SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Lewis of Baden"/1) | (@(roleclean,performerclean) "Prince Lewis of Baden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1816 matches on Performance Comments, 1501 matches on Author, 994 matches on Event Comments, 516 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Driscol, Wilford, Prince, and Trott (Lobby Doorkeeper). Tickets delivered out by Ross, Browse, Elliot, &c. will be taken

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Contrivances

Dance: IItalian Peasants, as17550414

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The What D'ye Call It

Dance: Guerin, Granier, Mlle Capdeville

Event Comment: PPrince of Wales, Edward, Augusta, and 2 more princes. Mr Garrick (By Command) did Osmyn (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: [But unspecified.

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: All For Love

Afterpiece Title: Orpheus and Eurydice

Dance: As17551114

Event Comment: By Command of his Royal Highness the Prince of Wales. Books of the Opera sold at theatre at 1s. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Tempest Opera

Dance: As17560213

Event Comment: Play By Command of his Royal Highness the Prince of Wales. On Thursday, by Desire, Othello

Performances

Mainpiece Title: The Rival Queens

Dance: TheVillagers, as17560315 Les Statues Animees, as17560302

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Frenchified Lady

Dance: FFingalian Dance, as17551126; The Villagers, as17560315

Event Comment: Benefit for Wood, Sub-Treasurer. Tickets deliver'd out for The Mistake will be taken (playbill). For ye Morocco Embassador, who, tho' unlearn'd in out Language, behav'd as if he understood nature -Mr Wood, the Subtreasurer had Tickets (Cross). [Mrs Frances Brooke, in The Old Maid, for 8 May 1756, gives the following eye-witness account of the evening: "I determined to watch the artless working of [the Ambassador's] surprise, and to catch, as well as I could his sentiments of the theatre, the Audience, the Play, and the performers. And shall give them to my readers, just as they appeared to me. On his first coming to the front of the Box, he was complimented with the Applause of the whole House, which seemed to give him great pleasure, and which he returned by two bows in the English, and afterwards by a reverence in the Moorish manner, which last I thought very graceful...tho' he is rather low of stature, yet his loose flowing robes, and his manner altogether gave him such an air of superiority, that I thought the Audience looked only like his attendants. "The House and Spectators attracted his notice so much for some time, that he seem'd very well entertained before the drawing up of the curtain. At the first scene between the Lords, I thought he looked disappointed, and after a transient view of the stage, directed his eyes again to the company; at the entrance of King Henry his attention was a little recover'd to the performance, but his majesty had not proceeded half way thru the scene, before he burst into a most immoderate fit, of apparently contemptuous laughter, which he repeated very often thro' the whole playing of the part. The manner in which this stranger was affected by it, amongst other considerations, fully convinces me that this character is most ridiculously burlesqued in the representation, and that both Shakespeare and the Monarch are very inhumanly sacrificed, to the polite taste, and elegant distinction of the upper gallery....I could point out many abuses of the like nature, which have increased upon us so much of late, that 'tis almost impossible to attend the theatres, with the expectation of receiving pleasure from some parts of the perfbrmance, without the certainty of suffering equal disgust from others; it was the case of many besides myself, at this of Henry, upon the absurdity of Winchester's brandishing his cane at Canterbury, upon the close of the Council Scene; and yet to give opportunity for this notable stage foolery, the Archbishop and Bishop are both made to walk out of their proper order, tho' in attendance upon the King....His character is drawn by Shakespeare very nearly as it stands in history, and in colours far different from the farcical ones, in which it is the present fashion to represent it. He is described indeed as imperious, but at the same time a great Monarch, and not withstanding his short interjections of anger, he is in my judgment upon every occasion a King. I wish this consideration may prevail with Mr Berry, when he plays this character for the future, to remember that tho' Harry as well as Jobson may be something rough and boistrous, yet the turbulency of a haughty prince, is a very different quality, and must therefore appear in avery different fashion, from the sawciness of an impudent cobbler. "Whatever neglect his Moorish Excellency might discover of this part, he paid great attention to that of Queen Catherine; but nothing seem'd to affect him so stronglyas Miss Young's singing, at which he appeared quite collected, and listened to her with all marks of rapturous admiration; his whole soul appeared touched, and at the end of the song, he joined the house in clapping, a mark of applause I did not observe him give at any other time. "I thought upon the King's kissing Anna Bullen, that he appeared surprized and offended, and looked about, to observe whether others were not affected in the same manner. "The procession was less marked by him than I had expected, but upon the Champion's entry on horseback, he burst into such an Immoderate fit of laughter, as to fall quite back in his seat. "At the end of the play he rose, as if to leave the House, but looked very well pleased upon being informed there was more entertainment to come; in the Pantomime he seem'd surprized and disgusted at the appearance of Harlequin, to whom he did not appear reconciled to the last; his wonder was still greater at the flying of the Genii cross the stage, and other parts of the machinery, which I thought he studied byt was puzzled to account for. He laughed heartily at the Clown, and admired Colombine not a little.... "I am jealous of the honour of my country in all respects. I would have this stranger leave it with as high opinion of our publick entertainments as possible, and could wish that at the Old House, he might see Mr Garrick in Richard or some equally striking part, and at the New, he may be present at plays, where rich dresses, magnificent show and graceful action, and uncommon personal perfections in the principal performers might contribute to give him a more elevated idea of our stage, than he can have receiv'd from King Harry."] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Genii

Event Comment: By Command of Prince of Wales. Tickets deliver'd out by Wood, which were to have been admitted this night, will be taken Saturday next, to the play of the Rehearsal. Receipts; #180 (Cross)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Lethe

Dance: DDance of the Millers-

Event Comment: Benefit for Driscoll, Prince, Wilford, Ross and Trott (Lobby doorkeeper). Tickets deliver'd out by Elliot, Browse, &c. will be taken

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lover His Own Rival

Dance: LLes Paisans Gallants, as17551203

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Harlequin Skeleton

Dance: As17561023

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: a new farce call'dLa new farce call'dLilliput

Event Comment: Benefit for the Widow Jona and her Five Children. Tickets to be had at Arthur's Chocolate House, St James's St.; Prince of Orange's Coffee House, Haymarket; Forrest's Coffee House, Charing Cross; the Rainbow Coffee House in Cornhill; and Places for Boxes to be taken of Mrs Jona in Little Warwick St., Charing Cross, and of Mr Crudge at the stage Door

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: A Duke and no Duke

Dance: As17561023

Event Comment: Both pieces by Command of His Royal Highness the Prince of Wales. Mainpiece: A Comedy reviv'd (never acted there) by Beaumont and Fletcher

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: A Duke and no Duke

Dance: Granier, Leppie, Lucas, Miss Hilliard

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales. Mainpiece: Not acted these 10 years [see 8 May 1753]. Written by Beaumont and Fletcher. Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate. [Lucy was played by Miss Sledge; see 4 Feb. 1757.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Frenchified Lady never in Paris

Dance: Poitier, Granier, Lucas, Mlle Capdeville, Miss Hilliard

Event Comment: Both pieces by Command of his Roayl Highness the Prince of Wales

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Englishman Returned from Paris

Dance: As17570128

Event Comment: By Command of his Royal Highness the Prince of Wales. Ladies are desired to send servants to keep places in the Boxes at Half an Hour after Three o'clock. This play will not (after this night) be perform'd till Saturday the 2nd of April, on account of the Actor's Benefits

Performances

Mainpiece Title: Douglas

Event Comment: By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: Douglas

Event Comment: Both Pieces By Command of his Royal Highness the Prince of Wales. This day is publish'd The Male Coquette, or 1757, a Farce in 2 acts, As it is performing at Drury Lane. Printed for Paul Vaillant, faning Southampton St. in the Strand. Price 1s. (Public Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Male Coquette

Event Comment: Receipts: #76 15s. 6d. Rec'd #27 12s. for the deficiency 21 Dec. Paid Barry his one third of the surplus above the #80 House Charges: #0. Paid Mrs Martha Bedwell, Mrs Creighton, Mr Bedwell and Mr Griffin their renter's interest, #24 12s. Gave King's Footmen and Chairmen #4 4s., the Prince of Wales's Footmen and Chairmen #2 2s., and the Princess of Wales's Footmen and Chairmen #2 2s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Cheats of Scapin

Dance: FFingalian Dance, as17571013

Event Comment: PPrince of Wales & 4 (Cross). By Command of Prince of Wales. This day is publish'd Belisarius: A Tragedy, written by Mr Philips, to which is prefixed some account of the life of Belasarius. Printed for J. Staples, opposite Stationer's Hall. Neatly printed. Price 1s. (Public Advertiser). Receipts: #200. (Cross)

Performances

Mainpiece Title: Zara

Ballet: TThe Prussian Camp. As17571223

Event Comment: For ye Author. Prince of Wales & 5 of ye Fam. Mrs Cibber taken ill in the Play, but made shift to finish-Mrs Yates did ye Part on Monday-(Well). Receipts: #220 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: By Command of the Prince of Wales. Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: Mainpiece, Dance, and Afterpiece: By Command of the Prince of Wales. [No receipts in Cross.

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Upholsterer

Dance: TThe Market, as17571126

Event Comment: By Command of his R. H. Prince Edward. To begin at exactly seven o'clock. Doors to be opened at five. [Advertised this night for the first time as a burletta.

Performances

Mainpiece Title: La Serva Padrona