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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Office in the Haymarket"/1) | (@(roleclean,performerclean) "Opera Office in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4116 results for: Keyword - Opera-Office in the Haymarket
We found 2454 matches on Performance Title, 1866 matches on Event Comments, 224 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3526
18 March 1736 @ Covent Garden

Event Comment: Benefit Ryan. Afterpiece: A Ballad Opera (not perform'd these Six Years) reduc'd to two short acts. [Tickets at Ryan's at the Golden Cup, King-street, CG.] Receipts: money #38 1s.; tickets #102 11s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Sylvia; or, The Country Burial

Dance: As17360316

Song: Dialogue by Leveridge and Mrs Wright

3527
30 March 1736 @ King's Theatre

Event Comment: Whereas the Repetition of the Songs add considerably to the Length of the Opera, and which hath been much complain'd of, it is hoped that no Person will take it ill, if the Singers do not make any Repetition for the future

Performances

Mainpiece Title: Artaxerxes

3528
31 March 1736 @ Lincoln's Inn Fields

Event Comment: Benefit Pritchard. At the Desire of several Persons of Distinction. Afterpiece: A New Ballad Opera. [By Henry Ward.] Plays are like Mirrours, made for Men to see, How bad they are, how good they ought to be

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Happy Lovers; or, The Beau Metamorphos'd

Performance Comment: Sir Timothy-Careful-Payne; Beau-the Author; Constant-Hemskirk; Friendly-Pritchard; Charles-Hussy; Jeremy-Ferguson; Celia-Mrs Forrester; Betty-Miss Brunette. With a New Prologue and Epilogue .
Cast
Role: Beau Actor: the Author

Music: V: Preamble on the Kettle-Drums by J. Woodbridge, and the celebrated Water Musick, composed by Mr Handel, accompanied with Trumpets and French Horns

Performance Comment: Woodbridge, and the celebrated Water Musick, composed by Mr Handel, accompanied with Trumpets and French Horns .

Dance: Hornpipe by Ferguson. By Cox, a Pewterer of the City of London, who never appeared on any stage before, particularly a Harlequin and a Scaramouch. Two Pierrots by Smith and La Back. End Afterpiece: Drunken Man of Pritchard

Performance Comment: By Cox, a Pewterer of the City of London, who never appeared on any stage before, particularly a Harlequin and a Scaramouch. Two Pierrots by Smith and La Back. End Afterpiece: Drunken Man of Pritchard .

Song: By E. Roberts

3529
13 April 1736 @ King's Theatre

Event Comment: A New Opera. [By D. Loeli and G. Boldoni. Music by F. Campi.]

Performances

Mainpiece Title: Honorius

3530
29 April 1736 @ Covent Garden

Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Performance Comment: The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson .

3531
05 May 1736 @ Covent Garden

Event Comment: London Daily Post and General Advertiser, 6 May: Last Night the Opera of Ariodante was performed [at CG], in which Signior Gieacchino Conti Ghizziello made his first Appearance, and met with an uncommon Reception

Performances

Mainpiece Title: Ariodante

3532
09 June 1736 @ Covent Garden

Event Comment: See a letter by Thomas Gray to Horace Walpole, 11 June, for a description of scenes in this opera.

Performances

Mainpiece Title: Atalanta

3533
14 July 1736 @ Haymarket Theatre

Event Comment: Benefit the Author of the Farce. Afterpiece: A New Farcical Ballad-Opera. [Author not known. Apparently not published. Tickets for Rowney also taken.] 6:30 P.M

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Comical Disappointment; or, The Miser Outwitted

3534
21 September 1736 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Shakespear. With all the Scenes, Habits, and Decorations proper to the Play. Afterpiece: Written by the late Mr Gay, Author of the Beggar's Opera

Performances

Mainpiece Title: Julius Caesar: With The Deaths Of Brutus And Cassius

Afterpiece Title: The What D'ye Call It

Dance: I: Tambourine-Mlle Roland; II: Double Jealousy, as17360907

Music: Select Pieces-

3535
13 November 1736 @ Covent Garden

Event Comment: [The Queen, Duke, and princesses present.] Lord Hervey to Henry Fox, 13 Nov.: I am just returned with the Queen from a long dull Opera, and a cold, empty House.--Ilchester, Lord Hervey and his Friends, p. 255

Performances

Mainpiece Title: Alcina

3536
19 November 1736 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Shakespear. [For a letter by Catherine Clive on th role of Polly in The Beggar's Opera, see London Daily Post and General Advertiser, 19 Nov.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Fall of Phaeton

Dance: In II: Muilment

Music: Select Pieces-

3537
23 November 1736 @ King's Theatre

Event Comment: A New Opera. Compos'd by Signior Hasse. [Text by Metastasio.] Pit and Boxes at half a guineas. Gallery 5s. 6 p.m. [Prince and Princess of Wales present.

Performances

Mainpiece Title: Siroe

3538
27 November 1736 @ Covent Garden

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

3539
01 December 1736 @ Covent Garden

Event Comment: DDaily Advertiser, 2 Dec.: Signora Strada was taken violently ill of a Fever of sore Throat, so that the Opera of Porus could not be perform'd as was intended; which sudden Indisposition put it out of the Power of the Directors to give earlier Notice to the Town of their Disappointment

Performances

Mainpiece Title: Porus

3540
08 January 1737 @ Covent Garden

Event Comment: Mainpiece: Written by the late Sir Richard Steele. Mrs Pendarves to Mrs Ann Granville, 8 Jan.: I was this morning regaled with Mr Handel's new opera called Arminius, it was rehearsed at Covent Garden.--Delany, Autobiography, I, 587

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

3541
12 January 1737 @ Covent Garden

Event Comment: A New Opera. [Text possibly by A. Salvi. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius

3542
07 February 1737 @ Covent Garden

Event Comment: In the morning Handel's new opera, Justin, was rehearsed. [See Egmont, Diary, II, 342.

Performances

Mainpiece Title: King Lear

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber

3543
12 February 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Il Giocatore

3544
16 February 1737 @ Covent Garden

Event Comment: A New Opera. [Alteration of libretto by N. Beregani. Music by Handel.

Performances

Mainpiece Title: Justin

3545
28 February 1737 @ Haymarket Theatre

Event Comment: Benefit the Author, who is under Misfortunes. Mainpiece: A new Tragedy [by Matthew Gardiner]. Afterpiece: A new Ballad Opera, by the same Author

Performances

Mainpiece Title: The Parthian Hero; Or, Love In Distress

Related Works
Related Work: The Parthian Hero; or, Love in Distress Author(s): Matthew Gardiner

Afterpiece Title: The Sharpers; or, The Female Match-Maker

Related Works
Related Work: The Sharpers; or, The Female Match-Maker Author(s): Matthew Gardiner

3546
12 April 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Frances Veracini.

Performances

Mainpiece Title: Titus

3547
13 April 1737 @ Covent Garden

Event Comment: A New Opera. [Text by Giovanni Alberto Ristori. Music arranged by Handel. Apparently not published.

Performances

Mainpiece Title: Dido

3548
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

3549
26 April 1737 @ King's Theatre

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

3550
18 May 1737 @ Covent Garden

Event Comment: A new Opera. [Text by A. Salvi. Music by Handel.] By His Majesty's Command, [Their Majesties expect to attend.

Performances

Mainpiece Title: Berenice