SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince of Orange"/1) | (@(roleclean,performerclean) "Prince of Orange")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 921 matches on Event Comments, 720 matches on Performance Comments, 508 matches on Performance Title, 418 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of Her Royal Highness, the Princess Royal. Benefit Mills. Daily Post, 5 March: Colley Cibber...is so ill of a Cold he is not able to Act. Daily Advertiser, 7 March: On Monday Night last a great Disorder happen'd amongst the Footmen at [dl], occasion'd by one of the Orange Women, who meeting with some Affront, as she was passing from the Theatre to the Coffeehouse, drew out her Penknife, and stabb'd a Chairman and two Gentlemen's Servants therewith, before it could be wrench'd from her, and then took Sanctuary in the Coffee-house; but the same was immediately beset, and the People refusing either to produce the Woman, or acquaint the Footmen who she was, they forc'd themselves into the Room, broke all the Glasses and China

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Dance: Denoyer, Mrs Booth, Essex, Miss Robinson, Haughton, Mrs Walter

Event Comment: [Their Majesties, Princess of Orange, and Princesses Amelia and King's Caroline present.]

Performances

Mainpiece Title: Pastor Fido

Event Comment: By Command of her Royal Highness the Princess of Orange. For the Entertainment of Tomo Chachi. .. and Senauki his Queen. For the Benefit of a Family that has sustain'd great Losses. Mainpiece: Written by the Author of The Miser

Performances

Mainpiece Title: Don Quixote In England

Afterpiece Title: Damon and Phillida

Dance:

Song: Songs proper to the Play. The Pleasant Month of May by a Gentlewoman, who never appeared on any stage before

Event Comment: By the Company of French Comedians lately arrived. Boxes 5s. Pit 3s. Gallery 2s. 6 P.M. [Princess of Orange and Princess Caroline present.]

Performances

Mainpiece Title: Lembarras Des Richesses

Afterpiece Title: Harlequin Hulla

Dance:

Event Comment: By Command of their Royal Highnesses the Princess of Orange and the Princess Caroline

Performances

Mainpiece Title: Harlequin Sauvage

Afterpiece Title: La Silphide

Song:

Dance:

Event Comment: Mainpiece: Written by Moliere. [Princess of Orange and Princesses Amelia and Caroline present. For a letter on this night's performance, see Grub St. Journal, 7 Nov.]

Performances

Mainpiece Title: Lavare

Afterpiece Title: La Reun1on des Amours

Event Comment: At the Desire of several Eminent Citizens. Mainpiece: Written by Mr Lillo. Afterpiece: Taken from the French of Moliere, by H. Fielding, Esq. At Common Prices. 6:30 P.M. [Tickets for Grey, Peploe, Mrs Moor taken. The Doorkeepers are ordered not to take tickets sold by Orange Women.] London Daily Post and General Advertiser, 3 July: The Play of George Barnwell, and the Farce of the Mock Doctor . . . was perform'd to a Crowded Audience, with Great Applause . . . The Revival of the above-mentioned Play seems welltim'd, when so many fine Ladies of Pleasure make their Appearance, with unusual Equipages, and their Gallants run the most extraordinary Lengths, to their own Ruin, and Grief of their Friends

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Mock Doctor

Music: Select Pieces. II: A Concerto for two Hautboys performed by Woodbridge and Neale

Dance: I:Jenny come tie me; or, The Neu, Way of Wooing by Davenport and Miss Brett. III: Drunken Peasant by Le Brun. V: Pierot by Davenport and Cox. End Afterpiece: A new Comic Dance by Le Brun and Mrs Anderson

Song: IV: As17350603

Performances

Mainpiece Title: Porus

Performance Comment: Advertised but apparently deferred upon news of the death of the child of the Princess of Orange.
Event Comment: As 23 Nov. [Upon hearing of the death of the child of the Princess of Orange, the Queen sent word that she could not attend this performance.

Performances

Mainpiece Title: Siroe

Performances

Mainpiece Title: Parnasso In Festa

Performance Comment: By Mr Handel for her Royal Highness the Princess of Orange's Wedding. In which will be introduced A Concerto on the Hautboy-Signior St.Martini; A Concerto on the German Flute-Mr Weideman; a Solo on the Violin-Mr Clegg; a Solo on the Violoncello-Signior Caporale; And a Concerto on the Bassoon-Mr Miller.
Event Comment: Benefit Turbutt and Leviez. N.B. There having been a Parcel of Tickets lost or Mislaid, to prevent Impositions on the Publick, notice is hereby given, that proper persons are appointed to attend the Passages of the Theatre, and stop the Admission of Tickets sold by Orange Woman, and others. Tickets deliver'd out by a Gentleman will be taken. Tickets and places to be had of Bradshaw, &c; and at Ben Johnson's Head, in Little Britain; and of Leviez at the Blue Door in Great Queen St., Lincoln's Inn Fields. Receipts: #150

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The King and Miller of Mansfield

Song: I: Song with French Horns-Beard; IV: War he sung was Toil and Trouble-Mrs Clive

Dance: III: New Running Footman's Dance-Phillips; V: a Hornpipe-Phillips

Event Comment: At the particular Desire of several Gentlemen and Ladies. Benefit Mr Shepheard, the Treasurer, and Mlle Roland. Tickets at Angel and Crown Tavern, Whitechapel; Orange-Inn, Carey St., near the Playhouse

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Lying Valet

Dance: I: a Serious Dance-Mlle Roland; III: Sailor's Dance-Delamayne, Mlle Roland; V: (by Desire) a Minuet, Louvre-Delamayne, Mlle Roland. [Dances not in Daily Advertiser.

Event Comment: Mainpiece: By Particular Desire. Powel: Rec'd of the Orange Woman for selling Fruit in the House, in part of #80 for the Season-#10. Receipts: #100 (Cross); #88 14s. (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Miss in Her Teens

Dance: IV: Dance-Cooke

Event Comment: Benefit for Dickenson, Harrison and Chamness. Tickets sold by the orange women will not be taken. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Virgin Unmaskd

Dance: III: Hornpipe-Harrison, Walker; V: Running Footman's Dance, as17501020, but _Mathews, Harrison

Song: IV: Song-Master Mattocks

Event Comment: Benefit for Shawford, Gray, Dunbarr and Burke. N.B. Tickets sold by the Orange Women will not be admitted. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Virgin Unmaskd

Song: I: Master Mattocks

Dance: II: Hornpipe-Master Shawford; III: A Comic Dance-Master and Miss Shawford; V: Louvre, Minuet-Shawford, Mrs Shawford

Event Comment: Mainpiece: By Particular Desire. Receipts: #196 13s. 6d. Paid Mr Hildersley a bill for wig #4 19s. 6d. Rec'd from Barrington #3 5s. 11d. being so much stopp'd from his for 6 nights performance lost on the Princess of Orange's death

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Knights

Dance: As17591012; with a New Comic Dance call'd The Irish Turf@Cutters-Poitier Jr, 1st time here in 3 years, Miss Capdeville

Event Comment: Afterpiece: Scene of the Drawing in Guild-Hallv. Receipts: #69 1s. 6d. Rec'd of Mrs Bellamy #10 7s. 8d. for 6 nights deducted for last season on death of Princess of Orange

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Lottery

Dance: TThe Plowman, as17591121

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: By Command of their Majesties. The great concourse of people at this theatre before the usual time of opening the doors, having been so great as to overpower the persons who were placed to receive the tickets; and as many were forced into the Theatre without an opportunity of paying for their admittance, Mr Giardini is under the greatest concern lest offence should be taken by those not being able to get in, who had sent for tickets to this office. He has given orders that those tickets shall be admitted tomorrow, as the opera of Siroe (by particular desire) is to be performed (Public Advertiser, 23 Jan.). [Pickpockets, including one former soldier, took three diamond earrings, and one hair-ornament set with brilliants, from members of the audience on this night (Daily Advertiser). Found, a new Silver Sword in the Opera House Lobby on S. 21 Jan.; the Owner, by describing the Sword-Knot, may, on applying to the Orange-Woman at the House, have it restored (Daily Advertiser, 24 Jan.).] Lost on going to the Opera a Brilliant Diamond Cross composed of nine brilliants, by Lord Conyngham. Reward of 10 Guineas for Return (Public Advertiser, 23 Jan.)

Performances

Mainpiece Title: Leucippo

Dance: As17640114

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a la Mode

Event Comment: TThe Freeholder's Magazine, Jan. (p. 247): A Card to the Managers of Covent Garden Theatre. A Citizen whose circumstances will not allow him often to attend Theatrical amusements, and who wishes to be entertained for his money, desires a nuisance may be removed which has totally deprived him of all satisfaction the few nights that he has been in the first gallery of your house. Of a cool evening the company within generally draw up the wooden shutters of the openings improperly called windows. An when the gentry without, who are admitted at half-price, find them shut, they begin a violent noise with their sticks, while those within as obstinately insist, that being in a violent heat, they will not let them down to the endangering their healths, by sudden letting in the cold air. Thus a riot is commenced, which frequently stops the play. It was the case in the Best Scene in the Orphan, the first night the Court of Alexander was performed. N.B. The orange girls shamefully encourage it. But the covetousness of the managers is the origin of the evil, by suffering intruders at half-price, after the inside of the gallery is completely filled. If this remonstrance fails, you may expect worse effects, from the injured parties. [See performance of 5 Jan.

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Court of Alexander

Event Comment: Bills were put up for a Word to the Wise. As soon as the Curtain was drawn up a great hissing Mr Garrick went on the Stage Several Plays were propos'd to be done but Mr Kelly's Party would have none but a Word to the Wise & the other Party would not Consent, Mr Garrick offer'd to play himself but that would not satisfy them. at Length the House was dismiss'd about Nine O'Clock (Hopkins Diary). A Word to the Wise, Damn'd (Cross Diary). We stayed from 6 to past 10 in which time Garrick came out 6 or 7 times and talked to the audience, tho' often 5 or 6 minutes before he could be heard. Once he said the author was willing to withdraw his play, but then the party for Kelly [opposed by the Wilkesites] said he had no right to do so: they insisted on the play, the other that it should not be, etc.; the same about what play to be given out, one party calling for the new play and the other against it. When King came on, being called to speak the prologue, the hubbub forced him back, and one or two oranges struck him. The people came away in great numbers after ten and we amongst the rest, and had our money returned. Parson Horne [Horne Tooke] there but did not interfere, tho'at the bottom of it (John Baker, Diary, p. 189)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: A Trip to Scotland

Event Comment: Mainpiece: By Particular Desire. Paid Younger for writting parts #10 4s. 9d.; Paid Mrs Giles for a Blue & Silver suit of women's cloaths #9 9s. (Account Book). To Covent Garden. Beggar's Opera and Commissary. Found the Pit not over fifth full, and on the 4th bench from orchestra orange woman showed me Pol. Kennedy alias Mrs Bevon, on which I went and sat immediately before her, and talked with her much during the play. Pol. Kennedy in cloak and large hat. She is tall, large and raw-boned. Irish features, yet had something in her face and person necessarily attracting notice--was very civil, curteous, and chatty (Baker, Diary, p. 270). [Pol. Kennedy was the Irish actress and contralto who later appeared as Mrs Farrell at dl in 1776 in Arne's Caractacus.] Receipts: #122 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Event Comment: Benefit for Waldron & Mrs Greville. Public Advertiser, 19 Apr.: Tickets to be had of Waldron, No. 16, Glanville-street, Rathbone Place; of Mrs Greville at the Orange Warehouse, the Corner of King-street, Covent Garden. Receipts: #178 15s. (69.0; 15.1; 0.0; tickets: 94.14) (charge: #74 14s.)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequins Invasion

Dance: As17761128

Event Comment: Benefit for Suett and R. Palmer. Morning Herald, 25 Apr.: Tickets to be had of Suett at Richardson's, Stationer, Orange-street, Bloomsbury; of R. Palmer, No. 9, Duke-street, Bloomsbury. Receipts: #307 5s. (65/3/0; 21/6/6; 5/17/6; tickets: 214/18/0) (charge: #105 19s. 7d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Bon Ton