mayor-Burton .

Afterpiece Title: MY GRANDMOTHER

2529
14 March 1794 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

2530
09 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

2531
25 April 1794 @ Drury Lane Theatre

Event Comment: Afterpiece: By Permssion of the Manager of the Theatre Royal, Haymarket. The Overture and Music by Dr Arnold. Powell: Children in the Wood rehearsed at 10 (Bannister, Dignum, Mrs Powell, Mrs Bland absent); No Song No Supper at 11 (for Starace, Kelly, Leak, Dignum, Sedgwick); Distressed Mother at 12. Receipts: #385 7s. (310/1/6; 64/10/6; 10/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: THE CHILDREN IN THE WOOD

Song: In Act V of mainpiece a song by Mrs Bland

2532
15 May 1794 @ King's Theatre

Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

2533
23 May 1794 @ Covent Garden

Event Comment: Benefit for Mrs Mountain. 1st piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Herald, 21 May: Tickets to be had of Mrs Mountain at Mr Greak's, No. 3 3 , Tavistock-street, Covent-Garden. Receipts: #274 3s. (109/7/6; 9/19/6; tickets: 154/16/0)

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: LOVERS' QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

2534
03 September 1794 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MD 2, by John Cartwright Cross]: The Overture and the Musick entirely new, by Reeve. Books of the Songs to be had at the Theatre. Morning Chronicle, 9 Sept. 1794: This day is published THE APPARITION (1s.). Morning Chronicle, 30 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE APPARITION

Monologue: 1794 09 03 End of mainpiece, as 30 Aug

2535
06 September 1794 @ Haymarket Theatre

Event Comment: Afterpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: THE PRIZE; or, 2, 5, 3, 8

2536
24 September 1794 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Munden; Young Marlow-Bernard; Hastings-Davies; Sir Charles Marlow-Powel; Diggory-Burton; Sland-Rock; Landlord-Thompson; Jeremy-Farley; Roger-Ledger; Tony Lumpkin-Quick; Mrs Hardcastle-Mrs Davenport (from the Theatre Royal Dublin; 1st appearance on any [sic] stage); Miss Neville-Miss Cornelys; Miss Hardcastle-A Young Lady (1st appearance on any [sic] stage [Miss Hill]).sic] stage [Miss Hill]).

Afterpiece Title: Rosina

2537
07 October 1794 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Holman; Cymbeline-Richardson; Cloten-Bernard; Bellario-Farren; Arviragus-Middleton; Guiderius-Macready; Pisanio-Harley; Caius Lucius-Davies; Lords-Claremont, Davenport; Phillario-Powel; Frenchman-Farley; Iachimo-Pope; Queen-Mrs Fawcett; Helen-Miss Leserve; Imogen-Miss Wallis (from the Theatre Royal Bath).

Afterpiece Title: Robin Hood

Song: II: Hark! Hark! the Lark-Townsend, Linton, Gray, Mrs Martyr, Mrs Clendining, Mrs Mountain, Mrs Henley, Miss Poole

2538
02 January 1795 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Johnstone; Sir Harry Sycamore-Quick; Ralph-Munden; Mervin-Townsend; Fairfield-Richardson; Framer Giles-Haymes (from the Theatre Royal Bath; 1st appearance on this stage); Fanny-Mrs Martyr; Theodosia- Mrs Arnold?; Patty-Mrs Mountain.

Afterpiece Title: Mago and Dago

2539
20 February 1795 @ King's Theatre

Event Comment: A Sacred Oratorio; the music entirely by Guglielmi, composed purposely for Mme Banti at the Royal Theatre of St.@Charles at Naples [in l788]; with Grand Chorusses under the direction of Dr Arnold, who will himself preside at the organ. At the harpsichord, Federici. Leader of the Band, Cramer. The Orchestra, vocal and instrumental, will consist of nearly two hundred performers

Performances

Mainpiece Title: Debora And Sisara

Music: End Part I: a Grand Overture by Haydn-; conducted-Haydn

Song: At commencement Part II: Angels ever bright and fair-Mme Banti

2540
08 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Telegraph

Afterpiece Title: The Comedy of Errors

Afterpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson (for that night only)-Hughes (Manager of the Theatre Royal, Weymouth); Sir John Loverule (with Old Towler)-Incledon (1st appearance in that character); Butler-Townsend; Coachman-Rock; Cook-Rees; Lady Loverule-Mrs Fawcett; Lucy-Miss Stuart; Lettice-Miss Leserve; Nell-Mrs Mattocks (1st appearance in that character).

Song: III 2nd piece: song in character-Mrs Clendining

2541
04 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. 2nd piece: Not acted these 20 years [not acted since 20 Dec. 1773]. 3rd piece: By permission of the proprietor of the Theatre Royal Covent Garden. Morning Chronicle, 20 Apr.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #667 3s. (344.8.0; 22.7.6; 21.8.6; tickets: 278.19.0) (charge: free)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Old Maid

Afterpiece Title: The Poor Soldier

Song: In: will introduce the favourite song In the dead of the night-Mrs Jordan in The Wedding Day; End 2nd piece: a favourite song-Miss Leak; accompanied on the harp-Meyer? Jun

2542
18 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Sga Storace. Mainpiece: By permission of the Proprietor of the Theatre Royal, Covent Garden. Never [previously] acted at this theatre. Tickets delivered for the 11th Instant will be `dmitted. Morning Chronicle, 24 Apr.: Tickets to be had of Sga Storace [for 11 May], No. 26, Howland-street, Fitzroy-square. Receipts: #443 12s. (193.6; 75.4; 5.11; tickets: 169.11) (charge: free)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Prize

Song: In course evening: Lullaby-Sga Storace

Music: End: concerto on the violin-Giornovichi; wherein he will introduce With lowly suit and plaintive ditty, Rule Britannia-

2543
10 August 1795 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. 3rd piece: By permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Chronicle, 6 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: Mountaineers

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Prize; or, 2

2544
21 September 1795 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Toms (from the Theatre Royal, Weymouth; 1st [recte 2nd] appearance on this stage); Capulet-Powel; Benvolio-Macready; Friar Lawrence-Hull; Prince-Richardson; Tibalt-Haymes; Paris-Claremont; Balthazar-Williamson; Montague-Davenport; Peter-Farley; Friar John-Thompson; Apothecary-Rees; Mercutio-Lewis; Lady Capulet-Miss Morris; Nurse-Mrs Davenport; Juliet-Miss Wallis.

Afterpiece Title: Cymon

Dance: In I: a Grand Masquerade-; the Minuet de la Cour and Allemande-Byrn, Mlle St.Amand; afterpiece to conclude with: Dance-

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite Elegy-; (composed by Dr Arne) Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

2545
08 October 1795 @ Drury Lane Theatre

Event Comment: Mainpiece: For the first time here (by permission of the Manager of the Theatre Royal, Hay Market). [Author of Prologue unknown.] Paid Messrs Hammersley & Co.'s Trust Account for Renters, Theatre Rent, Patent Rent, Taxes, Insurance, and other certain Charges for 12 nights Paid each night #100: #1,200. Receipts: #235 9s. 6d. (174.9.0; 59.12.0; 1.8.6)

Performances

Mainpiece Title: The Three And The Deuse [sic]

Afterpiece Title: Lodoiska

Cast
Role: Princess Lodoiska Actor: Mrs Crouch

2546
15 October 1795 @ Drury Lane Theatre

Event Comment: Afterpiece: For the first time here (by permission of the Proprietor of the Theatre Royal, Hay Market). Receipts: #291 11s. (216.19.6; 74.0.6; 0.11.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Peeping Tom

2547
16 November 1795 @ Drury Lane Theatre

Event Comment: [For the naming of the characters in mainpiece, as they were called originally, see 23 Feb. 1792.] Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay Market. Receipts: #272 17s. (181.9.6; 87.9.6; 3.18.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Spanish Barber

2548
23 November 1795 @ Drury Lane Theatre

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: My Grandmother

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

2549
02 December 1795 @ Drury Lane Theatre

Event Comment: Afterpiece: By Permission of the Proprietor of the Theatre Royal, Hay Market. Receipts: #191 5s. (113.4.6; 74.1.6; 3.19.0)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Son-in-Law

2550
05 December 1795 @ Covent Garden

Event Comment: Afterpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. Receipts: #179 13s. 6d. (169.5.0; 10.8.6)

Performances

Mainpiece Title: Speculation

Afterpiece Title: The Agreeable Surprise

Dance: As17951125