Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Office in the Haymarket"/1) | (@(roleclean,performerclean) "Opera Office in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
4116 results for: Keyword - Opera-Office in the Haymarket
We found 2454 matches on Performance Title, 1866 matches on Event Comments, 224 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3576
29 January 1742 @ Lincoln's Inn Fields

Event Comment: Benefit Galliard. Set to music by Galliard. Pit and Boxes together at 5s., First Gallery 2s. 6d. Upper Gallery 1s. 6d. Tickets at Mr Galliard's in Rathbone Place, near Soho Square. Books of the Opera and Interlude at Mr Theobald's the author's house, in Wyan's Court, Great Russel St. Note, Care will be taken to have the House well air'd. [See 16 April 1741, hay.

Performances

Mainpiece Title: The Happy Captive

Performance Comment: With An Interlude in two Comic Scenes-Signior Capoccio, a Director from the Canary Island, and Signora Dorinna, a Virtuso.
Cast
Role: With An Interlude in two Comic Scenes Actor: Signior Capoccio, a Director from the Canary Island, and Signora Dorinna, a Virtuso.
Related Works
Related Work: The Happy Captive Author(s): Lewis Theobald
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

3577
11 May 1742 @ King's Theatre

Event Comment: Whereas after this Night's Performance fifty Representations of Opera will have been fully exhibited, according to the Proposals made to the Subscribers, this is to give Notice, that no Silver Tickets will be admitted any more this Season

Performances

Mainpiece Title: Meraspe O L'olimpiade

3578
18 May 1742 @ King's Theatre

Event Comment: A new Opera. [Not identified, No edition known. Probably a pasticcio.

Performances

Mainpiece Title: Ceffalo E Procri

3579
01 June 1742 @ King's Theatre

Event Comment: Last Performance of Opera this Season

Performances

Mainpiece Title: Scipione In Cartagine

3580
16 June 1742 @ Haymarket Theatre

Event Comment: By Authority...will be presented a new Ballad-Opera [author unknown], 6:30 p.m. Boxes 5s. Pit 3s. Gallery 2s. Tickets to be had of Mrs Boyd, a Pamphlet Shop, in Leicester St. by Swallow St, opposite the Crooked Billet; at Mrs Gearing's@Toyshop near the Theatre; and at the Doors of the Theatre

Performances

Mainpiece Title: The Rover

Music: A Preamble on the Kettle@Drums, concluding with Handel's Water@Musick-Job Baker

3581
04 December 1742 @ King's Theatre

Event Comment: A New Opera, etc. [Really Gluck's Artaserse, Metastasio's text, a pastiche.] Music by Brivio (from libretto)

Performances

Mainpiece Title: Mandane

3582
22 February 1743 @ King's Theatre

Event Comment: A new Opera. With Dances and other Decorations entirely new. [Rest of description as before on first nights. Not listed as a new piece in the Larpent MS. Text by Zeno; Music by Porpora (Burney, History of Music, IV, 450).

Performances

Mainpiece Title: Temistocle

Performance Comment: Xerxes-Monticello; Themistocles-Amorevoli; Aspasia-Signora Visconti; Roxana-Signora Frasi; Lisimachus-Signora Galli; Sebastes-Signora Contini [from libretto at British Museum].from libretto at British Museum].
Cast
Role: Themistocles Actor: Amorevoli

3583
23 February 1743 @ Covent Garden

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

3584
02 March 1743 @ Covent Garden

Event Comment: RRoyal family attended.-Deutsch, Handel, p. 561. The new Oratorio...has been performed four Times to more crouded Audiences than ever were seen; more People being turned away for Want of Room each Night than hath been at the Italian Opera.-Quoted by Dean, Handel's Dramatic Oratorios, p. 350, from Faulkner's Dublin Journal, 15 March

Performances

Mainpiece Title: Sampson

Music: Solo on Violin-Dubourg

3585
05 April 1743 @ King's Theatre

Event Comment: A new Opera. [Not listed as a new piece in the Larpent MS.] Music by Galuppi (Burney, History of Music, IV, 450)

Performances

Mainpiece Title: Sirbace

3586
15 April 1743 @ James Street

Performances

Mainpiece Title: Turnbridge Walks; Or, The Yeoman Of Kent

Song:

Dance: *c1703 04 15 js *c1703 04 15 js t Mrs Careless. Those Ladies and Gentleman who have taken Places, are desir'd to send their Servants early; and (for fear of a Mistake) to take Notice, that the Playhouse adjoins the Tennis-Court. Tickets for The Beggar's Opera taken

Performance Comment: Those Ladies and Gentleman who have taken Places, are desir'd to send their Servants early; and (for fear of a Mistake) to take Notice, that the Playhouse adjoins the Tennis-Court. Tickets for The Beggar's Opera taken.
Cast
Role: that the Playhouse adjoins the Tennis Actor: Court. Tickets for The Beggar's Opera taken.

3587
07 May 1743 @ King's Theatre

Event Comment: JJohn Branson, Steward, to John, Duke of Bedford: The Opera is a bankrupt. The Directors have run out #1600 and called this General Meeting to get the consent of the subscribers to take this debt upon themselves. This I opposed.--Deutsch, Handel, pp. 569-70

Performances

Mainpiece Title: Sirbace

3588
19 November 1743 @ King's Theatre

Event Comment: [The statement, Musick compos'd by Mr. Handel is regularly repeated in the bills for this opera.

Performances

Mainpiece Title: Roxana

3589
31 January 1744 @ King's Theatre

Event Comment: A New Opera. [Adapted from As You Like It, by Rolli; music by Veracini (Nicoll, Early Eighteenth Century Drama, p. 398).

Performances

Mainpiece Title: Rosalinda

3590
03 April 1744 @ King's Theatre

Event Comment: A New Opera [Descriptions as before. Really a pasticcio; libretto by Rolli (Nicoll, Early Eighteenth Century Drama, p. 389)]

Performances

Mainpiece Title: Aristodemo

3591
24 April 1744 @ King's Theatre

Event Comment: A New Opera [Altered by Rolli from Metastasio's Demetrio; music by Lampugnani (Nicoll, Early Eighteenth Century Drama, p. 388); not listed as a new piece in the Larpent MS.]

Performances

Mainpiece Title: Alceste

3592
11 May 1744 @ King's Theatre

Event Comment: By Particular Desire. The Opera cannot be perform'd on Saturday next, as usual, being Whitsontide Eve

Performances

Mainpiece Title: Alceste

3593
02 June 1744 @ King's Theatre

Event Comment: We hear, that on Saturday last an entirely new Scene of the Temple of Gloryv was shown for the first time in the Opera of Alceste, which as it excell'd everything of that kind for its Magnificance and Elegancy hitherto exhibited in any theatre, so it met with an universal Approbation from a numerous and polite Audience.-General Advertiser, 4 June

Performances

Mainpiece Title: Alceste

3594
05 June 1744 @ no theater listed

Event Comment: On Tuesday last died in Dublin, Mr Thomas Walker, the Comedian, who originally perform'd the Part of Capt. Macheath in the Beggar's Opera.--General Advertiser, 12 June

Performances

3595
09 June 1744 @ King's Theatre

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

3596
22 June 1744 @ King's Theatre

Event Comment: MMonticelli and all the singers and dancers of the opera go away next week, there being no more of these entertainments next winter. Mr. Handell having taken the House...to perform his Oratorios in all the next season.--Lady Ethelreda Townshend to Isabella, Countess of Denbigh, cited from Denbigh MS. in Deutsch, Handel, p. 592

Performances

3597
23 January 1745 @ Covent Garden

Event Comment: The Opera of Pyramus and Thisbe is oblig'd to be deferr'd till further notice, on account of the Indisposition of one of the performers

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: Orpheus and Eurydice

3598
25 January 1745 @ Covent Garden

Event Comment: Afterpiece a Mock Opera, written by Shakespear. The Music composed by J. F. Lampe

Performances

Mainpiece Title: The Miser

Afterpiece Title: Pyramus and Thisbe

Performance Comment: Pyramus-Beard; Lyon-Reinhold; Wall-Laguerre; Moonshine-Roberts; Thisbe-Mrs Lampe [edition of 1745]; The Dances-Cooke, LaLauze, Picq, Villeneuve, Delagarde, Mrs Delagarde, Mrs Duval (General Advertiser).
Cast
Role: The Dances Actor: Cooke, LaLauze, Picq, Villeneuve, Delagarde, Mrs Delagarde, Mrs Duval

3599
31 January 1745 @ Drury Lane Theatre

Event Comment: Afterpiece an opera in two acts not acted these 6 years [see 24 March 1741]. The words by Mr Addison. The Music compos'd by Mr Arne

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Rosamond

3600
09 February 1745 @ Haymarket Theatre

Event Comment: A new Pastoral Opera. [Really a pasticcio. Text-Vanneschi; some music by St. Germain (Burney).] Pit and boxes half a guinea. Gallery 5s. 6:30 p.m

Performances

Mainpiece Title: L'incostanza Deluza