SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince and Princesses of Wales"/1) | (@(roleclean,performerclean) "Prince and Princesses of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1203 matches on Event Comments, 786 matches on Performance Comments, 664 matches on Performance Title, 418 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Widow Jona and her Five Children. Tickets to be had at Arthur's Chocolate House, St James's St.; Prince of Orange's Coffee House, Haymarket; Forrest's Coffee House, Charing Cross; the Rainbow Coffee House in Cornhill; and Places for Boxes to be taken of Mrs Jona in Little Warwick St., Charing Cross, and of Mr Crudge at the stage Door

Performances

Mainpiece Title: The Double Dealer

Cast
Role: Touchwood Actor: Anderson

Afterpiece Title: A Duke and no Duke

Cast
Role: Barberino Actor: Anderson

Dance: As17561023

Event Comment: By Command of his R. H. Prince Edward. To begin at exactly seven o'clock. Doors to be opened at five. [Advertised this night for the first time as a burletta.

Performances

Mainpiece Title: La Serva Padrona

Event Comment: Benefit for the Use of the Marine Society. Towards collecting clothing and equipping the distressed (both men and boys) who are inclined to serve in the Navy. Boxes 10s. 6d. Pit 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had of Mr John Stephens, Secretary to the society, in Princes St., near the Bank; Batson's Coffee House, Cornhill; and of Mr Varney at the Stage Door, where Places may be taken. As this is the Entertainment exhibited this season for this most beneficial undertaking, by which so many distressed Persons as well as Vagabonds have been preserved and rendered useful in the highest degree, it is hoped the polite, the brave and humane, of both sexes, will shew their approbation of this design, by interesting themselves in the promotion of it

Performances

Mainpiece Title: Alfred The Great

Music: I: Concerto on Violin-Pinto; II: Concerto on Hautboy-Vincent; Concerto on Organ-Arne Jr

Event Comment: Benefit for Pritchard, Treasurer. At the Desire of the African Prince the Farce of Catharine and Petruchio is changed to the above pantomime. Tickets of Pritchard at his house in Queen St., and at Stage Door. Receipts: #140 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Queen Mab

Event Comment: & a new P a new +Prologue upon the Prince Wales's birth-day, being now 21. So ended the Season. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Wonder

Performance Comment: As17581007, but Colonel Briton-Holland; an Occasional Prologue-Garrick.
Cast
Role: Colonel Briton Actor: Holland

Afterpiece Title: Queen Mab

Event Comment: [No analysis of Box income.] Expenses #46 16s. 5d. Paid Bill for velvet and White sattin for their Majesties' and the Prince of Wales's Box #138 10s. Bill for Crimson Duchess Velvet & White Sattin used in Coronation #107 16s. Paid Linen Draper's Bill [for 11 April 1759-14 Nov. 1761) #106. Receipts: #231 6s. (Winston Theatrical Record)

Performances

Mainpiece Title: King Henry V

Cast
Role: Gower Actor: Anderson

Afterpiece Title: The Coronation

Event Comment: This day publish'd Semele set to Music by Mr Handel. Price 1s. As it is performed this evening at the Theatre Royal in Covent Garden. Printed for J & R. Tonson in the Strand

Performances

Mainpiece Title: Semele

Performance Comment: Jupiter-; Cadmus- (King of Thebes); Athamas- (Prince of Boeotia, in love with Semele); Somnus-; Apollo-; Cupid-; Juno-; Iris-; Semele- (Daughter of Cadmus); Ino-; Chorus of Priests and Augurs-; Chorus of Loves and Zephyrs-; Chorus of Nymphs and Swains-; Attendants- (Larpent MS 43).

Music: As17620226

Event Comment: Full Princes

Performances

Mainpiece Title: King Henry V, With Conquest Over French At Agincourt

Performance Comment: King Henry-Smith; Exeter-Tindal; Achbp Canterbury-Sparks; Fluellin-Shuter; Gower-Anderson; French Ambassador-White; Mountjoy-Baker; French Soldier-Holtom; MacMorris-Barrington; Jamy-Dunstall; Pistol-Dyer; Bardolph-Marten; Hostess-Mrs Pitt; Williams-Buck; French King-Gibson; Burgundy-Bennet; Dauphin-Davis; Constable-Clarke; Isabel-Mrs Stephens; Catherine-Miss Hallam.
Cast
Role: Gower Actor: Anderson

Afterpiece Title: Coronation

Performances

Mainpiece Title: King Richard III

Performance Comment: Richard-Holland; King Henry-Havard; Prince Edward, Duke of York-Mas. Burton, Miss Rogers; Buckingham-Lee; Richmond-Palmer; Tressel-Ackman; Lord Mayor-Philips; Ratcliff-Castle; Catesby-Packer; Lieut-Moody; Queen-Mrs Pritchard; Lady Anne-Mrs Palmer; Stanley-Bransby; Norfolk-Burton; Duchess of York-Mrs Bennet.
Cast
Role: Richard Actor: Holland

Afterpiece Title: The Lying Valet

Event Comment: Theatres closed for death of Prince William. Died Sunday 29 Dec

Performances

Mainpiece Title: None

Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Musical Lady

Event Comment: The Masque of the Fairy Prince oblig'd to be deferr'd till Tuesday. Paid Whitefield for making cloaths &c. #72 10s. 5d. (Account Book). Receipts. #129 13s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Commissary

Monologue: Between Main and Afterpiece: an Entertainment True Blue; or, The Press Gang. Principal Parts-Mattocks, Reinhold, Baker, Mrs Mattocks; Dance-Aldridge

Event Comment: Afterpiece: Not acted these 2 years. [See 27 April 1770.] Paid Younger #2 2s. for license for Fairy Prince. Paid for 2 fifes 4s. Advanc'd Mr Bulkley as per Note #130 (Account Book). Receipts: #198 13s. (Account Book)

Performances

Mainpiece Title: Timanthes

Afterpiece Title: The Apprentice

Monologue: Entertainment True Blue. As 9 Nov

Event Comment: [Last time of performing till the Holidays. Miss Brown identifield by Winston MS 10 and playbill for 29 Oct. 1772 as the young lady, although Miss Potts and Mrs Woodman would seem likely candidates too.] Paid Dunstall the Balance of Theatrical Fund profit #68 1s. 6d. (Account Book). Receipts: #209 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Woodward; Cross-Shuter; Kitchen-Dunstall; Col. Freeman-DuBellamy; Buck-Davis; Luke-Lewes; Snarl-Wignell; Fleece-R. Smith; Landlord-Morris; Mrs Cross-Mrs Green; Charlotte-Mrs Bulkley; Lettice-Mrs Kniveton; Landlady-Mrs Gardner; Sally-by the young Lady who performed in the Maid of the Mill and the Fairy Prince.

Dance: II: Comic Dance, as17711031

Event Comment: Benefit for Bensley. Afterpiece: Not acted these 2 years. [See 26 May 1770.] Last time of performing till the Holidays. Charges #67 17s. 6d. Profit to Bensley #82 7s., plus #62 13s. from tickets (Box 244; Pit 11). Paid Palmer (wax chandler) #105 18s.; Whitefield for Cloaths made #57 10s.; Pattinson (tallow chandler) #32 10s. (Account Book). Receipts: #150 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Spanish Lady

Performance Comment: Worthy-Mattocks; Major Hearty-Lewes; Lieut.-Fox; Ensign-R. Smith; Anna-By the Young Lady [who perform'd the Fairy Prince and Man and Wife [see17711223]; The Spanish Lady-Mrs Mattocks.

Dance: III: The Lilt, as17720326

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Woodward; Cross-Shuter; Kitchen-Dunstall; Col. Freeman-Perry; Mrs Cross-Mrs Green; Charlotte-Mrs Bulkley; Lettice-Mrs Mattocks; Landlady-Mrs Gardner; Sally-Miss Brown, who performed last season in the Fairy Prince and in Man and Wife.
Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: DuBellamy

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: Benefit for Massey. Tickets to be had of Massey, the Bell and Dragon, near Princes stairs

Performances

Mainpiece Title: A Bold Stroke For A Wife; Or, The Quaker's Wedding

Afterpiece Title: The Devil to Pay

Song: As17760925

Entertainment: Imitations-Master Russell

Event Comment: By Command of Their Majesties."The croud was so great at Drury-lane playhouse, to see the young prince William in his naval uniform, that it was found necessary to throw a kind of bridge from the stage to the pit to liberate several people, who otherwise must have perished in the throng" (Gentleman's Magazine, Mar. 1780, P. 151). Receipts: #271 14s. (259.13; 9.6; 2.15)

Performances

Mainpiece Title: The Tempest

Cast
Role: Ferdinand Actor: Vernon
Role: Miranda Actor: Mrs Cuyler

Afterpiece Title: The Quaker

Dance: I: Dance of Spirits, as17791103; III: a Dance of Fantastic Spirits, as17791103; IV: Grand New Dance, as17800228, but Sga _Crespi

Performances

Mainpiece Title: King Richard The Third

Performance Comment: The Parts of King Richard, D. of Buckingham, Earl of Richmond, Tressel, Prince Edward, Duke of York, Lieutenant of the Tower, Lord Mayor, Duke of Norfolk, Queen-Performers from the Theatres Royal London; Lord Stanley-Rivers; Catesby-Jones; Ratcliffe-Farrel; Oxford-Thompson; Sir William Brandon-Clifford; King Henry-Burnet; Dutchess of York-Mrs Fowler; Lady Ann-Mrs Palmer.
Cast
Role: Sir William Brandon Actor: Clifford

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Performance Comment: SCENE I. Morning, a Landscape. The Rising of the Sun. Hunters preparing for the Chace. When Phoebus the tops of the hills, as17810425; SCENE II. A View of the Rock of Gibraltar, with the Fleet sailing to its Relief; The Storm-Reinhold; [SCENE III. Thunderstorm, Tempest and Shipwreck. Stand to your guns my hearts of oak-Bannister [of dl]; [SCENE IV. A Town Besieged (Painted by Carver; taken from Harlequin Every-where). The Enemies' Attack; the Destruction of the Fort; and an Engagement of the Troops, represented by Moving Figures. O what a charming thing's a battle-Cubitt; [After which a Grand Transparency, representing the famous Battle of Cressy, with the taking of the Bohemian standard by Edward the Black Prince, painted by Cipriani. To conclude with a trio-Davies, Mrs Morton, Mrs Martyr.

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

Performance Comment: : The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110.

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes (King of Sicily)-Henderson; Polixenes (King of Bithynia)-Aickin (Their 1st appearance in those characters); Camillo-Hull; Old Shepherd-Booth; Clown-Quick; Cleomenes-Fearon; Autolicus (with songs)-Edwin; Florizel (Prince of Bithynia)-Lewis; Perdita (Daughter to Leontes and Hermione; with Come, come, my good shepherds)-Miss Satchell; Paulina-Mrs Hunter; Mopsa-Mrs Martyr; Dorcas-Mrs Morton; Hermione (Queen of Bithynia)-Mrs Yates (Their 1st appearance in any of those characters) .

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.
Event Comment: Edward the Black Prince [announced on playbill of 20 Mar.] is obliged to be deferred on Account of the Indisposition of a principal Performer. Receipts: #139 13s. (138/3; 0/10; tickets not come in: 1/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III of mainpiece, as17840320End of Act IV, as17840311athi

Event Comment: Benefit for Suett and R. Palmer. Public Advertiser, 30 Apr.: Tickets to be had of Suett, No. 230, High Holbourn, and of R. Palmer, No. 3, Cecil Street, Strand. Afterpiece: Not acted these 20 years [not acted since 4 Nov. 1762]. Receipts: #227 18s. (29/18/0; 31/14/6; 0/5/6; tickets: 166/0/0) (charge: #107 0s. 9d.)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Parsons; Malvolio-Bensley; Viola-Mrs Bulkley; Maria-Mrs Brereton; Olivia (with songs)-Miss Phillips (1st appearance in that character) .
Cast
Role: Sir Andrew Ague Actor: cheek-Dodd

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .