SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince and Princess"/1) | (@(roleclean,performerclean) "Prince and Princess")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1193 matches on Event Comments, 773 matches on Performance Comments, 661 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphos'd

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Ariadne

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: Ariadne

Event Comment: (Prince of Wales present.)

Performances

Mainpiece Title: Ariadne [in Naxus]

Event Comment: Prince of Orange expected this evening

Performances

Mainpiece Title: Ariadne [in Creta]

Event Comment: [Prince of Wales present.]

Performances

Mainpiece Title: The Silent Woman

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351120.

Afterpiece Title: The Devil to Pay

Event Comment: [Prince of Wales present.] As 12 Jan

Performances

Afterpiece Title: Harlequin Restor'd

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Ferdinand Actor: Johnstone

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess; Or, Love At First Sight

Performance Comment: An edition in 1663 (in Killigrew's Comedies and Tragedies) lists no actors' names, no prologue, no epilogue.
Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Event Comment: The King's Company. Pepys, Diary: [Mrs Pepys] and I to the King's playhouse, and there saw The Island Princesse, the first time I ever saw it; and it is a pretty good play, many good things being in it, and a good scene of a town on fire. We sat in an upper box, and the jade Nell come and sat in the next box; a bold merry slut, who lay laughing there upon people; and with a comrade of hers of the Duke's house, that come in to see the play

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Island Princesse, which I like mighty well, as an excellent play; and here we find Kinaston to be well enough to act again, which he do very well, after his beating by Sir Charles Sedley's appointment

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and saw The Generous Portugalls, a play that pleases me better and better every time we see it; and, I thank God! it did not trouble my eyes so much as I was afeard it would

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Event Comment: The Duke's Company. The date of the first performance is not known, but the Preface suggests that it was given first in the summer; the fact that part of the Duke's Company was at Oxford in July makes June a probable time. Preface: It had the misfortune to be brought into the world in a time, when the Dog-star was near his Reign, and my Judges sat in a hot Bath, rather than a Theatre, and were doubly persecuted by the heat of the weather, and the Impertinence of the Poet; and which was the worst mishap, when the most candid, as well as the most Illustrious Judges (I mean the Court) were absent. A song, Lo behold a sea of tears, with music by John Bannister, for this play, is Choice Ayres and Songs, The First Book, 1673

Performances

Mainpiece Title: Juliana; Or, The Princess Of Poland

Performance Comment: Edition of 1671: Cardinal-Harris; Ladislaus-Betterton; Demetrius-Young; Sharnofsky-Smith; Ossolinsky-Bamfield; Cassonofsky-Sandford; Colimsky-Norris; Landlord-Angel; Theodore-Metburn; Alexey-Crosby; Battista-Westwood; Juliana-Mrs Betterton; Paulina-Mrs Long; Joanna-Mrs Shadwel; The Prologue-; The Epilogue-Paulina, Landlord.
Cast
Role: Cassonofsky Actor: Sandford
Role: Landlord Actor: Angel
Role: The Epilogue Actor: Paulina, Landlord.

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Event Comment: The King's Company. There is no indication as to when the first performance occurred, but as the play was entered in the Term Catalogues, May 1682, its first appearance was probably not later than March 1682. A copy in the Library of Congress has a MS date of 7 July, probably a date of acquisition. A song The larks awake the drowsy morn, with music by Pack, is not in the printed play but is in A New Collection of Songs and Poems by D'Urfey, 1683

Performances

Mainpiece Title: The Injured Princess; Or, The Fatal Wager

Performances

Mainpiece Title: The Island Princess

Event Comment: The United Company. There is no certainty as to when the first performance occurred, but it can hardly be later than 11 Nov. 1690, when it was entered in the Stationers' Register; it was then advertised in the London Gazette, No. 2618, 11-15 Dec. 1690. On the assumption that the performance of Amphitryon on 21 Oct. 1690 followed its premiere, Distress'd Innocence has been assigned to late October 1690. The Overture and seven Act Tunes were composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI (1906), xix. Dedication, Edition of 1691: I must still own my self indebted on all Hands, not only to the kind Audience, but likewise to the kind Company, who amongst other Favours, were pleased to be at the Charge of dressing my Play to so much Advantage. But above all I must make my publick Acknowledgments to Mr Betterton for his several extraordinary Hints to the heightening of my best Characters, nor am I a little indebted to Mr Montfort, for the last Scene of my Play which he was so kind to write for me

Performances

Mainpiece Title: Distress'd Innocence; Or, The Princess Of Persia

Performance Comment: Edition of 1691: Epilogue-Mrs Knight by Mr Montfort; Isdigerdes-Bowman; Hormidas-Montfort; Theodosius-Powell; Audas-Hodgson; Cleontes-Bright; Otrantes-Kynaston; Rugildas-Sandford; Three Persian Magi-Freeman, Baker, Verbruggen; Orundana-Mrs Barry; Cleomira-Mrs Bracegirdle; Doranthe-Mrs Corey.
Cast
Role: Rugildas Actor: Sandford
Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box att the Island Princesse. 15s

Performances

Mainpiece Title: The Island Princess

Performances

Mainpiece Title: The Princess Of Parma

Performances

Mainpiece Title: The Island Princess

Performances

Mainpiece Title: The Island Princess

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Song: The Enthusiastick Song composed and-Leveridge

Event Comment: For the Entertainment of Don Bartholomeo Bernalte Maruso, Alcayde of Rota, and several other Strangers lately come from Spain

Performances

Mainpiece Title: The Island Princess