SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince and Princess"/1) | (@(roleclean,performerclean) "Prince and Princess")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1193 matches on Event Comments, 773 matches on Performance Comments, 661 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until February 1675@6, the references to "Miss-Non-so-Fair," prince Nick, and t'other House Gallants" suggest that it capitalized upon the appearance of Psyche Debauched at dg

Performances

Mainpiece Title: Piso's Conspiracy

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p.162. See also Nicoll, Restoration Drama, p. 349. The Diary of Edward Lake, 16 Nov. 1677: This day the court began to whisper the prince's sullennesse, or clownishnesse, that hee took no notice of his princesse at the playe and balle (Camden Miscellany, 1847, I, 9)

Performances

Mainpiece Title: The Tempest

Event Comment: The United Company. As the play was certainly acted on 1 Dec. 1682, it was probably given also on 29 Nov., in spite of the death of Prince Rupert on that day

Performances

Mainpiece Title: The Duke Of Guise

Event Comment: On this day an order calls for the delivery, customs free, of the properties of the French troupe of the Prince of Orange. See Rosenfeld, Foreign Theatrical Companies, p. 4

Performances

Event Comment: By Elkanah Settle. Luttrell, A Brief Relation, 29 Oct. 1692: This day the usuall show of lord mayors, where the king and queen dined, most of the nobility, &c., but the prince and princesse were not invited: the feast was at charge of lord mayor and court of alderman: the lord mayor subscribed 300#, each she rife, 150#, and the aldermen 50# apeice: the kings regiment of foot guards was all in new cloths, and the horse guards too: the militia of Middlesex were as a guard in the Strand, and the artillery, with silver and steell headpeices, lined tne streets where the mayor came

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: The Portledge Papers, 19 June 1697: On Thursday last in the neighbourhood of Somerset house in the evening was a great entertaynment of Musick and singing in so much as that part of the Strand was so crouded with coaches and sedans that I having occasion to goe that way could hardly Pass and I heard it reported that it was designed for the Prince of Wales birthday but the Lord Feversham hearing of it put it off till Thursday (ed. S. J. Kerr and I. C. Duncan, London, 1928, p. 261)

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 3378, 24-28 March 1698: Next Monday, being the 28th Instant, will be performed in York Buildings, a new Consort of Musick by the chiefest Masters in England, where Signior Rampany, an Italian Musician belonging to the prince of Vaudemont, at the Request of several Persons of Quality, will for once sing in the same in Italian and French. Half a Guinea Entrance

Performances

Mainpiece Title: Concert

Event Comment: Post Boy, No. 459, 12-14 April 1698: Friday next the 15th of April, in York Buildings, at the Request of several Persons of Quality, will be a find Consort, by Seignior Rampony, Musician to Prince Vaudemont, will sing in Italian, French, and English, beginning at 8 a Clock. [A similar announcement in the Post Man, 12-14 April 1698, adds that the tickets will cost 5s.

Performances

Mainpiece Title: Concert

Event Comment: Luttrell, A Brief Relation, IV, 518-79: This day being the anniversary of the kings birth...there was also a fine ball at St. James to conclude the solemnity, where the king was present: their royal highnesses the prince and princesse dined with his majestie at Kensington, who all the while were diverted with a fine consort of musick; and Mr Tate, the poet laureat, presented the king with a curious ode

Performances

Mainpiece Title: Concert

Event Comment: At the desire of some Persons of Quality. For the Entertainment of an African Prince lately arrived here, being Nephew to the King of Bauday

Performances

Mainpiece Title: The Emperor Of The Moon

Performance Comment: Harlequin-Penkethman , without a Masque; And the last new Epilogue never spoken but once-Penkethman.

Song:

Dance:

Event Comment: Elizabeth Coke to Thomas Coke: They say the Queen and Prince was both extremely diverted with it. There was a great deal of Company, but no finery, the Court being in mourning. [Cowper MS, III, 163.

Performances

Mainpiece Title: Sir Solomon Single

Performances

Mainpiece Title: Henry The Fourth: With The Humours Of Sir John Falstaff

Performance Comment: Advertised but not acted because of the death of Prince George of Denmark.
Event Comment: Benefit Prince. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Oedipus, King Of Thebes

Event Comment: Benefit Estcourt. At the Desire of several Persons of Quality. London in 1710 (pp. 138-39): On this occasion the actors represented a prodigiously satirical Interscenium, which was not to be found in the printed copy of the play....In this interlude a troop of soldiers came on, singing at the top of their voices an English song which had been made by the army in Flanders about the Duke of Marlborough. In it Prince Eugene is praised for his open-handedness, while Marlborough, on the other hand, is blamed for his avarice, so that every verse ended: 'but Marlborough not a penny.' The people, who are very bitter against the whole family, even the Duke himself, laughed prodigiously, and bandied about monstrous insults, although Marlborough's daughter, the Duchess of Montagu, was herself at the play and was so greatly shamed that she was covered with blushes....When the song was at an end, there was such a clapping and yelling that the actors were unable to proceed for nearly a quarter of an hour

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

Performance Comment: Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes.
Event Comment: Admission by ticket only at half a guinea. First Gallery 5s. Upper Gallery 2s. At 6 p.m. Letter by Peter Wentworth, 11 Jan.: Wednesday was the Opera and there he [Prince Eugene] brought a great crowd, so much that Operas are to be perform'd thrice a week whilst he stays here (Wentworth Papers, p. 246)

Performances

Mainpiece Title: Antiochus

Event Comment: For the Entertainment of His Highness Prince Eugene of Savoy, His Highness having promis'd his Presence there. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: For the Entertainment of Prince Eugene

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music in Italian, French, English-

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

Event Comment: [Mainpiece: Author unknown. Never Acted before. Afterpiece: By Christopher Bullock. Never Acted before.] The Prince of Wales present. Receipts: #34 19s

Performances

Mainpiece Title: The Lucky Prodigal; Or, Wit At A Pinch

Performance Comment: Edition of 1715 lists: Gerard-Griffin; Charles-Smith; False Marquess-Bullock Jr; Andrew-Knapp; Merlin-Spiller; Jaquinette-H. Bullock; Madam Bertrand-Mrs Kent; Lucinda-Mrs Vincent; Cydne-Mrs Rubridge; Priscilla-Mrs Spiller; Prologue-.
Cast
Role: Andrew Actor: Knapp
Role: Madam Bertrand Actor: Mrs Kent

Afterpiece Title: A Woman's Revenge; or, A Match in Newgate

Performance Comment: Edition of 1715 lists: Thinkwell-Bullock Sr; Freeman-Husband; Bevil-Thurmond; Mixum-Pack; Vizard-C. Bullock; Tim-Spiller; Padwell-Spiller; Harry-Wood; Jack-Rogers; Tom-Ogden; A Fidler-H. Bullock; Celia-Mrs Vincent; Miranda-Mrs Spiller; Corinna-Mrs Thurmond; Mother Griffin-Griffin; Mrs Mixum-Mrs Hunt; Prologue written by Theobald-Keene; Epilogue-Mother Griffin the Bawd.
Cast
Role: Freeman Actor: Husband
Role: Miranda Actor: Mrs Spiller

Dance: Moreau, Shaw, Thurmond Jr, Mrs Schoolding, Mrs Cross; particularly an Italian Night Scene between a +Scaramouch, a Harlequin, and a Punchanello-

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Cibber; Henry VI-Wilks; Buckingham-Mills; Queen-Mrs Porter. Edition of 1718 adds: Prince Edward-$Norris Jr; Duke of York-$Miss Lindar; Richmond-$Ryan; Norfolk-$Boman Sr; Ratcliff-$Oates; Catesby-$Diggs; Tressel-$W. Wilks; Oxford-$Boman Jr; Lieutenant-$Quin; Blunt-$Wright; Lord Mayor-$Miller; Tyrrel-$Weller; Forrest-$Wilson; Dighton-$Higginson; Lady Anne-$Mrs Horton; Duchess of York-$Mrs Baker.
Event Comment: At the Desire of several Ladies of Quality. [The Prince of Wales present. Receipts: #37 19s. 6d.

Performances

Mainpiece Title: The Prophetess

Event Comment: Ryder (p. 195): There is a good deal of mirth in [The Drummer] and something pleasant and entertaining. The prince was at the play. An epilogue was spoken to recommend the cause of religion and liberty and loyalty to the care of the ladies, some part of which was very good. The beginning of it was but dull. However, I was very well pleased to hear it clapped by a full house and a general approbation of the sentiments

Performances

Mainpiece Title: The Drummer

Event Comment: Benefit Miss Younger. By His Royal Highness's Command. Mainpiece: Written by the late Mr Dryden. [The Prince present.

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: The School Boy

Song: A New Cantata-Turner

Music: A New Concerto on the Violin-Bitty

Dance: As17151122; Dutch Skipper-Mrs Bicknell, Miss Younger

Event Comment: Not Acted these Eight Years. Written by Shakespear. Containing, the Death of the Duke of Buckingham. The Fall of Cardinal Wolsey. The Divorce, and Death of Queen Catherine. The Coronation of Queen Anne Bullen, and the Christning of Queen Elizabeth. With Decorations proper to the Play. [The Prince of Wales present.

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: And the Author's Original Prologue-.