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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Prince Lewis of Baden"/1) | (@(roleclean,performerclean) "Prince Lewis of Baden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4576 results for: Keyword - Prince Lewis of Baden
We found 1816 matches on Performance Comments, 1501 matches on Author, 994 matches on Event Comments, 516 matches on Performance Title, and 0 matches on Roles/Actors.

3851
02 February 1778 @ Covent Garden

Event Comment: King Lear [announced on playbill of 31 Jan.] is obliged to be deferred on account of the Indisposition of Mrs Hartley and Lewis. The Rehearsal having been found too tedious in Representation, and Part of the Dialogue between Bayes and the two Gentlemen wholly obsolete, it has been thought advisable to...reduce the Piece to Three Acts [from the original five]. Receipts: #219 10s. [216.4.6; 3.5.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Rehearsal

Dance: As17780129

3852
24 October 1778 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years. [The playbill assigns Posthumus to Reddish, but "On Saturday afternoon, at four o'Clock, Notice was sent of the extreme illness of Reddish; and Lewis (on Application) finding it impossible to attempt the Character of Posthumus at that very short Notice [not having performed it for some Seasons) it was obligingly undertaken by Brereton of Drury-Lane Theatre" (Public Advertiser, 26 Oct.). Mrs Crawford, as Mrs Barry, had 1st acted Imogen at dl, 1 Dec. 1770.

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Cymbeline

Afterpiece Title: The Dutiful Deception

Dance: End III: As17780921

Song: II: Masquerade Scene, with Singing-Mrs Morton

3853
01 June 1779 @ Drury Lane Theatre

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Cast
Role: Prince of Wales Actor: Palmer
Role: Prince John Actor: Lamash

Afterpiece Title: The Register Office

Dance: End IV: As17780919

3854
21 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Love At A Venture; Or, The Rake Reclaim'd

Performance Comment: Principal Characters by performers engaged from different Theatres: Morris, Barrett, Money, Whitely, Jameson, Sheene, Lewis, Jackson, Middleton, Stanley, Dancer; Miss Fitzherbert, Mrs Sauley, Mrs Waite, Miss Anderson, Miss Brice. Cast not listed. A new Prologue and Epilogue .

Afterpiece Title: The Tobacconist

Monologue: 1782 03 21 End of mainpiece (never performed here) Phelimoguffinocarilocarneymacframe's Description of a Man of War and a Sea Fight, with Explanations, by Mrs Kennedy

3855
16 May 1782 @ Drury Lane Theatre

Event Comment: Tickets delivered by Nash, Helme, Daglish, Dale, Brigg, Barthrope, Master Pulley, Mrs Lewis, Mrs Byrne will be taken. [In mainpiece the playbill retains Du-Bellamy as Lord Aimworth and Williames as Mervin, but on the Kemble playbill their names are deleted and MS annotations substitute Williames and Fawcett. This was Mrs Cargill's last appearance in London. Subsequently she acted in India.] Receipts: #231 17s. 6d. (32/8/0; 22/9/6; 0/15/0; tickets: 176/5/0)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Irish Widow

Dance: End of Act I of mainpiece a Hornpipe, as17820314nd of mainpiece a Minuet by Brigg and A Young Lady (his Scholar [unidentified]); End of Act I of afterpiece The Irish Fair, as17820406

3856
04 October 1782 @ Covent Garden

Event Comment: [Afterpiece in place of Tom Thumb, announced on playbill of 3 Oct.] "Covent Garden Theatre. As personal allusions and party views have been attributed to the dramatic satire, called The Wishes, the author thinks he cannot so effectively disclaim them as by entirely withdrawing the piece" (Unidentified clipping, dated 5 Oct. 1782, The Tale Edition of Horace Walpoles Correspondence, cd. W. S. Lewis, 1955, xxix, 219). Paid Guard for Scene Men from 8 June to 21 Sept., on 9 occasions, approximately #900. Paid Music #7 14s.; properties 9s. [both being an average payment throughout the season per night]. Receipts: #221 8s. 6d. (218/11/0; 2/17/6)

Performances

Mainpiece Title: The Walloons

Afterpiece Title: The Wishes

3857
26 May 1783 @ Drury Lane Theatre

Event Comment: Tickets delivered by Pemberton, Devoto, J. Shade, Newton,. Gardner, Leslie, Mrs Lewis and the Widow Collins will be taken. Receipts: #252 5s. (19/6; 10/8; 1/5; tickets: 221/6)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Irish Widow

Dance: As17821005

3858
26 September 1783 @ Covent Garden

Event Comment: She Wou'd and She Wou'd Not [announced on playbill of 24 Sept.] is obliged to be deferred on account of the Indisposition of a Principal Performer [Lewis (Public Advertiser, 27 Sept.)]. Receipts: #178 2s. 6d. (174/2/0; 4/0/6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

3859
24 May 1784 @ Drury Lane Theatre

Event Comment: Tickets delivered by Alfred, Stageldoir, Dale, Daglish, Gibson, Blandy, Miss Hale, Miss Tidswell, Mrs Lewis, Miss Barnes will be taken. Receipts: #231 1s. 6d. (15/3/0; 6/9/0; 0/1/6; tickets: 209/8/0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: All the World's a Stage

Song: End of Act II of mainpiece The Merry Roundelay, by Miss Barnes

3860
23 May 1785 @ Drury Lane Theatre

Event Comment: Tickets delivered by Alfred, Stageldoir, Dale, Daglish, Gibson, Blandy, Mrs Lewis, Miss Hale will be admitted. Receipts: #229 13s. (28/12/0; 13/13/6; 1/1/6; tickets: 186/6/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: End of Act II of mainpiece Hornpipe by Mills; In afterpiece the Minuet de la Cour, as17850111

3861
07 October 1785 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Wewitzer, Davies, Johnstone; Mrs Kennedy, Mrs Martyr, Mrs Morton, Mrs Wilson, Mrs Webb, Mrs Bannister. [For assignment of parts see17851103].

Afterpiece Title: Barnabv Brittle

Dance: End of mainpiece a new dance (composed by Byrn) The Recruiting Serjeant by Byrn, Ratchford, Mrs Davenett, Mrs Goodwin

3862
26 May 1786 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Performance Comment: Don Julio Lewis; Don Caesar-Quick; Don Vincentio-Edwin; Gasper (1st time)-Kennedy; Don Garcia-Davies; Don Vasques-Fearon; Pedro-Stevens; Don Carlos-Wroughton; Victoria-Mrs Bates; Minette-Mrs Martyr (1st appearance in that character); Laura-Mrs Inchbald; Inis-Miss Platt; Sanchia-Mrs Davenett; Marcella-Miss Rowson; Olivia-Mrs Warren (1st appearance in that character) .

Afterpiece Title: Love in a Camp

Dance: As17851112

3863
29 May 1786 @ Drury Lane Theatre

Event Comment: Tickets delivered by Lyon, Sherratt, Gardner, Daglish, Gibson, Gilles, Finney, Barthrope, Aberdein, Purser, Blandy, Mrs Haskey, Mrs Lewis will be admitted. Receipts: #230 7s. (20/5; 3/17; 0/9; tickets: 205/16)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Waterman

3864
25 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil In The Wine-cellar

Afterpiece Title: I'll Tell You What

Afterpiece Title: The Minor

Song: In 1st piece a favourite glee [singers not listed]. imitations. In the course of 3rd piece various Imitations [of Edwin, Quick, Macklin, Smith, Lewis, Wroughton, Wood, Davies, Robson, Waldron (Public Advertiser, 26 July)] by Bannister Jun

Performance Comment: imitations. In the course of 3rd piece various Imitations [of Edwin, Quick, Macklin, Smith, Lewis, Wroughton, Wood, Davies, Robson, Waldron (Public Advertiser, 26 July)] by Bannister Jun .

3865
04 June 1787 @ Drury Lane Theatre

Event Comment: Tickets delivered by Sherratt, Gibson, Gilles, W. Purser, Lyon, Pilsbury, Brady, Dowglas, Street, Gardner, Bayne, Standen, Mrs Brigg, Mrs Finney, Mrs Lewis will be admitted. Receipts: #284 19s. 6d. (36.2.0; 7.19.6; 0.15.0; tickets: 240.3.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Humourist

Dance: As17861205; End: Minuet and Cotillion-Master Warburton, Miss Taylor, others

Song: As17861205

3866
06 October 1787 @ Drury Lane Theatre

Event Comment: "When Priuli was relating to the Senators the impending and immediate destruction of their wives and families, the Senators, without discovering any emotion, were very pleasantly surveying the house, and laughing with their friends in the Upper Gallery. These gross enormities, that yet hang about our stage and are its disgrace, call aloud for the correcting hand of an intelligent Manager, to weed them out. Thanks to their own genius the Principals take care of themselves-the Subalterns are a disgrace. Is not King responsible for this part at one house, and Lewis at the other?" (World, 8 Oct.). Receipts: #302 2s. 6d. (274.4.0; 27.3.0; 0.15.6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece: The Minuet de la Cour-Hamoir, Miss Stageldoir

3867
06 June 1788 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Appleby, Bayne, Dale Jun., Daglish, Douglas, Gardiner, Gillis, Kirk, Lyon, Standen, Pilsbury, Mrs Lewis] will be admitted. Receipts: #192 1s. (7.11.0; 2.14.6; 0.15.6; tickets: 181.0.0)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The First Floor

Dance: End: Minuet de la Cour and Allemande-Kirk, Miss J. Stageldoir

3868
09 June 1789 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Benson, Bourk, Booth, Dale, Johnston, Jones, Purser, Walker, Miss Davies, Mrs Heard, Mrs Lewis, Miss Stageldoir] will be admitted. [Afterpiece in place of The Doctor and the Apothecary, advertised on playbill of 8 June.] Receipts: #257 2s. 6d. (19.7.0; 7.8.6; 1.10.0; tickets: 228.17.0)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Deserter

Dance: II: a Dance-Hamoir, Miss Stageldoir; End: Highland Reel, as17890502, but Bourk, _Keen

Song: I: the Sheep@shearing Song-Miss Romanzini

3869
15 December 1790 @ Covent Garden

Event Comment: [The playbill announces The Suspicious Husband, but "The performance at this house was changed yesterday evening in consequence of the indisposition of Lewis, and Rose and Colin with The German Hotel were substituted for The Suspicious Husband"(Diary, 16 Dec.).] Receipts: #145 14s. 6d. (135.4.6; 10.10.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The German Hotel

Afterpiece Title: Robin Hood

3870
11 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Hue and Cry

Performance Comment: Characters-Whitfield Hollingsworth, Bland, Bannister Jun., Burton, Suett, Phillimore, Williames, Maddocks, Lyons, Alfred, Webb, Miss Collins, Mrs Williames; Larpent MS lists the parts: Count Abeville, Don Lewis, Don Juan, Perroquet, Fabio, Sanchez, Corregidore, Jailor, Grim, Donna Leonora, Inis. Prologue-Bannister Jun.

3871
25 November 1794 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Lewis, but he "was prevented, by a cold and hoarseness, from performing the part of Gingham" (Morning Herald 27 Nov.). The name of his subsitute is not mentioned.] Receipts: #308 2s. (294.14; 13.8)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Hercules and Omphale

Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

3872
10 January 1795 @ Covent Garden

Event Comment: [as mainpiece the playbill announces The Dramatist, but "In consequence of the indisposition of Lewis, The Dramatist was obliged to be postponed...The Comedy of Errors was the substitute" (Morning Post, 12 Jan.).] Receipts: #220 2s. (190.0; 30.2),

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Hercules and Omphale

Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

3873
25 January 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on La Serva Amorosa and on Il Padre di Famiglia, both by Carlo Goldoni. Author of Prologue unknown. Epilogue by Matthew Gregory Lewis (see text)]. Times, 7 Feb. 1798: This Day is published Knave or Not (2s.). Receipts: #358 2s. (283.11.6; 71.2.0; 3.8.6)

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue-Beard

3874
24 March 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Prize

Related Works
Related Work: The Prize; or, 2.5.3.8 Author(s): Prince Hoare

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

3875
19 May 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor; Epilogue by Matthew Gregory Lewis (London Chronicle, 21 May). Larpent MS 1212 (which lists the following unassigned parts: Old Man, Clerk, Countryman, Boy, Postilion, Waiter, Man); not published]. Receipts: #197 13s. (140.18; 55.11; 1.4)

Performances

Mainpiece Title: She's Eloped

Afterpiece Title: The Virgin Unmask'd