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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Office in the Haymarket"/1) | (@(roleclean,performerclean) "Opera Office in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4116 results for: Keyword - Opera-Office in the Haymarket
We found 2454 matches on Performance Title, 1866 matches on Event Comments, 224 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3276
22 November 1710 @ Queen's Theatre

Event Comment: Receipts: #173 3s. [When the comedians on 6 Nov. received a license to act, Collier became director of the opera, an enterprise which he farmed out to Aaron Hill. See Cibber, Apology, II, 101-6.

Performances

Mainpiece Title: Hydaspes

3277
06 December 1710 @ Queen's Theatre

Event Comment: Receipts: #128 18s. 6d. [According to Deutsch, p. 30, Francesca Vanini-Boschi introduced a Handel aria into this opera on this day.

Performances

Mainpiece Title: Pyrrhus And Demetrius

3278
25 April 1711 @ Queen's Theatre

Event Comment: At the Desire of several Ladies of Quality. Lady Hervey to John Hervey, 26 April: Yesterday I dined with Lady Dalkeith, and she and Lady Katt: supd with me after the Opera, which was as full as ever I saw it at a subscription, but that was by way of party, in order to get it empty on Saturday (Hervey, I, 301)

Performances

Mainpiece Title: Rinaldo

3279
16 May 1711 @ Queen's Theatre

Event Comment: At the Desire of several Ladies of Quality. Admission as 11 April. And by reason of the Hot Weather, the Waterfall will play the best part of the Opera

Performances

Mainpiece Title: Clotilda

3280
18 January 1712 @ Drury Lane Theatre

Event Comment: At the Request of seveal Persons of Quality. The Spectator, 18 Jan., has a letter from Thomas Clayton, Nicolino Haym, and Charlies Dieupart, who deny the rumor that their purpose in presenting concerts is to destroy opera. Rather they wish to improve the art of music, which they feel is utterly destroyed at the moment; however, there will be no performances at York Buildings until after that of the Subscription

Performances

Mainpiece Title: The Amorous Widow

Entertainment: With several additional Entertainments-

3281
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Afterpiece Title: Thomyris (the famous Scene only)

3282
21 May 1712 @ Mr Mayor's

Event Comment: Benefit Morphy. Tickets 5s. N.B. Several of the best Masters of the Opera doing Mr Morphy the favour to perform in his Consort, it will begin exactly at five, and end in time for Persons of Quality to go there

Performances

Mainpiece Title: Concert

Music: The best Masters; in which several Entertainments on the Silver string'd Harp on which he has had the Honour to play before the present Emperor and the King of Portugal-Mr Morphy

3283
13 December 1712 @ Queen's Theatre

Event Comment: [Not advertised in Daily Courant, but performance inferred in Colman's Opera Register.

Performances

Mainpiece Title: Dorinda

3284
03 January 1713 @ Queen's Theatre

Event Comment: [No advertisement in Daily Courant. Nicoll conjectures this opera (p. 392).

Performances

Mainpiece Title: Dorinda

3285
24 January 1713 @ Queen's Theatre

Event Comment: The Opera of Theseus composed by Mr Hendel will be represented in its Perfection, that is to say with all the Scenes, Decorations, Flights, and Machines. The Performers are much concerned that they did not give the Nobility and Gentry all the Satisfaction they could have wished, when they represented it on Wednesday last, having been hindered by some unforeseen Accidents at that time insurmountable

Performances

Mainpiece Title: Theseus

3286
14 March 1713 @ Queen's Theatre

Event Comment: By Subscription. Colman's Opera Register: The House was very full all these Nights [28 Feb.-14 March]

Performances

Mainpiece Title: Ernelinda

3287
28 March 1713 @ Queen's Theatre

Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

3288
15 April 1713 @ Queen's Theatre

Event Comment: Colman's Opera Register: Theseus, was design'd to be perform'd, but finding they could not get Company sufficient, it was put off until the 18th

Performances

Mainpiece Title: Theseus

3289
18 April 1713 @ Queen's Theatre

Event Comment: With all the Scenes, Decorations, Flights, and Machines. Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a guinea. Colman's Opera Register: A thin House

Performances

Mainpiece Title: Theseus

3290
30 May 1713 @ Queen's Theatre

Event Comment: It being the last Opera this Season. Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes 15s

Performances

Mainpiece Title: Ernelinda

3291
27 January 1714 @ Queen's Theatre

Event Comment: [Dedication signed by N. Haym.]. A new Opera. Pit and Boxes put together and admission by ticket only at half a guinea. Stage Boxes 15s. Gallery 4s

Performances

Mainpiece Title: Croesus

Performance Comment: Mrs Robinson performs a Part. The edition of 1714 lists: Creso-Signora Galerati; Ciro-Valentino; Climenide-Mrs Robinson; Rosena-Mrs Barbier; Adraspe-Signora Margharita; Oronote-Lawrence [, according to MS note in edition in BM, 11714 aa 23]., according to MS note in edition in BM, 11714 aa 23].

Music: As17140123

3292
04 March 1714 @ Queen's Theatre

Event Comment: [Dedication by John James Heidegger.] By Subscription. Stage Boxes 15s. Gallery 5s. Colman's Opera Register: By subscription for six times at ye usuall rate of 10 Guin for 3 Tickets

Performances

Mainpiece Title: Arminius

3293
20 November 1714 @ King's Theatre

Event Comment: Admission as 26 Oct. Colman's Opera Register: ye Prince & Princess of Wales present, ye House not near full. Ye New Singers...meet with little applause as yet Mrs Robinson not singing

Performances

Mainpiece Title: Ernelinda

3294
11 December 1714 @ King's Theatre

Event Comment: By Command. Admission as 26 Oct. Colman's Opera Register: Ye Prince & Princess present, ye House extraordinary full

Performances

Mainpiece Title: Arminius

Dance: As17141204

3295
15 January 1715 @ King's Theatre

Event Comment: By His Royal Highness's Command. Colman's Opera Register: Ye King, Prince & Princess present, & a full House

Performances

Mainpiece Title: Rinaldo

3296
29 January 1715 @ King's Theatre

Event Comment: Colman's Opera Register: a very thin house

Performances

Mainpiece Title: Rinaldo

3297
26 March 1715 @ King's Theatre

Event Comment: By Command; In which twelve Songs will be alter'd. And several new Scenes not seen yet, (design'd for a New Opera) will be shown

Performances

Mainpiece Title: Arminius

Dance:

3298
09 April 1715 @ King's Theatre

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

3299
07 May 1715 @ King's Theatre

Event Comment: By Command. Admission as 23 Oct. 1714. At 6 p.m. Daily Courant 11 May: Whatever Persons paid for Box-Tickets for the Opera of Hydaspes, which was perform'd on Saturday the 7th Instant, by reason of several Persons of Quality (who could not be denyed) coming in without Tickets; those who had taken them, and could not find Room, may send their Tickets to the Theatre-Office...and their Money will be repaid

Performances

Mainpiece Title: Hydaspes

3300
11 May 1715 @ King's Theatre

Event Comment: By Command. Admission as 26 Oct. 1714. Colman's Opera Register: Ye House extraordinary full

Performances

Mainpiece Title: Hydaspes